Lisa Lynne ft. Aryeh Frankfurter – “Interlace II”.

Hey people! 🙂

For today, I chose another piece from this duo who make Celtic instrumental music. This is quite a short piece, and it comes from their album Weaving Worlds, where there are I believe 5 of those pieces called Interlace, just because they literally interlace with other tracks on this album. And this is the second one of them.

Pigyn Clust – “Merched” (Girls).

Hey people! 🙂

The band I want to introduce you today has probably one of the most unfortunate names I’ve ever come across when it comes to bands. Because pigyn clust means ear ache in Welsh! How creative! But I’m pretty sure that listening to their music won’t cause you an ear ache, it’s beautiful. They’re mostly people from Gwynedd, and they make amazing folk music. This song here, that I want to share with you, I’m pretty sure it’s a traditional oone. I really like it in their interpretation.

Enya – “No Holly For Miss Quinn”.

Hi guys! 🙂

Today I’m sharing with you another solo piano piece by Enya. This one is closely related to her earlier piece, “Miss Clare Remembers”, in that they are both inspired by short stories written by English author Miss Read. Enya enjoyed reading about the countryside life in these stories and found the people in them interesting. I learned about the origins of these two songs relatively recently and, while I still haven’t read these stories, I think I will at some point, because they sound like something that might be right up Bibiel’s alley. The music they inspired is definitely beautiful.

Gwilym Bowen Rhys – “Jeri Bach Gogerddan”.

Hey people! 🙂

I’ve been hearing lately that Gwilym Bowen Rhys is about to release a new album, which is exhilarating news to me! It will be part two of his “Detholiad o Hen Faledi” (Selection of Old Ballads), the first part of which he released in I believe 2018. I don’t know when exactly it’ll come out, I don’t know if there’s any official date and I just haven’t seen it yet, but it seems like it could be any time now.

Before it comes out though, I thought it would be a very good idea to share with you something from his most recent album – “Arenig” from 2019 – about which I wrote a fair bit when it came out, which contains both traditional material and his original music, however somehow I didn’t really share all that much from it on here, I guess only two tracks. So today will be another one.

This is Gwilym’s original composition, which commemorates the Welsh Romani Gypsies community and their influence on Welsh folk music, and, from what I read when the album come out, it is particularly in honour of Abram Wood, also known as the father of the Welsh Gypsies, who was a fiddler and was said to introduce the fiddle to Wales. He had a large family and apparently a LOT of his descendants were great harpists. Here is this little piece.

Camille and Kennerly – “Ballad Of The Goddess (From The Legend Of Zelda).

Hey people! 🙂

I’ve shared a lot of harp music with you over the last year, but so far still haven’t shared anything from this very interesting harp duo, so now is the time.

Camille and Kennerly Kitt – also known as The Harp Twins – are, you guessed it, twins, identical twins, who both play harp and have been immensely dedicated to it since ann early age. They are American but have a lot of Scandinavian ancestry. They have a YouTube channel where they post their music, which is mainly instrumental covers of soundtracks or popular songs or the like. And they’re really good at it. They seem to have a very wide audience judging from how a lot of people apparently know them and from how many subscribers they have, so it’s really fun that they popularise the harp a bit.

This is their rendition of “Ballad Of The Goddess” from the Legend of Zelda, which I totally love!

Y Trwynau Coch – “Byw Ar Arian Fy Rhieni” (Living On My Parents’ Money).

Hi guys! 🙂

I shared two songs from this 70’s Welsh band in the past, and I thought I’d share another one today. Their career was relatively short and it’s entirely possible that I wouldn’t stumble upon their music if not the fact that the lead singer of the band – Rhys Harris – is also father of one of my faza subjects – Gwilym Bowen Rhys – and so I learned at some point about Gwilym’s dad being part of this band in the past and obviously had to check them out. Y Trwynau Coch (or The Red Noses in English), who were known for their lyrics being generally very much tongue-in-cheek (much like Gwilym’s former band Y Bandana), are the perfect example of how sometimes people take advantage of their language being small and not widely spoken, and write some rather mind-boggling lyrics, because no one’s going to understand them anyway so why not. 😀 To not look too far for examples, Welsh-Cornish singer Gwenno Saunders wrote a song all about cheese in Cornish. Well, I don’t know if that’s seriously a frequent motive behind what minority languages speakers write their music about, but the amount of weird lyrics in smaller languages music makes you think. I’ve come across a lot of such bands and artists in a lot of languages, even though usually they just go for weird or sometimes nonsensical lyrics, which I can’t blame them for because I think I would also feel very tempted to make fun of people in such a way if I were a minority language musician. 😀 But Trwynau Coch, in one of their songs – “Merched Dan Bumtheg” (Girls Under Fifteen) take the weirdness to the next level, and go all the way to where weird turns into creepy. That song was really… ewww, I don’t think anyone in any language would get away with this these days! This was shocking even for the 70’s standards and apparently they were even banned from radio stations who were niche enough to play them until then. Mostly though, from what I’ve heard people had a lot of distance to it, probably because it was a minority language so they mostly didn’t see it as a very big deal. I generally have a lot of distance to things and appreciate cheeky, mischievous lyrics, which is why I do like Y Trwynau Coch overall, but the case of that particular song is really awful and not fun at all imho.

That was just a bit of trivia and obviously I’m not going to show that song to you. The one I chose is, as you can figure out from the title, all about parasitising one’s parents and having the attitude of taking things for granted. 😀

The band didn’t reach higher popularity because they dissolved in the 80’s, probably because of seeking some more stable incomes because doing music in a small language isn’t very lucrative, and you have to live somehow (unless you have parents who let you live on their money and you’re okay with it 😀 ), and so they ended up doing something different in their lives long-term, except for Huw Chiswell, who I’ve heard was also a member of this band and he’s still a singer and songwriter and quite renowned in Wales.

Enya – “Morning Glory”.

Hey guys! 🙂

Today I’d like to share with you another piano-driven piece by Enya. I really love its harmony. As is often the case with Enya’s music, this piece doesn’t have lyrics, but I also couldn’t find anything about its background or the inspiration behind it, so I think we can be free to imagine it being about whatever it makes us think of.

BrunuhVille – “Celtic Love Song”.

Hi guys! 🙂

Today I’m just sharing a bit of a random song with you that I came across some months ago when looking for more music featuring harp that I could add to my Bibiel’s Playlist For Sleep on Spotify, and this was one of the songs that ended up catching my attention. It has a bit of a modern Celtic feel, while I generally prefer the more traditional and folklore-infused things, but it’s still really pleasant to listen to and I think many of you may enjoy it.

Y bandana – “Dŵr, Tân, Cân” (Water, Fire, Song).

Hey people! 🙂

Today I’d like to share with you a song from Y Bandana – one of the bands which Gwilym Bowen Rhys (one of my faza subjects) used to be a member of. – I said it already before on here but I really like how it shows Gwilym’s musical versatility and diversity – when you’ll listen to what he does with Y Bandana, with Plu and then solo, it all feels quite a lot different yet he’s thriving in all those music realms. Y Bandana was a rock band that he and his cousins and his friend founded as teens, and they were really successful in Wales, and recognisable for their humorous, kind of cheeky, mischievous and sometimes a bit silly lyrics. The song that I want to share with you however is different, because it really has quite a different style than all of their other songs. It comes from their final album Fel Ton Gron, which to me has a bit more musically adventurous and mature feel to it but at the same time is still very much their style and I think it’s my favourite album of theirs. But, like I said, this one song has a different feel to it than their music in general or the rest of the album, more folky in a modern way than rocky definitely, yet at the same time it complements the album as a whole very well and it doesn’t feel out of place at all. And I like the differentness of it, so that’s mostly why I want to share it with you.

Cornelis Vreeswijk – “Balladen Om Fredrik Åkare”.

Hey people! 🙂

Thought that I’d share another song by Cornelis Vreeswijk with you today, one from his debut album from 1964. It is called, as you can figure out from the title, “Balladen Om Fredrik Åkare” and it should not be confused with one I shared before and that is very popular in Sweden – “Balladen Om Herr Fredrik Åkare Och Den Söta Fröken Cecilia Lind”, that one was later.

From what I’ve read, this Fredrik Åkare guy (whose name could also be translated to English as Fredrik Rider), is based on a real life person, that is Cornelis’ brother-in-law, husband of his younger sister Ida. Somewhere else though I’ve read that he was something like Vreeswijk’s alter ego, so I am a bit confused, but I guess it could simply be so that Fredrik Åkare played slightly different roles in different songs, depending what he was needed for, and he could as well have been some sort of a blend of these two people, anyway he is one of those characters (like Ann-Kat(a)rin Rosenblad, that I wrote about a little before 

who appear quite regularly in his various lyrics and poems.

This song has always had such a depressive and resigned feel to me. I don’t feel like writing a translation and I don’t want to botch it, so I thought I’ll just tell you what it is about, which is strongly from my point of view, the way I understand and feel this piece.

The lyrical subject – I think we cann assume that here it’s the author – meets Fredrik Åkare somewhere out in Stockholm – as Cornelis once said at one of his later concerts, this was in January, on a cold, early morning. – They meet, presumably after not seeing each other after quite a long time, and just have a friendly catchup, although it is mostly Fredrik talking and pouring his brains out, because it turns out that a lot has changed in his life since they’d last seen each other. He’s been wandering aimlessly, not really sure of anything in his life as it seems. When the lyrical subject asks him about his wife, he says that, indeed, he had a wife, but he has divorced her. He also says that she has taken everything they/he had, so he’s pretty much left with nothing, but he doesn’t give a fuck, as he says. So he’s just kind of living without any purpose or anything, walking around Stockholm like that, seemingly unsure about anything in his life, whether future or past, kind of oblivious to whatever is going to happen and letting things go however they will in a bit of an apathetic manner I’d say, or as he says himself – “like in a trance”. – But what is most important to him is that now – after a lot of emotional upheaval and sorrow – he is free.

I must say I don’t really get this understanding of freedom – being left with nothing, even without a family you used to have, and it especially doesn’t speak to me because he doesn’t really seem all that happy with this arrangement, and life still sucks for him, but I suppose it was just the next best thing, in his opinion. This frantic looking for freedom is quite characteristic of a lot of Cornelis’ lyrics or poems and it always makes me sad when I think of it because it doesn’t seem like he ever found it during his life. But then, does anyone? It’s probably just that some people lack it even more and so feel it a lot more keenly, dealing with all sorts of addictions and other things like that. Cornelis himself was married to three women over the course of his life and divorced all of them, but this bit about Fredrik Åkare’s divorce can’t be inspired by his personal experiences because if I remember correctly he married his first wife, Ingalill Rehnberg, the same year that his debut album came out, and he was with Ingalill for four years. Not that it wasn’t a difficult relationship from the start, from what I know.

So yeah, a depressing piece really, or so it is to me.

Celia Briar – “Farewell To Music”.

Hi guys! 🙂

This beautiful solo harp piece with an oh so depressing title that I feel like sharing with you today comes from the Irish harpist whose music I’ve shared with you quite often before – that is Celia Briar. – I think it’s one of her more beautiful pieces so I hope you enjoy it too. 🙂

Órla Fallon – “My Forever Friend”.

Hey people! 🙂

A song that I’d like to share with you today comes from Irish singer and harpist, perhaps most known for being a former member of Celtic Woman, but who has also released several solo albums – Órla Fallon. – I love her angelic vocals and her harp play. She is also Christian, or clearly seems to be, considering that she has recorded quite a lot of Christian songs and Christmas carols. This song also reflects it very well.

While, to be honest, it doesn’t resonate all that much with me musically as a lot of Órla’s other music does, there’s too much country feel in it for me on this whole album, the way she sings it is so heartfelt, and the lyrics are lovely and of course very relatable for all Christians, if also a little childish, which in my opinion only gives them more charm. So all that makes me really like this little tune and I think a lot of Christians may feel the same. It was written by a British teacher – Charles Alexander Landsborough.

Jacob Elwy a’r Trŵbz – “Zion”.

Hey people! 🙂

When I get a new faza,

I listen to their music almost all the time, and it is no exception with Jacob Elwy. I also like sharing my fazas’ music with other people, but as you may have noticed I haven’t been so generous with sharing Jacob’s music on here. I indeed try to be a bit more sparing, because it’s not like he’s released a lot of music so far, it’s only singles, and I don’t want to run out of it too quickly. On the other hand I also don’t want to be too monothematical and if this series was to thoroughly reflect my listening activity, this blog would be heavily Jacob-dominated right now. 😀 I think I’ll be featuring something with him once a month or so.

Today, it’s another song that he sang with Y Trwbz – a Welsh-language rock band founded by him and his brother, also including their cousin Tomo Lloyd, friend Gruff Roberts and Mared Williams who is also an accomplished solo artist. – This particular song has never so far been actually officially released by them,but they often seem to play it live. It differs a bit from their usual style, since they are a rock band and this song has a very strong reggae feel, but it’s not incongruent in any way since both Morgan (who wrote the song) and Jacob, seem to be very much into reggae music. I’ve heard Jacob saying that if he could get to choose anyone that he’d like to work with, it would be Bob Marley, so, that says a lot, I guess. I think it’s cool because, while I’m no longer as crazy about it as I used to, before I discovered my love for folk, I was very much into reggae myself so even if it’s not a genre that I’d be listening to very consistently these days, I really have to be in the mood, I definitely like a lot and have a lot of very positive feelings and associations with it.

The recording I’m sharing with you is from 2019, when they were playing at Gwobrau’r Selar event. Gwobrau’r Selar, or Y Selar Awards, are music awards are annual awards for Welsh-language music, awarded by a Welsh music magazine called Y Selar. Y Trwbz themselves were awarded in the Best EP or Single category for their EP “Croesa’r Afon” (Cross The River) just a year before this performance.

Very sadly, I’m afraid my understanding of the lyrics is a tad bit too patchy to be able to translate them for you in any sensible way. It’s like, I guess I get them quite well but I don’t know a fair few words and I don’t really know how to go about translating this somehow. But it’s still really good musically and I hope you can enjoy it in this aspect, and when I’ll feel more confident about my translator skills in this case I’ll update the post.

Cornelis Vreeswijk – “Saskia” – & Pernilla Andersson – “Saskia”.

Hey people! 🙂

So as you may remember I shared with you yesterday a song from Swedish pop singer Pernilla Andersson, and I said that I might share one more soon, that is her cover of a song originally written and sung by Cornelis Vreeswijk. And so that’s what I decided to do today.

This song is what made me fall in love with the name Saskia so much that if I ever considered having kids, Saskia would be a very serious candidate for a girl. I’d never really come across that name a lot before hearing this.

The song comes from one of Cornelis Vreeswijk’s earlier albums – “Tio Vackra Visor Och Personliga Persson” (Ten Beautiful Songs And Personal Persson). There is a recording of his live performance at an Örebro jazz club called Powerhouse, which was released as an album after his death, where he says that this song was inspired by a real life Saskia he once met in his “green youth”, on the way back home to his wife with whom he was at the time (Ingalill Rehnberg I think based on the timing), he would often stop at some sort of other beer place I don’t really know, to have a few beers with his “good friends and other condemned individuals”. And one time when he was there, there was a girl called Saskia who was working there, and she apparently asked him what was Rembrandt’s wife’s name, so he said that she was called Saskia van Rijn, and then he had free beer for the rest of his stay there. How magnanimously of her… I don’t know though if what they were doing after her work according to the song is also based on facts or not really. His second wife, Bim Linnea Warne, said once that, while he was awfully jealous which is quite well-known, he was very faithful himself, although, as much as I like Cornelis, I can’t help but feel a little doubtful about that. 😀

I love Cornelis’ original version, but Pernilla Andersson also does a really great job. Her song doesn’t have the last couple of verses though.

According to the lyrics, Saskia is cross-eyed, and that’s why she is a subject of ridicule for everyone, which I’ve always found a little surprising because, perhaps I’m totally wrong at all that but I guess strabismus (I suppose that’s how it’s called in English?) isn’t an uncommon thing, it’s also not like a very disabling condition or making one somehow grossly unattractive even if it’s commonly seen as not very beautiful, so while I get that someone could be bullied due to something like this, would that really raise so much attention? In the 60’s? As I said though, I may have no clue, since I’m blind myself and don’t know how much things like that can affect one’s view of a person, it’s just something that I’ve found kind of interesting and strange.

Below is the translation of the song, I wrote it myself but I used

this one

to help myself.

  Saskia has a name with a ring to it

She works at a pub

Pours beer for the guys

The guys think she is good

The guys think

She is good

Then there is nothing more to it

Saskia, she is crosseyed, you see

Although her gaze is clear and bright

It raises ridicule in everyone

It raises ridicule

In everyone

She is quiet and unnoticeable

Her uniform is starched

But she was beautiful, and when she smiled

In a way that made you gasp

In a way that

Made you gasp

I let my eyes explore her

And it was actually worth the effort

The more they saw, the more they found

She was purely incredibly brilliant

She was purel

Incredibly brilliant

After I had strengthened myself with a beer

I said “Miss, have you noticed?

Has it not struck you yet

That I have been observing you?

That I have been

Observing you”

She said “Sir, it is true

The reason is unknown to me”

Then I mustered up the courage and said

“When are you free, Saskia?

When are you free, Saskia?”

We watched a romantic movie

Then we drank coffee at a café

I followed her to her house

A light was burning in our hearts

A light was burning

In our hearts

Saskia had a sleeping alcove

And she was beautiful when she slept

And we were awake more than enough

Then her alarm clock went off

Then her alarm

Clock went off

Saskia is a name that has a ring to it

She works at a pub

Her eyes are crossed, wherever she looks

But she is beautiful when she smiles

Yes, she is beautiful

When she smiles

Pernilla Andersson – “Koltrast Vid Haväng” (Blackbird at Haväng).

Hey people! 🙂

Today I’m sharing with you a song by Pernilla Andersson from Sweden. She’s quite a well-known pop artist in her native country. I guess her most known song is Johnny Cash & Nina P. or perhaps it’s just me who has heard it on Swedish radio incredibly often. She also, like many Swedish singers, has covered Cornelis Vreeswijk’s music, and it’s possible that I will share her interpretation of his song soon. For now though, let’s listen to her own piece. Haväng in the title is a nature reserve in the south of Sweden, which is a popular tourist destination.

Declan Galbraith – “An Angel”.

Hiya people! 🙂

Thought I’d share another piece from Declan Galbraith’s second album – Thank You – released in 2006, when he was 14. Currently (or at least in 2018, that was the last time I heard anything substantial about him) he makes his music under the stage name of Child of Mind, and writes his own songs, however back then, he mostly did covers of classic pop or rock songs, and this one is I believe one of his more well-known covers.

Originally, An Angel was a song of The Kelly Family (an European-American band which enjoyed quite a lot of popularity in the 90’s) and was written by Paddy Kelly for his late mother, Barbara, who passed away early from cancer if I remember correctly, and I think it’s not the only song he wrote for her. I don’t know a whole lot about The Kelly Family but since Declan is one of my faza subjects, and since he has covered more than one of The Kelly Family’s song and liked their music, I used to listen to them a bit because I like to know what my fazas like to listen to. Anyway, while The Kellys have some quite cool songs, I think Declan’s covers are a lot better, and so is the case with this one.

Enya – “Portrait (Out Of The Blue)”.

Hey people! 🙂

Today, let’s listen to a really simple (for Enya’s standards) and quite minimalistic piece – you guessed it – by Enya!

Originally it was really short and sweet and called just Portrait, was something over a minute long, but then later on she recorded an extended version, and this one is called Portrait (Out Of The Blue). While a lot of Enya’s music is heavily based on synthesisers, this piece is very much piano-dominated, since it was the first instrument that Enya was playing.

Penny Police – “Mostly The Same”.

Hey guys! 🙂

I’ve heard about Penny Police quite some time ago, but only recently have really started listening to her more. She’s compared to people like Agnes Obel or Emiliana Torrini who are both artists that I like a lot, so I guess it was inevitable that I’d have to start listening to her at some point. 😀

Penny Police’s actual name is Marie Fjeldsted, and, just like the aforementioned Agnes Obel, she is Danish (but you, well, at least I, and I guess I’m pretty decent at accents, wouldn’t guess with 100% certainty that she’s Danish. Danes usually have such a distinctive, quite cool-sounding accent in English, but the only thing that to me clearly says she’s Scandinavian is that she doesn’t do z’s). And this is one of my favourite songs by her.

Georgia Ruth – “Week Of Pines”.

Hey people! 🙂

I’d like to share another beautiful song from Georgia Ruth with you guys today. I think it is one of my favourites from her. The lyrics are interesting, I love the harp in it obviously, and it just flows so well as a whole. It is the title track of one of her albums, and the album as a whole is all about homecoming, joyfulness and forgiveness of previously made mistakes, and it’s so full of nature.

Llio Rhydderch – “Clychau Clynnog” (Clynnog Bells”.

Hey people! 🙂

Today, I’d like to share with you another piece from this amazing Welsh triple harpist – Llio Rhydderch. – I just love how evocative and picturesque her music is! The piece I want to share with you today comes from her album Enlli and is called Clychau Clynnog or Clynnog Bells in English, where I assume Clynnog must refer to the village on the Llyn Peninsula called Clynnog Fawr.