Question of the day.

Hi people! 🙂

If you could spend the day with a celebrity, who would you choose?

My answer:

I’m not particularly oriented nor interested in celebrities overall. I have my fazas but you could hardly call any of them a celebrity. Enya is well-known around the world but she’s way too private to suit that term and you don’t really hear much about her as herself, and Cornelis was a bit like a Swedish celebrity in that all sorts of more or less trashy magazines would tattle about his private life, and he became very well-known shortly before his death, but I’m not sure this term suits him that well either, plus he’s no longer alive. But if that would count, and if he’d be alive I think I’d choose him. If not, I quite like Helena Bonham Carter lately, and although I’m not crazy about her, perhaps it would be really nice to meet her.

You? 🙂

Jack Vallier – “Copenhagen”.

Hi people! 🙂

So, those of you who have been following my blog for a while know about my fazas/crushes and that lately I’ve been in a limbo, which is never a pleasant situation to be in, but is particularly unpleasant when it’s a faza limbo and when your existence is pretty much driven by fazas and stuff that they generate whatever that might be. And because that limbo is my first one – that is, previously I always went smoothly from one dominant faza into another – I feel very uncomfortable in it and am doing a lot of desperate faza hunting, particularly in the world of music because, albeit I do have literary fazas as well, it’s the music ones that are the strongest. You also know then that I’m a Jackophile and that my dream is that my next crush would be called Jack, or something else Jac-. It’s not a requirement whatsoever, I don’t really care what they’re called because as soon as I get a faza I will love their name anyways as far as I know, but that would be just extra nice, I’m just clueless about how to go about active faza hunting so I just had to have something to look out for, so primarily I look around for musicians called Jack or something similar. That doesn’t really help much but at least it is something that I can use as a criterion in my searching.

So there have been a few stronger candidates – one that I won’t even mention by name even though it’s highly unlikely any of my readers would have ever heard of him, but he’s too cringey for my “snobbish”, as a lot of people say, music taste 😀 even though he was actually Sami, and I suspect he has a developing alcohol problem because some kind of alcohol is present in almost all of his music, and I’ve already had a crush who was an alcoholic so I don’t want it to become a pattern hahaha, plus that crush of mine – Cornelis Vreeswijk of course – was so much better of a lyricist, and could write beautifully even about wine, while this guy here cannot. Then there was Jack Christopher Alsopp a.k.a. Just Jack (yeah, I have shared his song here). A nice guy, but too normal for me. I can’t even imagine myself having a faza on him so that was just wishful thinking, I don’t even like his music enough. Then there was Jack Rutter – very folksy and pleasant, from Huddersfield in England (which made me realise I’d just love to have a northern English crush!), I do like him a lot, he’s also a guitarist like all my previous major male crushes, and a bouzouki player like my last dominant crush Gwilym Bowen Rhys. – But, sadly, it didn’t work out. After that, Spotify recommended me a song by Jack Hawitt and Nyaki called “Dark Hotel” (I’ve intended to share it with you but somehow never have, but hope I finally will some day), and then I was familiarising myself with Jack Hawitt’s music, which was pleasant, but… you may have guessed it – too normal, too mainstream-y. – Then there was Hamish Napier, a fantastically versatile musician from Strathspey in Scotland – he’s a flautist, pianist, singer and what not – and his musical comfort zone is very wide. Versatility is something I really appreciate in a crush, I can’t imagine myself having a crush on someone one-dimensional because, if you are familiar with the meaning of the word faza for me, it helps me to develop, and it’s easier when there’s more diversity, but somehow my brain and Hamish Napier’s and his music didn’t click strongly enough. Also one of his parents is a harpist – I don’t know which one, though of course it most likely must be his mother, and I don’t know her name, but that’s a nice fact isn’t it? – It didn’t help anything. My faza is not going to be on Hamish Napier. There also was Jack Pantaleo, I believe he’s from California and also seems fairly versatile – he’s a social worker and has some background in psychiatry, but also is a certified harp therapist. – If you didn’t know, harp therapy and harp healing is a thing in many places all around the world, there are academies, online courses, certificates, and then such people work in hospitals, care homes, other institutions, do music therapy and such. I’ve been interested in it for a long time as a harp lover, and I thought it would be really cool to have not only a crush who is a harpist (such a rare thing for a guy to be a harpist these days isn’t it?) but also a harp healer. He has apparently written a book, and that book is accompanied by a CD with his music, and this seems to be his only album. I had a listen to it, and while obviously I love harp, and so I enjoyed listening to it, I didn’t find anything special or above average in his play, though then again, I am neither a harpist nor anyone with music background so I’m just saying how I feel very subjectively about his music. Also, while I like my faza objects to be unpopular and not frequently heard of in general, there has to be at least some info available about them in whatever language of the world, otherwise there’s not enough fuel to get my faza going for long enough. And there’s not much info on Jack Pantaleo. I wouldn’t even know how he sounds or probably not even what he looks like. There have been a few songs on his albums, with vocals, but I really disliked the voice of the vocalist.

And so, finally, getting to the actual topic of this post, there has also been Jack Vallier whom I have discovered a few days ago. Very normal, too, but I do like his music, and this one song in particular, it’s been sitting in my brain since I first heard it. As I was reading on him and immersing myself in his music, at some point Zofijka heard him in my room and she said she likes him – he does sound very much like something Zofijka would like – and then we were talking about him, that I thought he could be my new crush, and then, because Sofi liked him, she got very excited about it and wanted to see what he looks like, because that’s always my mission for her when I have a new crush, that she has to see what they look like and describe them to me and give me her opinion. Usually it works so that the more Zofijka is disgusted, either by their music or looks, the more this person is worth my attention. 😀 From my previous crushes she has only approved of Declan Galbraith but only until he matured and changed his looks and music style a bit. So, while I told her that it seems highly unlikely that Jack Vallier will be my next crush even though I do like his music despite it’s just pop, she ran to her laptop and looked him up. At first I thought it was very promising because Sofi kept making all the gagging noises and choking and such very spectacularly for a very long time implying that she’s throwing him up because he’s so disgusting, but when she finally was capable of speaking coherently she said “Well, no, actually, he’s just… he’s okay, he’s just… normal. I just don’t like guys with earrings”. 😀 Me neither for that matter, haha, though if I got a serious faza on him I probably would care very little about that.

Jack Vallier is from Bournemouth, UK, as far as I know, and his music is really cool, and pleasant, albeit normal. I hope that if, by any chance, Jack ever sees that post he won’t feel that it’s a critic or an offense or sarcasm or anything because it’s not meant as such. I seriously like a lot of “normal” music, as you can clearly see from my blog, and I don’t perceive it as inferior or wrong as long as it’s not trashy or overly cliche. This song of his is my favourite. 🙂

Enya – “O Come, O Come, Emmanuel”.

Hi people! 🙂

Perhaps you remember that I was sharing a lot of Enya’s music last year around Christmas with you. I was sure I must have shared this song, but looks like I haven’t, so I think it’s the right time to do it now, since this is primarily an Advent hymn! And I think in Enya’s version it sounds so extremely beautiful. Both full of some silent, secret euphoria, as well as nostalgia. I hope you like it too. 🙂

Cornelis Vreeswijk – “Een Paleis Van Zand” (A Palace Of Sand).

Hi guys! 🙂

Today is the 32nd anniversary of one of my musical crushes – Cornelis Vreeswijk’s – death. I wasn’t even alive yet when he died, yet, in some respect, of all my music crushes I feel the closest to him, despite he is no longer my dominant crush since a couple of years. I just think our brains have a lot in common, despite you really wouldn’t think so at a first glance. 😀

I have no idea if I’ve ever posted any of his Dutch language music, but if not, the time has come today. As you may know from my earlier posts on him, he was Dutch but spent most of his life in Sweden, and most of his songs and poems are written in Swedish. But there are some Dutch ones too, and not only the translations of his Swedish works. The song I want to show you exists only in Dutch and is beautiful! Well, at least that’s my feeling. I don’t speak Dutch yet, although I am planning to and hoping for it very much, and I know lyrics are usually much more important, and the more so more interesting, in his music than the actual music, they never leave a neutral impression on me when I understand them, I always either love them or hate them (the latter is usually about the political and often the more strongly socially themed ones). This song I only understand in pieces, from what I know from Dutch, and from what sounds similar to English and Swedish. But I’m sure it must be really beautiful and it sounds so. So I hope you enjoy it too.

 

Cornelis Vreeswijk – “Ann-Katrin, Farväl” (Farewell, Ann-Katrin) & Marie Fredriksson – “Ann-Katrin, Farväl”.

Hi guys! 🙂

So why not have a listen to another song by Cornelis Vreeswijk, plus a cover by Marie Fredriksson?

Again, we have a female character here, which comes up even more often in Vreeswijk’s songs and poems. The character of Ann-Kat(a)rin Rosenblad is based on his muse and friend who was Ann-Christin Wennerström. And, the portrayal of her that we get from all the songs with her in them is quite interesting and ambiguous. I like Ann-Katrin a lot and hearing this song always makes me sad. First, because it comes from Cornelis’ very last album, (Till Fatumeh – Rapport Från De Osaligas Ängder”) which was recorded about a month or so before his premature death (he died from liver cancer at 50). Secondly, because the song indicates that Ann-Katrin was a drug addict, amphetamine more exactly as in the case of Vreeswijk, though he was taking loads of other stuff as well. The lyrics have a kind of raw but at the same time rather elusive feel and I really regret that I’m not good enough in neither Swedish nor English to write an adequate English translation for you without risking a major linguistic catastrophe and a great prophanity, the more that there are none available online. The only thing that bugs me is the music style of it. Like, seriously, the lyrics on that last album are really captivating, you don’t have to agree with what he wrote and I most often don’t but his lyrics always have that captivating quality, but the musical arrangement of this album is mostly screwed. He maybe wasnät the greatest composer, but was such a great blues singer, and even managed to convince me to appreciate jazz a tiny little bit, and he was great at incorporating folk themes and motives in his music. And that last album is very much like classic 80’s pop, and this track is a great representation of it. I don’t like that at all and it clashes with the lyrics and generally with Cornelis’ actual musical style unbelievably! That turn to pop was motivated by that, after some years of relative fame, he had become forgotten and the way I understand it from what Iäve read he wanted to get the attention of people by doing something more… ahem, timely, or whatever, especially he wanted to attract younger people. It didn’t work, that is, he did get a lot of fame and largely from young people in Sweden after his death but not because those last two pop-ish albums did that, it was thanks to the Roskilde Festival where he played shortly before his death and, well, it looks like for artists it’s a common situation that they only get appreciated after they die. Perhaps that was better for him.

I like the expression of Marie Fredriksson’s interpretation of this song. I think in case of music, like, generally the arrangement, it’s her who wins here! But she’d never write as good lyrics as Vreeswijk did, haha. Marie Fredriksson’s cover again comes from the tribute album “Den Flyggande Holländaren”.

Cornelis Vreeswijk – “Felicia Adjö” (Goodbye, Felicia) & Marie Fredriksson – “Felicia Adjö”.

Hi guys! 🙂

I’m feeling a bit in a crush limbo right now. I have a gut feeling that my crush on Gwilym is fading slightly and it’s worrying me that there’s no one on the horizon that could become my dominant crush. Is this the end of crushes for me? Was my aunt seriously right that this is something all people grow out of, or am I getting more depressed or something? I can’t imagine not having a crush, it’s like driving a car that has no fuel, I’m getting a bit panicky. It’s either that I need to save my crush on Gwilym or I need someone new very very soon.

In the meantime, I’ve been looking back on all my delightful crushes lately. Reading all my elaborate diary entries about them and laughing my brain out – not that it was so funny but for some reason reading all that made me laugh, despite they’re still all my crushes, just faded more or less. – And I thought I’d share something from one of my crushes on my blog as well. So why not Cornelis? Also, because I find it really interesting to listen to people’s covers and interpretations of his songs, whether good or bad, just out of curiosity, it will be both the original version of a song by Cornelis Vreeswijk, and a cover by Marie Fredriksson. Yes, Marie Fredriksson from Roxette. She’s had a rich solo career as well, I guess mostly in Swedish. I am not a big fan of her at all, but she did this song in an interesting way, in her own style, and I used to like Roxette as a very, very little child. This was one of the first symptoms of my developing Swedish obsession, I just didn’t know many things Swedish apart from Roxette and Astrid Lindgren and I liked one song by them very very much, but generally Roxette and Marie Fredriksson are not my style, not anymore.

The song I want to share with you is called “Felicia Adjö”, and I guess is one of more popular songs of Vreeswijk. Felicia is a recurring character in his songs and poems, there is one whole album “Felicias Svenska Suite” in which Felicia is present in pretty much every song I guess. I wonder if she was based on someone in real life, like some of his other characters were but we’ll probably never know. The title translates as “Goodbye, Felicia”, but it has nothing to do with the “bye, Felicia” expression haha. The song is some 30 years older than the movie. Though I know that Vreeswijk’s Felicia was an inspiration for some Swedish writers, I guess there is a crime novel called “Felicia Försvann” (Felicia Disappeared) which is the beginning of this song.

And the song is about the fact that Felicia disappeared “As the bird from its nest. As the ice when the spring comes. As love when it’s hurt. As luck with no return”. She is dead like all of us will be some day, and with her, his last hope died, whoever the lyrical subject is.

The song had been re-recorded multiple times plus he played it live very often, but the first recording comes from the album called “Tio Vackra Visor Och Personliga Persson”, and I will share this one with you as is is the original. If I remember correctly, the album was recorded around the time when Cornelis played in the film “Svarta Palmkronor” (Black Palm Trees) in Brazil, and spent quite some time in South America, so this album is very much influenced by Brazilian music which you can hear in this song as well.

Marie Fredriksson recorded this song – as well as three others written by Vreeswijk – for the tribute album “Den Flygande Holländaren” (The Flying Dutchman).

So, there you have it, here is Felicia.

Celtic Woman – “Orinoco Flow”.

Hi people! 🙂

Celtic Woman are one of my most favourite Irish/Celtic groups, yet I’ve only shared one song with you so far. I’ve recently seen that they released something new, including a newer version of “Orinoco Flow” that they also sang before, but I decided I like the older version more and will show it to you. It comes back from the times when they had their good old line-up, with Lisa Kelly, Meav and such, I liked them best at that time in the history of the band, though I still do like them a lot.

The song was originally song and composed by ENya and appeared on one of her earliest albums back in the eighties – “Watermark”. – If you know me and my blog at least a bit, you probably already know Enya has been one of my major music crushes over the years. Curiously however, “Orinoco Flow” is the only song of hers that I really, really don’t like, as much as I love all her other songs and compositions. It was played a lot and is still one of the most recognisable songs by Enya, I believe, and I knew it way before I started loving Enya and discovering her music. In fact, at the beginning I thought I disliked all of her music, it had to grow on me and it did very suddenly. But “Orinoco Flow”, despite my brave attempts to like it, remains the only song of Enya’s that I do not like, and almost hate. Why is that? I don’t even exactly know. 😀 Perhaps I have some bad associations with it that I don’t realise, which is very possible, in any case, for some reason it makes my sensory anxiety come up. Weird, given how relaxing Enya’s music is and how normally it’s very soothing to me. Anyway, I do like it by Celtic Woman, so maybe it depends on an arrangement or whatever. So, here it is. I hope you enjoy. 🙂