Cornelis Vreeswijk – “Nog Finns det Här i Världen att Sjunga” (There is Enough to Sing in This World).

Hey people! 🙂 

 

Today, I’d like to share with you a really nice song by Cornelis Vreeswijk. Like a lot of Cornelis’ songs, however, it’s not originally his. It comes from his 1980 album titled En Spjutkastares Visor (Songs of a Javelin Thrower), and like all songs on this album, it was “stolen” from Finland, specifically Finnish singer Tapio Rautavaara, who was very popular in his home country in the 1950’s, and had also had a successful Olympic career, hence the title of Vreeswijk’s album. I’ve already shared several songs from it because I like a lot of lyrics of these songs. A lot of Rautavaara’s songs, including this one (originally called Lauluni Äiheet) and Reissumies ja Kissa were written by a fellow singer, Reino Helismaa, who wrote loads and LOADS of songs, like a few thousands I think, and he had a very accessible and homey style of songwriting. 

 

As much as I think this song is very meh musically, because Finnish tango and schlager-y stuff is generally hundreds of miles away from my alley, I really like this song lyrically and how it’s basically a simple mini songwriting course for beginners. 😀 Maybe a little truistic or cliche, but, really, so what? 

 

Below is a translation of a translation for you (i.e. Bibiel’z English translation of Cornelis’ Swedish translation of Helismaa’s Finnish original), which Bibielz sincerely hope is not too bad but which may have a few mistakes because (you can’t state that too many times I guess), Bibielz are neither an English nor a Swedish native speaker. I also wanted to find some nice Finnish version for y’all, something that would maybe be a bit different, since Finns are known for their quirkiness so I thought maybe someone has approached this tune from a different angle or something, maybe there’s a metal rendition out there (lol!) or a rootsy one with lots of kantele, but nope. I’ve found quite a handful of versions, and among them even one in Spanish, but I don’t really like any of them enough to put them on my blog, so if you’re curious about what it sounds like in Finnish, you’ll need to go look for “Lauluni Äiheet” yourself. If you’d like to know how the Finnish and Swedish versions differ in terms of lyrics/language, here’s a link to an English translation of the Finnish original

 

In case you ask me as I’m on my way singing: 

Where do all your songs come from? 

Then I simply answer: Well, it just happens, 

When you’ve seen the world a few times. 

For songs you can sing whenever and however you want, 

If our Lord has decided that you are fit for it. 

I have a hat full of songs and so I sing them, 

There is enough in this world to sing. 

And when the sun is scorching or the frost is hard, 

Well, then you sing of the cold, or the heat.

From the stars and the sea you can get a nice chord, 

So you go and make a song about that. 

The full moon over the mountains, the cross-country skier on the run, 

A lonely man on the track, one can make a song. 

About the storms that pass over castles and poor farms, 

There is enough in this world to sing. 

You sing about friends or about your beloved, 

Yeah, a song all about the lips so red. 

About fragrant hay and about rosy cheeks, 

About love that makes the moon glow. 

When you’re in love, you hear songs everywhere, 

And when you’re abandoned your heart feels cold. 

Then you sing about the sorrow and find peace in your mind, 

Yes, there is enough to sing in this world. 

That poverty moans and wealth smiles, 

You can write about that in your songs. 

You can cry like you think you’ll never laugh again, 

Time heals all wounds, just wait. 

From poverty to riches the road is quite short, 

For if you forget the money, we’re all the same. 

An old woman is laughing and an infant is smiling, 

There is enough in this world to sing about. 

Maire Brennan – “Grá Dé (The Love Of God)”.

Hey people! 🙂 

 

For today, I’d like to share a Christian song with you, sung by Mire Brennan. While many people classify her music, as well as that of her family band Clannad and her sister Enya, as new age, I guess without much thinking and just based on the sort of ethereal quality it often has and because a lot of people who make new age draw a lot of inspiration from the Celtic folklore, Maire has actually said it herself that she’s not very comfortable with that label, which makes sense because quite a lot of her solo music is very openly Christian. I’ve shared some other of her Christian songs, but I have to say that this is my favourite Christian song by her. Maybe not necessarily my most favourite of ALL her songs, but definitely of the explicitly Christian-themed ones. And, overall, despite being Catholic myself, or actually in some ways perhaps I should say precisely because of it, I don’t really like that much of Christian popular music, for very varied reasons, I don’t even like all of Maire’s Christian songs. But something about this one really speaks to me. The translation below comes from Celtic Lyrics Corner

 

Oh Lord God, fill me with your love

You are the King, the Redeemer 

How wonderful the day

You heard me call

You comforted me

My heart was thirsty

You made me new

You made me strong

Show me Your way with God’s word

You gave me advice

And guided my soul

You gave me courage

And awakened my life

You kept me safe

You made me whole again

My faith is alive with Holy Fire

Oh Lord God, fill me with your love

Oh Lord God, be with me forever

You are the King, King of the universe

You are the King, the Redeemer

There’s hope in my heart

Every morning and every night

See my desire

My Jesus, always be with me

Keep me clean

Keep me true

I will be forever happy in the presence of God

Oh Lord God, fill me with your love

Oh Lord God, be with me forever

You are the King, King of the universe

You are the King, the Redeemer

Oh Lord God, fill me with your love

You are the King, the Redeemer

 

Moya Brennan – “Grá Dé (The Love Of God)”. 

 

Gwilym Bowen Rhys – “Anogaeth i Bawb Feindio ei Fusnes ei Hunan” (Encouragement to All to Mind Their Own Business).

Hi people! 🙂 

 

Today I’d like to share with you an interesting song by Gwilym Bowen Rhys, from the first album in his series Detholiad o Hen Faledi (Selection of Old Ballads). It was written by Welsh 19th century poet and balladeer Richard Williams, known as Dic Dywyll (Dark Dick) because he was blind. It’s the same Dic Dywyll who wrote Lliw Gwyn Rhosyn yr Haf (White Colour of a Summer Rose),  a sort of playful love song which I shared on here performed by Pendevig (a musical project that also included Gwilym by the way), and another version by Gwenan Gibbard.. The melody is that of a traditional tune called Vulcan’s Cave.

 

It’s a witty and satirical ballad which is just what its title says – an encouragement to all to mind their own business – with a lot of vivid and very specific examples of people who didn’t and the consequences they had to face as a result, and it’s quite delicious linguistically, as it’s freakishly long and dense lyrically with a lot of wordplay and fun with language like alliteration (which is something that most if not all Welsh poets and songwriters like to engage in a lot), and a lot of interesting words to learn. As he apparently did in a lot of his ballads, the author also criticises various aspects of the society of his time. 

 

You can find both the original Welsh words and the ENglish translation of this song on Gwilym’s website.  

 

Mary Lattimore – “Silver Ladders”.

Hey people! 🙂 

 

For today, I picked the title track from Mary Lattimore’s album Silver Ladder. It has a little Celtic aspect to it, because it was actually recorded and produced in Cornwall. This particular track was inspired by an experience that Mary Lattimore had, of swimming in the sea on the Hvar island in Croatia. I like how so many of her pieces have some link to the sea or water. 

 

Lynn Saoirse – “Captain Higgins”.

Hey people! 🙂 

 

For today I chose a traditional piece, composed by 18th-century blind Irish harper Turlough O’Carolan and played by Lynn Saoirse. It comes from her album The Seas Are Deep, from which I’e already shared quite a few pieces, and a lot of them are O’Carolan’s compositions. As you can guess from this title, this one is a planxty, dedicated to a soldier named William Higgins from county Mayo, who became a captain in the Royal Irish Dragoons. 

 

Christiane Darby – “Sleep Song”.

Hey people! 🙂 

 

Today I want to share with you this very pleasant lullaby sung and played by Christiane Darby. Originally, this song was performed by Secret Garden, a sort of new-age-y group founded by Norwegian pianist Rolf Lovland and Irish violinist Fionnuala McGill. 

 

Anne Crosby Gaudet – “To the Edge of the River”.

Hey people! 🙂 

 

For today, I want to share with you this gentle, soulful piece by Anne Crosby Gaudet, Canadian harpist and harp teacher. I find interesting because, as Anne writes herself, she was inspired to compose this piece by listening to someone speaking on a podcast and getting an idea to create a sort of portrait of their voice, by using the phrasing and pitch that would reflect that of their voice. I really like that idea. Sometimes I myself have also had such thoughts, that a particular person’s voice could sound really good if it were converted into music, and then I wonder what instrument would be best to capture the essence of what they sound like and what would it sound like in general, so it’s cool that musicians, or at least one musician, actually does such things. And, being a very nosey and curious Bibiel, I can’t help but be curious what podcast it was, and what that individual actually sounds like, and whether I’d perceive their voice similarly to Anne. I really like this piece and a sort of nostalgic storytelling vibe that there is to it. 

 

Loreena McKennitt – “The Stolen Child”.

Hey people! 🙂 

 

Like yesterday, today I’d also like to share with you a heavily folklore-infused song. This is Loreena McKennitt’s musical interpretation of the poem by William Butler Yeats. Yeats had a strong interest in the Irish tales about the fairy folk, and this isn’t his only poem concerning the fairies. As you may know, aside from the fact that I’m generally interested in Celtic folklore, I also have a particular interest specifically in changelings, so I really like this poem and Loreena’s rendition. 

 

Emily Portman – “Tongue-Tied”.

Hi people! 🙂 

 

Today’s song is from Emily Portman’s debut album, The Glamoury. So far, I’ve shared one song by Emily, Two Sisters, which is also from the same album. I discovered her music quite early on in my exploration of English folk, and I really like it, along with what she does as part of other musical projects, such as The Furrow Collective for example, but this album of Emily’s is particularly special to me. It is themed around European fairytales and ballads, which, I guess rather unsurprisingly, given my folkie brain, I absolutely adore, except I’ve loved fairytales way before I discovered that I like folk music, all thanks to my Mum who was herself drawn to them as a child and read tons of them to me as a small child, from all over the world. There is something really enchanting about this album, though it is also dark, like so many traditional fairytales. This one is based on The Seven Ravens, also known as The Seven Swans, in which the mother curses her seven sons and turns them into ravens, and consequently, their sister has to be silent for seven years and weave shirts for them made of sharp whistles so that they can go back to their human form. Emily is accompanied by Rachel Newton on the harp, a lot of whose music I’ve shared on here before, and Lucy Farrell on viola. The three of them also sing in harmony. 

 

Question of the day.

Do you prefer Fridays or Saturdays? 

 

My answer: 

 

I’d say generally I tend to prefer Fridays. I guess it’s for no huge reason, as both Fridays and Saturdays can be cool, and right now it doesn’t really make that much of a difference for me whether it’s a Friday or a Saturday, since I don’t work and I don’t really follow any super rigid schedule or anything (well, I do generally do my Welsh learning on week days and Norwegian on weekends but that’s pretty much it). But I like for example how for us Catholics Fridays are meatless. I’m no vegetarian, but while I think meat is very healthy and all, I donn’t actually like it very much. So I remember that especially as a kid, when I didn’t have as much control over what I had to eat, particularly at school, I enjoyed Fridays because there’d typically be some good food. Unless there’d be fish, which I disliked even more than regular meat but more because it was on my emetophobic no-no foods list and I’m still rather apprehensive of fish. If I were at home as a kid, Mum would often just make chips on Fridays or something like that, so that was really cool for Olek and me. That means it’s not really a sacrifice or mortification of any kind for me to not eat meat, so I have to look for other things that I can sacrifice on Fridays. 😀 

 

Also these days my horse riding is scheduled for Fridays. I don’t have it today, because my instructor is on holidays with her family somewhere abroad and I probably wouldn’t have gone anyway ‘cause it’s super hot, but ever since I’ve renewed my horse riding last year I usually have it on Fridays so I always look forward to Fridays for that reason. 

 

Usually Friday is also the day on which new music comes out, honestly I don’t even know why that is but it seems like it must be some kind of rule totally regardless of the region, genre or anything, and since I listen to a lot of different music, there are almost always some releases that I’m looking forward to. 

 

The way my life works currently, Fridays tend to be quieter and more chill for me than Saturdays. On Saturday, all of the family is usually home, which is really fun, but I really like the week days when there’s just Misha and me and we can enjoy long hours in each other’s company quietly. Also it’s always more likely that some other peeps will come to us on Saturdays, which is not always so cool from my perspective. 

 

I remember when I was a little kid, like a toddler or so, I much preferred Saturdays though. Back then I was very close with my Dad, and his job at the time was a lot more stable, in that he had reasonably stable hours of when he was and was not working, so on Saturdays he was always home and we could spend them together. I very vividly remember us lazing together in my parents’ bed until like 9AM – which I at the time thought was indecently long, especially that Dad usually wakes up at like 5 AM – watching some TV show that he liked watching at the time (which had the creepiest, most evil jingle that always made me shriek out loud and cover my ears 😀 ) and then we’d go downstairs and have scrambled eggs for breakfast, ‘cause back then I did like scrambled eggs, which is one of many more things that make me think that back then I was a completely different Bibiel and that Bibiel got abducted by Moomins at the age of 8 or so. In the summer, we’d also often go to the sea on Saturdays, usually our whole family but occasionally just Dad and I. When I went to preschool, at the beginning my parents tried to help me settle there and feel better by visiting me every other Saturday, and we’d go to the zoo and stuff, so while I remember that I really disliked the weekends that I spent at the preschool as they were rather boring and depressing, I was always really excited for those Saturdays I got to spend out with my parents. 

 

They weren’t able to consistently visit me that often though, since Olek – while being a very independent child – was still very little, and it was a four hours drive, so not really viable long-term to keep going back and forth every two weeks. So later on I would usually come home for holidays and other school breaks, and for an odd weekend or a few in the meantime if it was possible or necessary, and so my parents would usually take me home on Fridays. So I would be really excited all week at the thought of going home soon, and on Friday my excitement would peak, so that’s when I really started liking Fridays I guess. Even when I wasn’t sure at all if I’d be going home, in the early years, when I was still a rather optimistic Bibiel, I liked to hope that I’d go home anyway and every freaking car I’d hear I thought it was Daddy, so Fridays were pretty much synonymous with through-the-roof excitement and giddiness for me and with finding it difficult to focus at school, haha. That also had its downside though, because for me, when I get really excited like that and mentally overstimulated or something, for whatever reason it seems to make me a lot more prone to these things that I collectively call sensory anxiety, and that was not fun at all. Very often my brain would pick up some sound, either while still at school, or even during the ride home, or I’d get the sensory heebie-jeebies some other way, and my entire weekend would be pretty much spoilt because consequently I’d be afraid of my own shadow and every time God only knew when it would stop. And even though going home was fun, it was also kind of stressful and overwhelming to have to change places all over again, especially if I was going for longer and had to take a lot of things with me or something like that. Saturdays at home were cool too, but since I usually only came home for weekends, on Saturdays I was typically already stressing about having to leave tomorrow, so Fridays were cooler. When I stayed at the boarding school for the weekend, I recall that Fridays were usually also quite cool compared with other week days. We could usually stay up later and stuff. 

 

I guess when I was going to the inclusion school closer to home though, I much preferred Saturdays for the mere fact that I didn’t have to go to school. I usually did my homework right away so I had Saturdays completely free, and on Sundays, being a pro ruminator, I already started worrying about the week ahead and all the things that could go wrong. 😀 I also like that Saturdays are very Mishful by definition, because Misha was born on a Saturday. 

 

But yeah, generally, all things considered, I think Fridays rule. 

 

How about you? And why do you prefer the day you do? 🙂 

 

Question of the day.

Is change easy for you? 

 

My answer: 

 

For me, not at all. I actually often say that I’m quite change-phobic. Even when I know that it’s going to be a good change, the process itself is almost always really stressful for me. Even changes that I myself provoke because I think they’re necessary for me. They always involve lots of thinking it through, as I am usually very serious and careful when it comes to decisions that might be life-altering in any way. Once I do think it through and conclude that it’s indeed worth it, there’ll still be hours of rumination before and after the actual change takes place, and my brain will be a mess during the getting-used-to phase. I’ve always been like that and hated and dreaded even the smallest changes as long in advance as I knew about a change being a possibility. So I guess you could say I’m conservative in the most literal way possible. 😀

 

I’ve already written on here a lot about technology-related transitions and changes, of which I’ve had a lot in recent years, about moving houses, renovations and things like that, and I guess about new school year changes that I dreaded all summer as a kid as well. So I thought that, answering this question, I’d focus on one particular type of change that I have a very weird relationship with, namely the very natural changes that happen simply due to passing time, like people changing over time, getting older etc. I’ve only recently had to do some soul-searching and fully realised the extent of it, but it’s always been more or less of a problem for me. I guess a lot of people might dislike these changes or feel a little melancholic/sentimental about them like my Mum is, but for me, it’s not so much about sentimentalism, but more like a mix of anxiety, lack of control, a bit of confusion and probably some other things that I’m not really sure what they are. Basically it kind of upsets me internally when I think of how people, things and situations around me change over time. For example, my Mum turned fifty this year, and she’s been saying a lot how she totally doesn’t feel her age, that it feels surreal to her. Which makes all the sense, because she’s very physically fit and healthy, and some people literally think she’s in her thirties, she’s also generally more mentally flexible I’d say than an average fifty-year-old. I too find this quite absurd to think that my Mum is fifty years old. But recently something made me think of the fact that, actually, a lot of her behaviours – things in the way she talks, thinks, various personality traits that have either strengthened or weakened in her, do feel very much middle-aged and she’s not really quite like she used to be, say, ten years ago. – Sounds obvious, but things like that really feel quite disconcerting to think about.

 

Recently, Olek met a girl, and he seems to be head over heels in love with her. He once had a girlfriend as a teenager, they dated for many years and everyone thought they’d just marry once they become adults and that’ll be it, but they broke up eventually and, until now, he hadn’t dated anyone, at least to my knowledge. Our extended family kept asking him and Mum if he’s finally got someone, but he didn’t even seem interested in seeking love, and given that he’s quite introverted, at some point we’d just assume that he’d just be alone, and figured maybe it’s for the best, as it’s so hard bringing up children these days. He even once said something about considering to be some kind of religious hermit or something (well not exactly a hermit as he heard of some sort of community, not exactly a religious order but more like a lay community in which men live in reclusion and purity and pray and stuff and something about that appealed to him) the mere thought of which had me in stitches, but anyway, no one was really expecting him to find a girl anymore. I’m obviously super happy for his sake, but it also feels scary. I wonder how come it doesn’t feel scary for all the other people, to once witness someone as a toddler guzzling semolina from a bottle and then about to get married. Or maybe I’m just immature or something. Sofi is thrilled, not just for his sake but also just because she thinks it’s really cool, Mum is a little apprehensive but mostly just because she doesn’t know that girl well and she’s a fair bit older from Olek, and it’s obvious that a caring parent would be apprehensive about someone that their child wants to spend the rest of their life with. Bibiel meanwhile is just kind of scared and  confused, and it all feels super awkward. 

 

Sofi has been going through changes nearly daily. This year has generally been hard for us because of Sofi, which I’m not going to go into detail about here, but it has at least in some part to do with how she’s changing, the word “changing” having a very broad meaning in this context. Apparently it makes people feel happy and all fuzzy on the inside to see children grow, but for me, it’s quite depressing. With Sofi way more than any other child I’ve known, because I hadn’t been as close with any other child since such an early age. It’s not like I would want Sofi to stop developing or anything just because I don’t like the fact that she’s changing, but I really miss the little Sofi, and don’t feel quite as comfortable with this new, very different Sofi. 

 

And then there’s Misha. Thankfully he doesn’t change much especially in terms of character, or if he does it’s so slow that you can hardly notice it. Although I’ve recently noticed that his paws have started creaking and popping a bit which never happened before. But I think it’s really scary and unfair that cats have to age so quickly. Any changes concerning Misha feel probably the worst for me, because I’m basically addicted to Misha so I’m really scared of him dying, but also because I know that Misha is also very change-phobic. The slightest change in his routine, or in the way the furniture is arranged in the house, can really upset him, so knowing that about him, any changes concerning him affect me twice as much as any other changes. 

 

Actually just earlier today my cousin visited us, she’s a year younger than me and we generally have a pretty good relationship. She’s a nun, so she comes home like once a year or so. Personality-wise, she hasn’t changed at all, even though at the same time she’s insanely nun-like, even in the way she laughs and little things like that, and I know what I’m saying since I know lots of nuns from the blind school. 😀 But she was telling us how she works in a children’s home and really enjoys working with the children even though they’re very challenging, and was showing us pics of them etc. Which made me think about how her life has changed so much in recent years and how overwhelming that would have been for me.

 

This doesn’t however apply only to people/beings I care about though. I remember when I was a child going to primary school, I once got really depressed when witnessing a few older girls’ graduation. I didn’t even know them all that well, they seemed to like me a bit and I used to hang out with them a bit at the very beginning of my school career but later on we didn’t have as much contact. Yet, seeing them graduate made me inevitably think of how so much time has passed since we were little, and that in a few years’ time it’s going to be my turn to graduate, which filled me with some unspecific dread. Besides, while I wasn’t very attached to them or anything and didn’t mingle with them anymore, for some reason I thought it depressing that they’ll no longer be here. I often feel like that when someone is leaving, even if I don’t even like them very much at all. It’s weird. Sometimes when I see someone after a long time and notice how much their voice has aged, it feels depressing too. It’s like I feel a sort of vague sense of pity towards that person because of how much they’ve aged, even if the change is only slight and they don’t sound bad at all or maybe even better, just a little bit different. I guess it’s fortunate that I can’t see what people look like, as people’s looks tend to change more dramatically over time than their characters or voices. 

 

I sometimes think that maybe it’s because I/my life doesn’t change as much or as rapidly as most other people’s, and is not really typical in a lot of ways. So perhaps the reason it feels odd that, for example, Olek and Sofi are both dating is simply because I’m older than them and don’t have that experience, so even though I don’t necessarily miss having that experience, it does feel a little unnatural perhaps. Same about the aforementioned cousin, she’s younger than me, yet I totally couldn’t do what she does, working in a children’s home, so it makes my brain feel a bit confused that she does it. I have changed a lot internally in recent years, but that’s not as striking, and especially not for myself since I spend all the time with me so I don’t really get to notice the changes other than through my diary for example. But when it comes to myself, I’m even more scared of those natural changes. I’m not particularly afraid of death or even dying, but the idea of aging and living very long really scares me. And I’ve already told you many times about how I never wanted to be an adult when I was a kid, and had that odd dream-vision thing in preschool, in which I saw myself as an adult in a kitchen full of children and cooking food and having no idea wtf to do. 

 

So, how about you? How do you feel about changes? Are any changes more difficult, or easier, for you than others? 🙂 

 

Erutan – Gently As She Goes”.

Hey people! 🙂 

 

Today’s song is by Erutan, which is the stage name of American singer and multi-instrumentalist Kate Covington. I’ve already shared one song by her, called No One But you.  Originally, this song was written for the motion picture Beowulf, and sung by Robin Wright-Penn. I think Erutan’s version has more of a character, and I generally tend to like the vibe of her music. 

 

Lynn Saoirse – “The Butterfly / Paddy Keenan’s”.

Hi people! 🙂 

 

Today I’d like to share with you two traditional tunes played by Irish Celtic harpist Lynn Saoirse. The first one, The Butterfly, is quite popular and has been played by all kinds of Celtic folk artists. The second is an Irish jig. 

 

Lucy Lagoon – “Rastafari”.

Hi people! 🙂 

 

Some two years ago, I shared with you a song called Juicy by Lucy Lagoon. I thought I’d share another song from them today. As I wrote in the post linked above, I discovered Lucy Lagoon back when I had a dominant faza on Jacob Elwy, because Jacob’s brother Morgan played with this group, and when I have a faza on someone I’m also very much interested in getting to know the music that they family make, if any. And I do like the sound of Lucy Lagoon. All the members of this band were students at Manchester University hailing from different parts of the UK and Europe, and influenced by a lot of different music, including reggae which is very much Morgan’s thing.