Hey people! 🙂
Today I have a Finnish folk piece for you. It comes from Maria Kalaniemi’s brand new April album called “Mielo”, which means Mind in Finnish, recorded together with harmonium player Eero Grundström. Maria Kalaniemi is a multi-instrumentalist, but her main instrument, andt the one she’s most known for playing, is accordion, she also seems to be a bit of a promoter/propagator of accordion in Finland, and Sweden too.
I am generally not a fan of accordion at all. Like, it’s my second least favourite instrument after saxophone, though I don’t like these two instruments for vastly different reasons. I don’t like saxophone because it doesn’t agree with my brain, I find the sound of it sensorily overwhelming, while with accordion I just think it’s not particularly aesthetically pleasing. I’d always had such an idea about accordion that it’s just the most primitive, kinda ribald, kitschy instrument that has ever existed and I’ve always associated it with cheap, village bridals and heavily drinking people. 😀 Okay, alternatively with tangos as such, which I’m not into either. I guess it’s not just me being weird because lots of people seem to share such opinions. Not even my fascination with Celtic music was able to change that. But… it did change a bit after I first heard Maria Kalaniemi. When I was trying to learn something about Finnish folk, back when I was still completely clueless about it, Maria Kalaniemi was the first Finnish folk musician that I came across, and was mentioned as very popular in her genre in Finland, and I was a bit disappointed, because “What? Really? Doesn’t Finland have anything better in her musical heritage than accordion? That sounds concerning!”. But when I heard her I changed my mind. Because when Maria Kalaniemi plays accordion, it sounds nothing like what I’d ever heard on this instrument. It suddenly becomes very lyrical and dreamy. And even folk dances performed by her sound better than most dance pieces for this instrument I’ve heard. She’s really, really good, or at least resonates with me somehow. I do not like all of her music, but she definitely managed to change my view on this instrument a bit. Another interesting person (also from Finland) who made me see that accordion doesn’t necessarily have to be kitschy was another Finn, though not folksy – Kimmo Pohjonen. – I watched a documentary about him with my Mum and it was quite stunning what bizarre and intriguing things he could do with this instrument. It still remains one of my least favourite instruments but, as I said, has a better reputation with me now.
And this piece from Kalaniemi I want to show you is definitely very lyrical and emotive, I just love it and its harmonies. It does really make me feel a bit like I was floating on clouds, and I love music that can convey such rich images/emotions.
I haven’t made up my mind about it yet but it’s possible I’ll share another piece by Maria Kalaniemi tomorrow as well, the one I’ve heard first. For now, I hope you enjoy Pilvet.