Enya – “O Come, O Come, Emmanuel”.

Hi people! 🙂

Perhaps you remember that I was sharing a lot of Enya’s music last year around Christmas with you. I was sure I must have shared this song, but looks like I haven’t, so I think it’s the right time to do it now, since this is primarily an Advent hymn! And I think in Enya’s version it sounds so extremely beautiful. Both full of some silent, secret euphoria, as well as nostalgia. I hope you like it too. 🙂

Cornelis Vreeswijk – “Een Paleis Van Zand” (A Palace Of Sand).

Hi guys! 🙂

Today is the 32nd anniversary of one of my musical crushes – Cornelis Vreeswijk’s – death. I wasn’t even alive yet when he died, yet, in some respect, of all my music crushes I feel the closest to him, despite he is no longer my dominant crush since a couple of years. I just think our brains have a lot in common, despite you really wouldn’t think so at a first glance. 😀

I have no idea if I’ve ever posted any of his Dutch language music, but if not, the time has come today. As you may know from my earlier posts on him, he was Dutch but spent most of his life in Sweden, and most of his songs and poems are written in Swedish. But there are some Dutch ones too, and not only the translations of his Swedish works. The song I want to show you exists only in Dutch and is beautiful! Well, at least that’s my feeling. I don’t speak Dutch yet, although I am planning to and hoping for it very much, and I know lyrics are usually much more important, and the more so more interesting, in his music than the actual music, they never leave a neutral impression on me when I understand them, I always either love them or hate them (the latter is usually about the political and often the more strongly socially themed ones). This song I only understand in pieces, from what I know from Dutch, and from what sounds similar to English and Swedish. But I’m sure it must be really beautiful and it sounds so. So I hope you enjoy it too.

 

Cornelis Vreeswijk – “Ann-Katrin, Farväl” (Farewell, Ann-Katrin) & Marie Fredriksson – “Ann-Katrin, Farväl”.

Hi guys! 🙂

So why not have a listen to another song by Cornelis Vreeswijk, plus a cover by Marie Fredriksson?

Again, we have a female character here, which comes up even more often in Vreeswijk’s songs and poems. The character of Ann-Kat(a)rin Rosenblad is based on his muse and friend who was Ann-Christin Wennerström. And, the portrayal of her that we get from all the songs with her in them is quite interesting and ambiguous. I like Ann-Katrin a lot and hearing this song always makes me sad. First, because it comes from Cornelis’ very last album, (Till Fatumeh – Rapport Från De Osaligas Ängder”) which was recorded about a month or so before his premature death (he died from liver cancer at 50). Secondly, because the song indicates that Ann-Katrin was a drug addict, amphetamine more exactly as in the case of Vreeswijk, though he was taking loads of other stuff as well. The lyrics have a kind of raw but at the same time rather elusive feel and I really regret that I’m not good enough in neither Swedish nor English to write an adequate English translation for you without risking a major linguistic catastrophe and a great prophanity, the more that there are none available online. The only thing that bugs me is the music style of it. Like, seriously, the lyrics on that last album are really captivating, you don’t have to agree with what he wrote and I most often don’t but his lyrics always have that captivating quality, but the musical arrangement of this album is mostly screwed. He maybe wasnät the greatest composer, but was such a great blues singer, and even managed to convince me to appreciate jazz a tiny little bit, and he was great at incorporating folk themes and motives in his music. And that last album is very much like classic 80’s pop, and this track is a great representation of it. I don’t like that at all and it clashes with the lyrics and generally with Cornelis’ actual musical style unbelievably! That turn to pop was motivated by that, after some years of relative fame, he had become forgotten and the way I understand it from what Iäve read he wanted to get the attention of people by doing something more… ahem, timely, or whatever, especially he wanted to attract younger people. It didn’t work, that is, he did get a lot of fame and largely from young people in Sweden after his death but not because those last two pop-ish albums did that, it was thanks to the Roskilde Festival where he played shortly before his death and, well, it looks like for artists it’s a common situation that they only get appreciated after they die. Perhaps that was better for him.

I like the expression of Marie Fredriksson’s interpretation of this song. I think in case of music, like, generally the arrangement, it’s her who wins here! But she’d never write as good lyrics as Vreeswijk did, haha. Marie Fredriksson’s cover again comes from the tribute album “Den Flyggande Holländaren”.

Cornelis Vreeswijk – “Felicia Adjö” (Goodbye, Felicia) & Marie Fredriksson – “Felicia Adjö”.

Hi guys! 🙂

I’m feeling a bit in a crush limbo right now. I have a gut feeling that my crush on Gwilym is fading slightly and it’s worrying me that there’s no one on the horizon that could become my dominant crush. Is this the end of crushes for me? Was my aunt seriously right that this is something all people grow out of, or am I getting more depressed or something? I can’t imagine not having a crush, it’s like driving a car that has no fuel, I’m getting a bit panicky. It’s either that I need to save my crush on Gwilym or I need someone new very very soon.

In the meantime, I’ve been looking back on all my delightful crushes lately. Reading all my elaborate diary entries about them and laughing my brain out – not that it was so funny but for some reason reading all that made me laugh, despite they’re still all my crushes, just faded more or less. – And I thought I’d share something from one of my crushes on my blog as well. So why not Cornelis? Also, because I find it really interesting to listen to people’s covers and interpretations of his songs, whether good or bad, just out of curiosity, it will be both the original version of a song by Cornelis Vreeswijk, and a cover by Marie Fredriksson. Yes, Marie Fredriksson from Roxette. She’s had a rich solo career as well, I guess mostly in Swedish. I am not a big fan of her at all, but she did this song in an interesting way, in her own style, and I used to like Roxette as a very, very little child. This was one of the first symptoms of my developing Swedish obsession, I just didn’t know many things Swedish apart from Roxette and Astrid Lindgren and I liked one song by them very very much, but generally Roxette and Marie Fredriksson are not my style, not anymore.

The song I want to share with you is called “Felicia Adjö”, and I guess is one of more popular songs of Vreeswijk. Felicia is a recurring character in his songs and poems, there is one whole album “Felicias Svenska Suite” in which Felicia is present in pretty much every song I guess. I wonder if she was based on someone in real life, like some of his other characters were but we’ll probably never know. The title translates as “Goodbye, Felicia”, but it has nothing to do with the “bye, Felicia” expression haha. The song is some 30 years older than the movie. Though I know that Vreeswijk’s Felicia was an inspiration for some Swedish writers, I guess there is a crime novel called “Felicia Försvann” (Felicia Disappeared) which is the beginning of this song.

And the song is about the fact that Felicia disappeared “As the bird from its nest. As the ice when the spring comes. As love when it’s hurt. As luck with no return”. She is dead like all of us will be some day, and with her, his last hope died, whoever the lyrical subject is.

The song had been re-recorded multiple times plus he played it live very often, but the first recording comes from the album called “Tio Vackra Visor Och Personliga Persson”, and I will share this one with you as is is the original. If I remember correctly, the album was recorded around the time when Cornelis played in the film “Svarta Palmkronor” (Black Palm Trees) in Brazil, and spent quite some time in South America, so this album is very much influenced by Brazilian music which you can hear in this song as well.

Marie Fredriksson recorded this song – as well as three others written by Vreeswijk – for the tribute album “Den Flygande Holländaren” (The Flying Dutchman).

So, there you have it, here is Felicia.

Celtic Woman – “Orinoco Flow”.

Hi people! 🙂

Celtic Woman are one of my most favourite Irish/Celtic groups, yet I’ve only shared one song with you so far. I’ve recently seen that they released something new, including a newer version of “Orinoco Flow” that they also sang before, but I decided I like the older version more and will show it to you. It comes back from the times when they had their good old line-up, with Lisa Kelly, Meav and such, I liked them best at that time in the history of the band, though I still do like them a lot.

The song was originally song and composed by ENya and appeared on one of her earliest albums back in the eighties – “Watermark”. – If you know me and my blog at least a bit, you probably already know Enya has been one of my major music crushes over the years. Curiously however, “Orinoco Flow” is the only song of hers that I really, really don’t like, as much as I love all her other songs and compositions. It was played a lot and is still one of the most recognisable songs by Enya, I believe, and I knew it way before I started loving Enya and discovering her music. In fact, at the beginning I thought I disliked all of her music, it had to grow on me and it did very suddenly. But “Orinoco Flow”, despite my brave attempts to like it, remains the only song of Enya’s that I do not like, and almost hate. Why is that? I don’t even exactly know. 😀 Perhaps I have some bad associations with it that I don’t realise, which is very possible, in any case, for some reason it makes my sensory anxiety come up. Weird, given how relaxing Enya’s music is and how normally it’s very soothing to me. Anyway, I do like it by Celtic Woman, so maybe it depends on an arrangement or whatever. So, here it is. I hope you enjoy. 🙂

Gwilym Bowen Rhys – “Jac-Yr-Oil”.

Hi guys! 🙂

I am still very much in love with Gwilym’s last album, Arenig, so thought I’d share something else from it with you, this time an instrumental, three-part piece. And, since I am a Jac(k)ophile, in line with the song of the day that I shared with you yesterday – by Jac Richards – this one has also to do with Jac, with its title being “Jac-Yr-Oil”. I have no idea where the title comes from or what Jac is doing in it, I tried doing some research but it hasn’t made me any wiser. In any case, the track is beautiful. Just as the previous one I showed you a month ago – “Lloer Dirion Lliw’r Dydd” – was haunting, emotional, intense and rather melancholic, “Jac-Yr-Oil” is positive, energetic, refreshing, uplifting and full of enthusiasm, which just shows in a nutshell a wide range of emotions one can feel listening to this album. I love this about it so so much!

As I said, it is a three-part music piece, consisting of three folk tunes, one is composed by Gwilym, the second comes from Anglesey’s 18th century fiddler, John Thomas, and the last is a re-arranged composition of Stephen Rees’ “2 Cardi 3”. Here it is. 🙂

 

Question of the day.

Who was your first crush, celebrity, or non-celebrity?

My answer:

My very first childhood crush was probably my Dad’s friend, I really have no idea why. I only have a vague recollection of him now and can’t see anything interesting about him. 😀 And then there are my famous, intense music crushes, and the first one was Enya. I guess I was about 11-12 when it started. It wasn’t a romantic crush. Enya was someone in between my idol, a kind of soothing presence with her music in my rather chaotic life, a replacement mother figure, like I thought about her that she’s my secret second mummy or something like that, and she was my fascination, like all my music crushes are, and the very first flame which started my whole Celtophilia and all that. She’s no longer my dominant crush since years, but is still there in the background very strongly, like all my music crushes!

How about your first crush? 🙂