Cornelis Vreeswijk – “Visa Till dig” (A Song for You).

   Hey all you people! 🙂 

   Yeah I know I shared a song by Cornelis only two days ago, but that one was sung by Sarah Riedel and this one is sung by himself, whereas it was written by someone else, so it’s a different category. 

   This song, just like the one called Babyland which I shared earlier this month, was written by Jan Ero Olsen from the Norwegian duo Tobben og Ero. I didn’t write a translation of this one, because there are some bits that I’m just not sure how to translate literally. But I can tell you that in this song, the lyrical subject is wondering what the “you” from the title is doing now in her life, and whether she’s perhaps in another relationship and what it might be like, and reflecting a little on his own relationship with her. 

Sarah Riedel – “En Visa till Linnea När Hon inte Ville Vakna hos Mig” (A Song for Linnea When She Didn’t Want to Wake up at Mine).

   Hey people! 🙂 

   Would you believe that I had a dream about COrnelis Vreeswijk last night?! :O This used to be a fairly regular occurrence back when he was my dominant faza peep, and this very normal for me to have dreams about my faza peeps while my faza on them is the dominant one, but my faza on Cornelis faded in 2017 and I still occasionally have dreams featuring him, or even have random minor faza peaks on him, usually for no apparent reason – just because. – This is quite nice, and doesn’t really happen with my other faza peeps, well, I do still get peaks on Gwilym Bowen Rhys, but that’s simply because he’s the most active of my faza people and keeps releasing something on a regular basis. 

   It was a long, super cool and hilarious dream, if slightly surreal and awkward at times, and I liked it very much, the more that I had it soon after a sleep paralysis session so it had some healing effect on my brain battered by “Ian”and I was able to wake up in a pretty good state, with only a vague memory of the sleep paralysis part, and I was not very impressed when Misha finally woke me up. 

   Anyway, I’m talking about this because I decided that, for this reason, it would be a good idea to share some song by Cornelis in our song of the day series. And so that’s what I’m doing. 

   This song comes from the album called Cornelis vs Riedel, and contains fifteen songs which (aside from one) were never released by him or even set to music. The music was composed by jazz musician Georg Riedel, and the songs are sung by his daughter Sarah and Nicolai Dunger. I’ve actually already shared at least three pieces from this album on here, because I really love pretty much everything about it, which may seem weird given that I’m not very much of a jazz person, but this album is still very accessible as a whole even if you’re not, with so much (but not too much, which can sometimes be a very delicate balance) expressivity and the minimalistic arrangements. 

   This song is for Linnea, who is a recurring person in Cornelis’ various songs and poems, like This one that I shared earlier this year. It is possible that this Linnea has to do with his second wife – the actress Birgitta Gunvor Linnea “Bim” Warne. – I find this song very interesting because listening to pretty much all the Linnea songs that Cornelis has released himself, I guess one can easily get an idea that their relationship was all happy and really fulfilling for both, but this song shows it from a bit of a different angle. 

   Bibiels decided to try and translate it into English for y’all, although Bibiels can’t say that it’s as good as Bibiels would like it to be, but Bibiels trust that it’s not too bad either. 

  The thing I really wish for,
For which my heart is burning,
And what I never ask for,
You do not realise.
The thing I really want,
All while the forest is greening.
Sometimes gone during the day,
I come when you have fallen asleep,
Wake what has gone numb,
And which I love tenderly.
Do you think you have dreamt?
No! But you are being deceived!
You wake up and you see me,
See me wanting for nothing,
But when you refuse to wake up,
Or you hear nothing –
Know that I would rather die,
Than I would ever ask you.
The words of love are short,
Are you talking or panting?
Whenever your clock chimes,
I listen to your voice.
The roe deer in your chest,
Laughs and is gone.
You whom my heart longs for,
You whom my heart yearns for
You unto whom is my desire,
Do you promise me and swear,
To listen to my request?
All while the sea is greening. 

Y Bandana – “Diwedd y Gan” (End of the Song).

   Hey people! 🙂 

   Today I thought I’d share with you a song by Y Bandana – the cheeky teenage Welsh rock band that one of my faza peeps – Gwilym Bowen Rhys – was the frontman of while it existed. – When I think of the four solo albums that Gwilym has released since they disbanded it kind of feels like Y Bandana was a thing in some very distant past, even though they released their last album in 2016. And it’s a song from that last album – Fel Tôn Gron – that I want to share with you. It’s called quite appropriately given that it comes from their final album, namely Diwedd y Gân, which means End of the Song. 

 

   Y Bandana – “Diwedd y Gan”

Gráinne Hambly – “Amhran na Leabhar (The Song of the Books)”.

   Hey people! 🙂 

   Today I’d like to share with you a harp piece, played by an Irish harpist whose music I’ve never shared on my blog until now, namely Gráinne Hambly from county Mayo. I first heard of her and got to listen to her music on BBC Radio Ulster a few years ago. This piece played by her that I want to share with you is a sad tune composed by Irish poet and musician from 19th century – Tomás Rua ó Súilleabháin, who was working for some time as a headmaster in Derrynane, co. Kerry. Once a permanent headmaster for the school was appointed, he was forced to move to Portmagee. He owned a huge library of books, which he decided to transport by boat that was going from Derrynane to Valentia Harbor and himself travelled by road. Sadly though, the boat carrying all his priceless books struck a rock, and his whole collection was lost! And that’s how this song came to life, he wrote it as a way of seeking solace after such a huge loss. I think every bibliophile’s heart must break just thinking about this tragedy, but even more so when listening to this tune and knowing about its origin. I can definitely understand how awful it is to lose a book irretrievably, and it must be so much worse losing like a huge library, especially back then when books were a lot more of a rare thing! This tune is also known as Valentia Lament and Cuan Bhéal Inse. 

   Gráinne Hambly – “Amhran na Leabhar (The Song of the Books)”. 

 

Samia – “The Night Josh Tillman Listened to My Song”.

   Hey people! 🙂 

 

   Today I thought I’d share with you a song that has captured my attention last year very much, and still whenever I listen to it, it really makes me think and raises a lot of feelings for me, because I think it’s so very interesting and unusual! I don’t really know much about Samia, I’ve listened to some of her other music after I accidentally came across this song for the first time, but her other songs didnn’t quite strike a chord for me as much as this one did. I first heard it on Spotify, there’s that thing on there called autoplay which will play similar music after what you’ve been listening to ends, and that’s how I came across it and it just played in the background in my room. What first captured my attention about this song was its melody, but as I listened to it again and more closely, it was the lyrics that really intrigued me. She wrote this song for the musician Josh Tillman, aka Father John Misty, one of her early musical influences. And I think it is so bold and courageous of her to do, to expose her deep feelings in this song like that, all the inner conflict that she has going on around this fascination with him, and obviously she didn’t just write this song and lock it away somewhere but actually shared it with the world, taking the risk (very high I think) that one day Josh Tillman may indeed decide to Google his name or learn about this song some other way and have a listen to it, and think something about it, and possibly about her as well. She’s even sure that he’ll hate it but she put it out there anyway, even though, despite implying that she doesn’t really care about his opinion, it sounds like at least a part of her does care. To me, that’s a really brave and I guess quite an unusual thing to do, and an intriguing topic to write a song on. Even though I have no idea about Father John Misty other than being vaguely familiar with the name, every time I listened to this song I was wondering whether he actually heard it aand what was his reaction, and at some point I came across an interview with Samia where she said that he put it on his playlist, but according to her is probably a bit scared of her now. I guess people often respond to things like this by feeling creeped out which is understandable in a way but also kind of sad because that’s hardly the fascinated party’s intention. 😀 

Song of the day (26th December) – Bob Delyn A’r Ebillion – “Cân Begw” (Begw’s song).

Hey guys! 🙂

This is the second song from the band Bob Delyn a’r Ebillion (Every Harp and the Pegs) that I want to share with you all on here. I really like its minimalism. It’s a beautiful, acoustic love song, written by the leader and vocalist of the group – Twm Morys. – Begw is a Welsh feminine name, a nickname of Margaret, so I think we could say it’s a Welsh equivalent of Peggy or Maggie.

Song of the day (12th November) – Delyth & Angharad Jenkins – “Can y Lleisoniaid” (Song of the Lleisons).

I’ve already shared one interpretation of this song, played by Gwenan Gibbard. If I had to choose which one I prefer, I definitely wouldn’t be able to tell, they’re all beautiful, and I suppose this mournful-sounding piece would be really difficult to properly butcher by anyone. As I’ve explained when sharing the Gwenan Gibbard rendition, Lleison is a Welsh surname. I wonder who they were and what’s the story behind this piece.

Plu – “Ambell I Gan” (An Occasional Song).

Hiya people! 🙂

For today I chose one of the songs by Plu from their album “Tir A Golau” (Land And Lights), which is definitely one of my most favourites from that album. This is the only traditional song on it, and I’ve come across quite a few different renditions of it ever since I’ve started to listen to Welsh music more seriously and learning the language. But Plu’s arrangement is definitely the best I’ve heard, I love absolutely everything about it! The lyrics are great too, capturing it very well how inspiring music can be. I’ve found an English translation of the Welsh lyrics, which has been written by

Richard B. Gillion.

An occasional song will keep my breast

From sinking down under the frequent wave;

The muse is so cheerful,

so attractive, so pure,

I give heart-felt thanks

for an occasional song.

An occasional to song

as the night turns dark,

So light is the day, so cheerful the rose,

Misty, hopeless clouds – like wool

They turn, if I can

get an occasional song.

An occasional song

gives strength in the limb,

And the shoulder to carry

many a burden,

And the force of difficulties

to be crushed completely

If I can get to sing an occasional song.

An occasional song I will get in the world,

But I travel to a land

which is all singing,

And after I leave the desert completely

I hope to get to sing,

not an occasional song.

Plu – “Ambell I Gan”.

Declan Galbraith – “David’s Song (Who’ll Come With Me?)”

Hey guys! 🙂

For today, I’m sharing with you a song from Declan Galbraith second album, Thank You, which he released at the age of 14. Just as with his first album, it contains a lot of covers of either pop classics or some popular Celtic songs, and some original stuff. This song was a hit in the late ’70’s in some European countries, all because of The Kelly Family, who performed it originally, with John Kelly singing the solo. The song became particularly popular because of being the theme song for the German TV production called “The Adventures of David Balfour”, based on the book “Kidnapped’ by Robert Louis Stevenson. The music to this tune was composed by Vladimir Cosma. On the same album by Declan, there is also another Kelly Family song – “An Angel” – which I shared with you before. I like both of them a lot more in Declan’s versions.

Cornelis Vreeswijk – “Visa I Vinden” (Song In The Wind).

Hiya people! 🙂

Today, I have a beautiful Cornelis Vreeswijk song for you (or Swedes would say a Cornelisk song, Cornelisk is an adjective and I like it because it shows how he really is a huge and recognisable part of Swedish culture. I think this is one of my favourites. We could say nowadays that it is so beautifully emo. 😀

It is a very sad and beautiful love song, and if we’re talking Cornelis and love songs, of course we’re also talking Ann-Katrin Rosenblad, to whom he most often dedicates his love songs, and other of his songs often mention her too. If you’re not yet in the know, Ann-Kat(a)rin Rosenblad was his fictional muse, based on the real life one – Ann-Christin Wennerström. – This comes from his debut album – “Ballader Och Oförskämdheter” (Ballads And Rudenesses/Impertinencies) from 1964.

I even managed to translate the lyrics (go Bibielle!!! I guess it’s my fourth Swedish-English translation if I’m counting right) and they surely do tell you what the song is about, but I wonder if it’s just me who feels that the English lyrics are way clunkier than Swedish. Perhaps it’s because it can’t be otherwise, or maybe I could do it better, I don’t know. If you speak Swedish and read this, lemme know.

Also, honestly, ever since I’ve first listened to this song (which was like… 2016 I guess?) and then understood its lyrics fully, I’ve never really figured out what’s the deal with the “sieve” in the lyrics (see translation below). I thought maybe this word has more meanings in Swedish or it’s some idiom or something, but when I was translating this today I couldn’t find anything like that. So I still don’t know. Maybe it means that she was so selective in love or didn’t retain her emotions for long, meaning that she easily fell out of love, or something? I found out that sieve can symbolise virginity, because of a vestal in ancient Rome who proved her virginity by carrying water in a sieve and not spilling any of it. Cornelis read a whole lot and we could say that he was quite nerdy, and there are mythological references in some of his poems and songs. But here it doesn’t seem very likely to be the case. Yeah, I was the best in my class at poem analyses but have always felt like I’m not very good at it actually. 😀

 

I’m singing a song in the wind,

And hope the wind will bring

This song to my beautiful one’s cheek,

And sprinkle it in her ear,

And move her heart.

I have been to many countries,

And not been to many more.

I guess I could stop going,

If you ask me to do so.

And lovingly look at me.

But wish me luck on the journey,

When I now pull away from you.

And the reason, Ann-Katrin, is this:

I cannot stay,

Where I do not have your love.

I’m singing a song in the wind,

I’m singing a song in a storm.

My heart is like a granite,

My heart has lost its shape,

And my pain is enormous.

But listen to my march under the moon,

It swings in steady minor.

It does not fit on the gramophone,

It’s about you, you troll,

That your heart is a sieve.

BrunuhVille – “Celtic Love Song”.

Hi guys! 🙂

Today I’m just sharing a bit of a random song with you that I came across some months ago when looking for more music featuring harp that I could add to my Bibiel’s Playlist For Sleep on Spotify, and this was one of the songs that ended up catching my attention. It has a bit of a modern Celtic feel, while I generally prefer the more traditional and folklore-infused things, but it’s still really pleasant to listen to and I think many of you may enjoy it.

Y bandana – “Dŵr, Tân, Cân” (Water, Fire, Song).

Hey people! 🙂

Today I’d like to share with you a song from Y Bandana – one of the bands which Gwilym Bowen Rhys (one of my faza subjects) used to be a member of. – I said it already before on here but I really like how it shows Gwilym’s musical versatility and diversity – when you’ll listen to what he does with Y Bandana, with Plu and then solo, it all feels quite a lot different yet he’s thriving in all those music realms. Y Bandana was a rock band that he and his cousins and his friend founded as teens, and they were really successful in Wales, and recognisable for their humorous, kind of cheeky, mischievous and sometimes a bit silly lyrics. The song that I want to share with you however is different, because it really has quite a different style than all of their other songs. It comes from their final album Fel Ton Gron, which to me has a bit more musically adventurous and mature feel to it but at the same time is still very much their style and I think it’s my favourite album of theirs. But, like I said, this one song has a different feel to it than their music in general or the rest of the album, more folky in a modern way than rocky definitely, yet at the same time it complements the album as a whole very well and it doesn’t feel out of place at all. And I like the differentness of it, so that’s mostly why I want to share it with you.

Gwenan Gibbard – “Cân Y Lleisoniaid/Cân Y Droell Bach” (Song of the Lleisons/Song of the Little Spinning Wheel).

Today I’d like to share with you a set of two harp songs by my most favourite Welsh harpist – Gwenan Gibbard. She is from Llyn Peninsula in north Wales, and apart from being a harpist, she’s also a singer, and a Welsh language native in whose life music has always played a huge part since her early childhood.

Sadly I have no idea about who composed these songs, whether it’s Gwenan herself or whether they are traditional, but since I cannot find any info I think it’s safe to assume that they’re traditional. The first song is called Song of the Lleisons in English – Lleison is simply a Welsh surname. I’m curious who they were. I really like this composition as it is so melancholic and so very beautiful. And the other is Song of The Little Spinning Wheel, which has a much more happy, upbeat feel which is also why I like it a lot. I don’t know which one I like more. Do you have a favourite?

Song of the day (25th January) – Monica Törnell – “Faster Fantasis Visa” (Aunt Fantasy’s Song”.

Hey guys! 🙂

I’d like to introduce you to a singer that I know quite well pretty much since I’ve become familiar with Cornelis Vreeswijk. Some of her music I like, some not so much, but for sure, her career and Cornelis’ were closely related, because Cornelis Vreeswijk was the one who discovered her in the 1970’s.

Monica Törnell is from Hälsingland, and enjoyed singing since an early age. As a young girl, she was singing at the opening of a restaurant of her father, and Cornelis was passing by and heard her. He liked her voice and somehow from there it has started, he helped Monica to develop her career and she also toured with him for a bit and featured on one of his albums. She was very popular in Sweden in the following years, until at some point, about 20 years after the beginning of her singing career, she started having serious health issues like myasthenia gravis so had to step away from singing. However she did release her newest album some… 2 years ago, I believe. Her voice is very characteristic, right now as she is older she doesn’t sound as good in my opinion, but there are people who like her nowadays voice even more. When she was younger, she had really wide vocal range, and her vocal abilities as well as the sound of her voice and also her style a little bit, remind me very strongly of Janis Joplin, though maybe it’s just me. Her music is a sort of blending of folk, pop and rock and sounds quite characteristically of 70’s-80’s. Monica has also been very good at drawing and painting since childhood, and she does paint still.

I was wondering for a long time which song of her I wanted to share with you because I have quite a few favourites, but I didn’t want the language to be too big a bareer – as most of her songs are in Swedish. – The one I chose finally is also in Swedish, but I think it shouldn’t be difficult for me to describe to you what it is about so you can have a clear idea.

The song is called “Faster Fantasis Visa” and I’ve always thought that it sounds like from some sort of an old children’s programme, and it seems like I had a surprisingly good hunch because, well, yes, it is! I couldn’t find much info on it other than the programme was one of the first children’s programmes in the Swedish television and started out in the 50’s, and was called “Humle och Dumle”, and I believe Faster Fantasi (Aunt Fantasy) must just be one of the characters, but, apart from what’s in the song, I didn’t find any info about her.

I like her because she’s kinda like me. 😀 From the song we know that her full name is Eva Britta Karin Katarina. She sounds like an extremely refined and experienced person. She’s been to India, China, Sahara, Italy (twice actually), London, Vienna, Argentina, Yugoslavia, England, Netherlands, Pakistan, New Zealand, Göteborg, Moscow, Copenhagen, Berlin… all around the world virtually as you can see… but – she adds – “I’ve never been outside my door, because I travel in fantasy”. Ain’t that so very cool?! 🙂

Maria Mohn – “En Sang Til Deg” (A Song For You).

Hi guys! 🙂

In the songs I’ve chosen for us for the last couple of days, complex topics have been prevalent. This one is not exactly the case. It’s much more of a comforting kind for all of us, I think, especially all of us who have been struggling with something in life. It’s comforting but simple. I like the clear and light but strong voice of Maria Mohn. She is also a pianist, and she comes from Norway. As you can figure out the song is in Norwegian as well, so here is the translation.

   Here is a song for you
Fighting battles in a tired body
But when others would easily give up
You fight on
Here is a song for you
For you, who could barely stand
But who always stuck on
And smiled bravely
But nobody saw, everything you were carrying
But now you can let go
Now you can stand up and walk away
And you can stand straight
Now there is only one way
And, don’t give up when you’re so close
Your story doesn’t end here
Now it goes one way, and that is forward
Here is a song for you
Who always lost when the others won

But you are a rough diamond
Soon you will shine
Here is a song for you
Who thinks you’re not enough
But you can make it if you want to
You are more than good enough
(You are good enough)
So wipe off your face
And let it sink
Today is the day for change
Now you can stand up and walk away
And you can stand straight
Now there is only one way
And not give up when you are so close
Your story doesn’t end here
Now it goes one way, and that is forward
And it is forward
Can you stand up and walk away
And you can stand straight
Now there is only one way
And not give up when you are so close
Your story doesn’t end here
Now it goes one way, and that is forward

Ida Redig / Alexander Rybak – “Visa Vid Vindens Ängar” (A Song At The Wind’s Meadows).

Here’s another kind of poetic cover sung by Ida Redig. The song was originally written and sung by Mats Paulson in the 60’s, and is quite a classic example of a visa, visa is a Swedish sort of ballad, it’s a bit like a separate Scandinavian music genre. This is a summer visa, and it has a very lullaby-ish feel to it, which I like. But apart from the version by Ida Redig, which is again quite different from the original, I’m also going to show you another one that I like even more than hers, and it is Alexander Rybak’s version. Alexander Rybak is the guy who won the Eurovision Song Contest in 2009, he has Belarussian parents but lives in Norway, he sings and plays fiddle, and he sang the song “Fairytale” at the Eurovision. I really like him, and even more so does Zofijka. Alexander’s version is more similar to the original, as well as longer than Ida Redig’s. It comes from his album, which is also called “Visa Vid Vindens Ängar”, and the album is entirely in Swedish, which is fun since his mother tongue is Norwegian. I’ve heard people saying that they don’t like that he has such a strong Norwegian accent on here, but I think it’s very nice! I also have the lyrics for you.

 

There goes a wind across the wind’s meadows

A curtain of tulle flaps

And I shall write a summer song

With sun and smell of flowers in the melody

I wanted to sing about Katarina

To wooden flutes and cymbal

But the tones of the wind become summer songs

I only listen in the birch leaves hall

There goes a wind across the wind’s meadows

A curtain of tulle flaps

And I shall write a summer song

With sun and smell of flowers in the melody

There goes a girl in the aspen grove

I have a yellowed photography

With the years she became a dream, a saga

A lonely wanderer’s sympathy

I wanted to write a little song

Where instants become eternity

But words become mute and tones deaf

And the song’s thought secret

There goes a girl in the aspen grove

I have a yellowed photography

With the years she became a dream, a saga

A lonely wanderer’s sympathy

There goes a wind across the wind’s meadows

A curtain of tulle flaps

And I shall write a summer song

With sun and smell of flowers in the melody

Kent – “Den Sista Sången” (The Last Song).

I thought I’d share some more Swedish music with you. Not that there hasn’t been much of it so far, but there could always be some more, that’s my point of view. 😀 And for a while, I’m gonna particularly focus on Swedish pop.

The band I’m going to show you today is extremely popular in Sweden and in whole Scandinavia. That’s a huge downside, and that’s why I wasn’t familiar with their music at all for years after I heard about their existence. Even the way I learnt about them was quite peculiar, it was via my Swedish textbook, well, if you see a band’s name in a standard textbook it must be hugely popular and you have to live under a rock, or not speak Swedish, to not know them. Now I’m not much more knowledgeable, because I only know some of their songs, just a few, but I must say it sounds better than I’d expect from such a famous band. I’m not crazy about them, but they are definitely OK> They changed their style frequently throughout their existence but it’s like pop, alternative rock, or indie rock, or synth pop… something like that. The band doesn’t exist anymore, and I want to show you the song from their last album, which is nomen omen called “Den Sista Sången” – The Last Song. – The album was released in 2016 and soon afterwards they announced their departure. After many many years. They were on the Swedish scene since the 90’s. And this is actually their song that I like the most out of those I know, again, not crazy about it, but quite like it. I also have the lyrics for you, because of course such a famous Swedish band does have their lyrics translated to English, unlike many others.

 

Your sun-warmed hands

Cool pacific winds played in your hair

I remember it as if it was yesterday

We drove through Malibu

When it finally became spring

It would be a chilly night

It would be a slow fall

And you smiled through freckles

With tears in the eyes

 

Everything was in the eyes

Everything is in the eyes

 

We left bloodstains in the tracks

But in the memory blowing winds

Your wayfarers in your hair

You cried sun-warmed tears

Courtney sang about Malibu

And everything could have been ours

It will be a chilly night

It will be a lonely night

But I would not change anything

Even if I had known that this was

 

The last time, the last

time we met

The last song, the last

song you get

The last time, the last

time we met

This is the last song, the last

song you get

 

We took the car to Roosevelt to get the kids

Before the winter holidays

They stood in a line

They sang in a choir

It felt like they sang for us

One very last song

We are on the run again both you and I

We come from somewhere else

than where we are right now

Oh they sang for us

One last time

One last song

They sang for us

 

The stars are up

one fell down

and flew away

Flew away

 

This is the last time,

the last time we meet

The last song

the last song I give you

The last time

The last time

We meet

The last song, the last song

I give you

Song of the day (5th October) Morgan Sulele ft. BLVCK O – “Noora”.

Hi guys. 🙂

A bit mainstream thing now. Well I actually don’t know if Morgan Sulele’s music is popuar or mainstream in Norway where he lives, but it does feel pretty mainstream to me, I like it though, ’cause as I said many times before, it’s not like I only listen to very out there things. I think this song is really nice.