Hi! đ
Today I have a cover for you. A cover of “Make You Feel My Love” by Bob Dylan, only not in English but in Norwegian. Just like there are lots of versions of this song in English, there are also a fair few in Norwegian, as it seems, and I chose the one by Lykke Kristine Moen. Of course the lyrics are slightly different to fit the melody, hence the different title for example, but mostly they make the same sense as the original.
Hi hi hi lovely people! đ
It feels like I haven’t written anything in quite a while again, so let’s first catch up on some music, as I haven’t posted any music for a particularly long time.
I’d like to show you a few songs of one of my very first favourite Celtic music singers – Loreena MCKennitt. – Alongside Enya, Aine Minogue and a few others, she was keeping me sane during a time that was particularly difficult emotionally in my life, and she was one of the first artists associated with Celtic but also generally folk music that I’ve started to listen to a lot, and one of the first harpists whose music I’ve heard. I really like her dramatic soprano, my friend Jacek from Helsinki loved her and he used to say her voice is chil inducing, it indeed is very very expressive. I love the wide range of inspirations Loreena uses in her music, she’s not only into Celtic music but also oriental music, she has adapted various poems or pieces of literary work into pieces of music or has written her own music inspired by literature, legends, myths, historical/legendary figures etc. It’s like her each album has a bit of a theme that is going on throughout the album. I like how self-sufficient she is. Apart from being a singer, songwriter, composer and harpist, she has also her own record label – Quinlan Road – and also plays a few other instruments other than harp, she’s her own manager and seems to like running the show just on her own. And I like her harp play so very much. She’s one of the better Celtic harpists out there in my opinion.
Loreena MCKennitt is from Canada, she has Irish and Scottish roots (and her father’s name was JACK! that explains everything, doesn’t it? đ ) and she currently lives in Ontario.
The song I want to show you in this post is a ballad called “Annachie Gordon”. If I remember well, this is one of the balads in the collection of Child’s Ballads, and it is English. I like many contemporary versions of this piece but Loreena’s is the best, because of her vocals and because of the magnificent harp! It was also the first version of this song I’ve heard, and I immediately fell in love with it. The plot of the ballad is quite, um, cliche, and now as I’m older than when I discovered “Annachie Gordon” it’s hard for me to listen to it without my sarcastic brain commenting and criticising the storyline (I basically think looking at it from these days perspective, the heroine, Jeannie, makes an impression of someone quite manipulative, I understand her pain when she was faced with having to live being married to a man she didn’t love instead of her beloved Annachie, but the scene where she falls on her knees before her father and dies looks, well, yeah, manipulative, you start to wonder if she’s going to suddenly rise up as soon as everyone leaves her alone and run away with Annachie as far from lord Sulton and her family as possible. đ I know, I know, I’m crazy and overanalysing). I also think life would be so easy if we really could just switch off and die when life throws sh*t at us as in the case of Jeannie and Annachie. But well, it is a ballad. And still, it is a beautiful one. I remember being absolutely fascinated by it, and for some reason because of it I really loved the name Annachie, which, you must admit, is a very unusual name, I’ve never heard in any other context or on anyone other than Annachie Gordon. I’ve even named a character in one of my short stories Annachie after him. Though now my tastes have changed and I think it lacks masculinity and looks like a fancy elaboration of Anna in the style of Annalee or Annamae, but of the more kreativ kind. đ Well, I guess it was apparently recreated from some old feminine name actually. Anyway, here’s the song. Hope you’ll enjoy it too. đ
Hi hi people! đ
Today I have something very very unusual for you! In some respects, I think it’s more out of the box than anything I’ve ever shared with you in the song of the day series. It actually appears so niche that I had a little bit of doubt if I actually should. But, while even BBC was writing about him on their website, and he’s been talked about a little bit around the Internet, it feels like the echo wasn’t too big, so I thought it deserves sharing, even just to show what sort of things disabled people can do with the right support, I know for many people that would seem unbelievable.
But what am I talking about. Jac Richards is a 22-year-old boy from Llangennech, Wales (yeah, a Jac from Wales, that’s my territory) who has a severe form of cerebral palsy. In his case, that means he can’t walk, speak, sit or use his hands. He is though well developed intellectually and his senses function properly. Jac has always loved music and going for concerts and his biggest dream was to be able to make music. His dream has become achievable thanks to Forget-Me-Not Productions, who are an UK organisation helping disabled people to express themselves through arts with the use of assistive technologies. They made it possible for Jac to study music and film production and he is able to create music using his eye muscles.
The funny thing is that I read about Jac yesterday… on a Polish website! đ Really! I’m always into quirky music undertakings that people make so I just had to look his single up, and read more about him. You can read more about him here
and here.
By the way, I’ve recently noticed some particular tendency that there are quite a few inspirational disabled people in Wales that have been talked about recently in media or such, even in Polish media, although it could be just that I pay more attention to it or something.
Anyway, Jac wrote the lyrics to his song – which is called “Only Love” – he also composed and produced it, and played all the virtual instruments. The director of Forget-Me-Not Productions is a vocalist in this piece.
I must say that it felt rather odd to me when I listened to it for the first time. It feels highly electronified (does such a word exist? Don’t care đ ) which shouldn’t be a big discovery since of course all the instruments in there were electronic and it’s bordering on R&B, but, even though I do like some electronic music, even very electronic at times, what exactly bothered me in it the first time I listened to it was that it felt kind of overdone. Like, too much of everything at once, a bit chaotic, I’d say subtly aggressive even! But there was something haunting about it! I sometimes have such songs that I don’t really feel convinced to but still there is something that will make want to listen to them again. And so I had a few listens to it so far, and I must say it’s grown on me. I guess the impression of it being overdone was just temporary. There’s indeed plenty of strong emotions (how couldn’t there be, it’s Jac’s first single and I can imagine that, not being able to speak, music is now a huge emotions releaser). So, while it doesn’t feel exactly my style, and doesn’t strike exactly that special chord in my brain, I do like it! And, since that single was made last year, I’d really like to hear something else from him, I really hope we will be able to enjoy more of his music, and that more people will know about him.
Hi guys. đ
Here’s another question I have for you.
Who was the first non-relative you said “I live you” to?
My answer:
Emmmm. Misha? đ … I don’t know! I’m not one for saying that too often and to just anyone, the more that it’s such an overrated phrase nowadays as if just plain saying “I love you” really meant something in the grand scheme of things. And I’m generally not too good at expressing my emotions, it’s quite a problem for me still. Also, I’ve never been in a romantic relationship, so I’ve never had a chance to use it in that context. That doesn’t mean of course that I haven’t loved anyone who wouldn’t be my relative, but, as far as I can remember anyway, I simply never told them that, for different reasons, usually just because it makes you vulnerable. I’ve had friends who would tell me in this or that way that they love me, like you love a friend, and then I’d say the same if I did love them like that too, but I don’t think I’ve ever said “I love you” as such to anyone other than my family and Mishmish, who is also my family, so doesn’t count here separately of course.
How about you? đ
This is a relatively new artist for me, she is a folk vocalist, and she seems to write very interesting lyrics, often about politics or social stuff that – I think – aren’t too easy to write about in songs. Grace Petrie is from Leicester, and she is also an avid Shakespeare fan, and this song has been inspired by Shakespeare’s play “Othello”, more exactly the main antagonist Iago, the one who was supposed to be Othello’s best friend and manipulated him. The Iago in Grace Petrie’s song is more like a metaphor, it’s about insecurities that people struggle with in their love life, and Iago is a personification of those insecurities, so it’s like each of us has our own Iago who’s telling us bullshit. I really like this Shakespeare inspired metaphor! And the song is fabulous!
Hi guys. đ
Here’s another of my most favourite songs by Kate Rusby. I think it’s one of the most melancholic, at least musically, songs that I’ve ever heard, and the lyrics are also touching especially because of Kate’s expressiveness. The song is from the point of view of a ghost, who is witnessing that the love of his life no longer loves him and both she and the man she now loves live on his land. While I am not extremely fond of paranormal novels with ghosts or stuff like that, for some reason I find folk songs written from a ghost’s perspective very touching and interesting. I’ve shared another quite similar one in a way some time ago, it’s
I think they are both very evocative though in a bit different ways.
Hi people. đ
I decided to show you another song from Janice, this time in Swedish, and with a rather different feel. It is a collaboration between her and another Swedish pop star – Ji Nilsson. – I’ve always thought I listen to a relatively big amount of Swedish pop, I mean not crazily enormously huge, but definitely more than Polish or English pop, and I know some popular Swedish pop singers. But turns out I’m still too niche/too ignorant because before I looked her up today, I had no idea who is Ji Nilsson, haven’t heard her music before, at least consciously haha.
I also had no idea who X Models are, which is though probably even more understandable because I’m not particularly crazy about the typical eighties pop in any language, and X Models are a Swedish band that was popular in 80’s. But why am I talking about them now?
Because another thing I didn’t know, although I know this song since… I guess a couple months, is that this is actually a cover. And X Models were the band who performed it originally. The song was written by Efva Attling.
To prepare somehow for this little post, I looked up their version, but, meh, it’s so eighties-sounding, not for me.
I’m not crazy about Janice and Ji’s version either, but I do like it, hence I share it. I think it’s much more interesting than the original, although it’s just a plain and very catchy love song.
