Miss Li – “The Day I Die I Want You To Celebrate”.

Hi people! 🙂

Today the song I want to share with you comes from a Swedish singer Miss Li, who is very well-known there and sings mainly pop music but also doesn’t shy away from such genres or influences from genres like blues or folk, and she also sings in Swedish. I like her powerful voice but to be honest apart from that I am not a big fan of her music. Don’t dislike it but don’t like it either. This song is a little bit of an exception. I heard it for the first time on the day on which I finished my final exams, on my way back home, and it suited my mood at that moment well. I love how dynamic and uplifting it is, I like to listen to it when I’m a bit hyper or just in a right mood to listen to this song.

 

Song of the day (7th November) – Melissa Horn – “I Mörkret Långt Ifrån Varann” (In The Dark Far Apart).

Hi people! 🙂

Here is a song from one of the first Swedish pop singers that I’ve ever heard and liked enough to listen to her music regularly. Melissa Horn usually sings about relationships and love, which is not my favourite lyrics topic because it’s so awfully overrated and ever-present, but she is very expressive, and I just do like something about her music. She is the daughter of another Swedish singer – Maritza Horn – and from those two I definitely prefer Melissa. This song of hers is no exception when it comes to the lyrics, which you can see below.

   I think you have seen something
You haven’t had it easy
And now I understand
That something like that has to come out on way or another
You want a simple life
But I can’t give you that
I can close my eyes for a while
But in the end it hurts
And though we feel the same thing
Though we think the same way
Though we speak the same language
And live in the same country
We are sitting in the dark
Far apart
I think you want it
That is the reason why i have still stayed
But you think everything can wait
And feelings don’t work that way
I would miss your daughter
She is the best of you
And I know that she too
Can see her and me
Though we feel the same thing…
Though we think the same way
Though we speak the same language
And live in the same country
We are sitting in the dark
Far apart
Now I’ll take time without you
Without consideration
Without right and wrong
Without us
Without you
Until we will both decide
Though we feel the same thing…
Though we think the same way
Though we speak the same language
And live in the same country
We are sitting in the dark
Far, far
Far, far apart

Melina Borglowe – “I Used To Play”.

There is something about this song that I really love! In the sound of it. I just love to listen to it. So I thought I’ll share with you. Melina Borglowe is a Swedish singer about whom I don’t really know anything else other than she is Swedish, and don’t even know other of her songs, but this one sounds so cool!

Cornelis Vreeswijk – “Ann-Katrin, Farväl” (Farewell, Ann-Katrin) & Marie Fredriksson – “Ann-Katrin, Farväl”.

Hi guys! 🙂

So why not have a listen to another song by Cornelis Vreeswijk, plus a cover by Marie Fredriksson?

Again, we have a female character here, which comes up even more often in Vreeswijk’s songs and poems. The character of Ann-Kat(a)rin Rosenblad is based on his muse and friend who was Ann-Christin Wennerström. And, the portrayal of her that we get from all the songs with her in them is quite interesting and ambiguous. I like Ann-Katrin a lot and hearing this song always makes me sad. First, because it comes from Cornelis’ very last album, (Till Fatumeh – Rapport Från De Osaligas Ängder”) which was recorded about a month or so before his premature death (he died from liver cancer at 50). Secondly, because the song indicates that Ann-Katrin was a drug addict, amphetamine more exactly as in the case of Vreeswijk, though he was taking loads of other stuff as well. The lyrics have a kind of raw but at the same time rather elusive feel and I really regret that I’m not good enough in neither Swedish nor English to write an adequate English translation for you without risking a major linguistic catastrophe and a great prophanity, the more that there are none available online. The only thing that bugs me is the music style of it. Like, seriously, the lyrics on that last album are really captivating, you don’t have to agree with what he wrote and I most often don’t but his lyrics always have that captivating quality, but the musical arrangement of this album is mostly screwed. He maybe wasnät the greatest composer, but was such a great blues singer, and even managed to convince me to appreciate jazz a tiny little bit, and he was great at incorporating folk themes and motives in his music. And that last album is very much like classic 80’s pop, and this track is a great representation of it. I don’t like that at all and it clashes with the lyrics and generally with Cornelis’ actual musical style unbelievably! That turn to pop was motivated by that, after some years of relative fame, he had become forgotten and the way I understand it from what Iäve read he wanted to get the attention of people by doing something more… ahem, timely, or whatever, especially he wanted to attract younger people. It didn’t work, that is, he did get a lot of fame and largely from young people in Sweden after his death but not because those last two pop-ish albums did that, it was thanks to the Roskilde Festival where he played shortly before his death and, well, it looks like for artists it’s a common situation that they only get appreciated after they die. Perhaps that was better for him.

I like the expression of Marie Fredriksson’s interpretation of this song. I think in case of music, like, generally the arrangement, it’s her who wins here! But she’d never write as good lyrics as Vreeswijk did, haha. Marie Fredriksson’s cover again comes from the tribute album “Den Flyggande Holländaren”.

Cornelis Vreeswijk – “Felicia Adjö” (Goodbye, Felicia) & Marie Fredriksson – “Felicia Adjö”.

Hi guys! 🙂

I’m feeling a bit in a crush limbo right now. I have a gut feeling that my crush on Gwilym is fading slightly and it’s worrying me that there’s no one on the horizon that could become my dominant crush. Is this the end of crushes for me? Was my aunt seriously right that this is something all people grow out of, or am I getting more depressed or something? I can’t imagine not having a crush, it’s like driving a car that has no fuel, I’m getting a bit panicky. It’s either that I need to save my crush on Gwilym or I need someone new very very soon.

In the meantime, I’ve been looking back on all my delightful crushes lately. Reading all my elaborate diary entries about them and laughing my brain out – not that it was so funny but for some reason reading all that made me laugh, despite they’re still all my crushes, just faded more or less. – And I thought I’d share something from one of my crushes on my blog as well. So why not Cornelis? Also, because I find it really interesting to listen to people’s covers and interpretations of his songs, whether good or bad, just out of curiosity, it will be both the original version of a song by Cornelis Vreeswijk, and a cover by Marie Fredriksson. Yes, Marie Fredriksson from Roxette. She’s had a rich solo career as well, I guess mostly in Swedish. I am not a big fan of her at all, but she did this song in an interesting way, in her own style, and I used to like Roxette as a very, very little child. This was one of the first symptoms of my developing Swedish obsession, I just didn’t know many things Swedish apart from Roxette and Astrid Lindgren and I liked one song by them very very much, but generally Roxette and Marie Fredriksson are not my style, not anymore.

The song I want to share with you is called “Felicia Adjö”, and I guess is one of more popular songs of Vreeswijk. Felicia is a recurring character in his songs and poems, there is one whole album “Felicias Svenska Suite” in which Felicia is present in pretty much every song I guess. I wonder if she was based on someone in real life, like some of his other characters were but we’ll probably never know. The title translates as “Goodbye, Felicia”, but it has nothing to do with the “bye, Felicia” expression haha. The song is some 30 years older than the movie. Though I know that Vreeswijk’s Felicia was an inspiration for some Swedish writers, I guess there is a crime novel called “Felicia Försvann” (Felicia Disappeared) which is the beginning of this song.

And the song is about the fact that Felicia disappeared “As the bird from its nest. As the ice when the spring comes. As love when it’s hurt. As luck with no return”. She is dead like all of us will be some day, and with her, his last hope died, whoever the lyrical subject is.

The song had been re-recorded multiple times plus he played it live very often, but the first recording comes from the album called “Tio Vackra Visor Och Personliga Persson”, and I will share this one with you as is is the original. If I remember correctly, the album was recorded around the time when Cornelis played in the film “Svarta Palmkronor” (Black Palm Trees) in Brazil, and spent quite some time in South America, so this album is very much influenced by Brazilian music which you can hear in this song as well.

Marie Fredriksson recorded this song – as well as three others written by Vreeswijk – for the tribute album “Den Flygande Holländaren” (The Flying Dutchman).

So, there you have it, here is Felicia.

Maja Francis – “The Last Days Of Dancing”.

Maja Francis is a young Swedish pop singer, and this is a song from her debut album. It’s in some way relatable to me, and I think to many people – not only at my stage of life which Maja Francis had definitely in mind when writing this song, as this is based on her own experiences, but also those who are at any point in life where things are changing in any way and they’re moving on to something different. – Because this song is about changing, or more exactly, not being ready for a change, and for the “last days of dancing” to come, despite you see people around you changing and growing and blooming. But you’re giving in to it anyway yourself as well. I like Maja Francis’ light vocals.