Hi lovely people. 🙂
This is a song from an artist I really like recently for the feel of her music and her youthful voice. I’ve been listening to a lot of similar British artists on Spotify lately and I’ve seen Maisie Peters as an artist similar to many of them, so at some point I just had to check her out and liked her pretty much immediately. Her music has some simple charm. This song is my most favourite from her, I love the sound of it!
Here’s a song from a young British artist I recently discovered. Lucy May Walker is from Worcestershire, and so far I think I like her music, though I’ve only heard a few songs.
Hi guys. 🙂
I have a folk song for you today, there hasn’t been a lot of folk here lately, I guess. It’s from one of my favourite English folk singers – Lucy Ward. – Apart from being a great singer, Lucy also plays several instruments, mainly guitar and concertina. She performs traditional folk songs, as well as her own material. There’s something in her voice I like. I remember not liking her very much when I first heard her years ago, but somehow her music and her voice have grown on me. She is a very expressive singer in my opinion and you can hear her passion for what she’s doing on her albums, and she generally seems a very positive person. I also like the minimalism in her music, as well as the versatility of the topics of her songs. She’s not afraid of singing about death, violence, murders or protest songs but her music can also have a humourous feel. Lucy Ward was the BBC Folk Awards winner in 2009. The song I want to show you, comes from her debut album, called “Adelphi Has To Fly”, which I think is my most favourite album by her. And this song is a perfect example of what I’ve written about her not being afraid to dig in serious topics, since this song is about a woman living with her constantly drunken husband who was abusing her physically, but you can’t say it’s a serious song at all! Quite a clever idea to deal with the alcohol problem in the family, seems like it was successful! 😀 The song is based on a true story and written by Mike Waterson sometime in the second half of the 20th century.
Hi guys! 🙂
Here’s one of my newishly discovered British bands that I like. Low Chimes used to be known a while back as Hot Feet. I like their vocalist, Marianne Parrish, for her smooth and intriguing vocals (I’ve seen someone comparing her to Sandy Denny from Fairport Convention, I love Sandy! and there is some similarity but not that big that I would ever come up with it on my own) and interesting lyrics. I like the sound of their music overall, it speaks to me. And they even have a Jack in the band! But I forgot what his full name was… Jack… Google, help! Yeah! Jack Page! I knew there was some Led Zeppelin connection, hahaha. Jack is their leading guitarist. So, all that I could like in a band. 😀 Hope you’ll enjoy.
I haven’t posted any songs from this Welsh indie rock band I love, even though I still love them very much. So here’s another song from them, I guess this is the one that has been their most famous song in Wales – “Nawr Mae Drosto”.
Hi guys! 🙂
I am still very much in love with Gwilym’s last album, Arenig, so thought I’d share something else from it with you, this time an instrumental, three-part piece. And, since I am a Jac(k)ophile, in line with the song of the day that I shared with you yesterday – by Jac Richards – this one has also to do with Jac, with its title being “Jac-Yr-Oil”. I have no idea where the title comes from or what Jac is doing in it, I tried doing some research but it hasn’t made me any wiser. In any case, the track is beautiful. Just as the previous one I showed you a month ago – “Lloer Dirion Lliw’r Dydd” – was haunting, emotional, intense and rather melancholic, “Jac-Yr-Oil” is positive, energetic, refreshing, uplifting and full of enthusiasm, which just shows in a nutshell a wide range of emotions one can feel listening to this album. I love this about it so so much!
As I said, it is a three-part music piece, consisting of three folk tunes, one is composed by Gwilym, the second comes from Anglesey’s 18th century fiddler, John Thomas, and the last is a re-arranged composition of Stephen Rees’ “2 Cardi 3”. Here it is. 🙂
Hi guys. 🙂
This is a new artist to me, and I’d assume she’s generally rather new to the music scene because I’ve only found two or so of her songs so far. She’s from London, and I really like her lyrics, she seems to always write them very emotional, so far at least. I also like some synthpop like hers once in a while, so Aislin Evans is definitely one of my non folk British faves right now.