Cornelis Vreeswijk – “Ann-Katrin, Farväl” (Farewell, Ann-Katrin) & Marie Fredriksson – “Ann-Katrin, Farväl”.

Hi guys! 🙂

So why not have a listen to another song by Cornelis Vreeswijk, plus a cover by Marie Fredriksson?

Again, we have a female character here, which comes up even more often in Vreeswijk’s songs and poems. The character of Ann-Kat(a)rin Rosenblad is based on his muse and friend who was Ann-Christin Wennerström. And, the portrayal of her that we get from all the songs with her in them is quite interesting and ambiguous. I like Ann-Katrin a lot and hearing this song always makes me sad. First, because it comes from Cornelis’ very last album, (Till Fatumeh – Rapport Från De Osaligas Ängder”) which was recorded about a month or so before his premature death (he died from liver cancer at 50). Secondly, because the song indicates that Ann-Katrin was a drug addict, amphetamine more exactly as in the case of Vreeswijk, though he was taking loads of other stuff as well. The lyrics have a kind of raw but at the same time rather elusive feel and I really regret that I’m not good enough in neither Swedish nor English to write an adequate English translation for you without risking a major linguistic catastrophe and a great prophanity, the more that there are none available online. The only thing that bugs me is the music style of it. Like, seriously, the lyrics on that last album are really captivating, you don’t have to agree with what he wrote and I most often don’t but his lyrics always have that captivating quality, but the musical arrangement of this album is mostly screwed. He maybe wasnät the greatest composer, but was such a great blues singer, and even managed to convince me to appreciate jazz a tiny little bit, and he was great at incorporating folk themes and motives in his music. And that last album is very much like classic 80’s pop, and this track is a great representation of it. I don’t like that at all and it clashes with the lyrics and generally with Cornelis’ actual musical style unbelievably! That turn to pop was motivated by that, after some years of relative fame, he had become forgotten and the way I understand it from what Iäve read he wanted to get the attention of people by doing something more… ahem, timely, or whatever, especially he wanted to attract younger people. It didn’t work, that is, he did get a lot of fame and largely from young people in Sweden after his death but not because those last two pop-ish albums did that, it was thanks to the Roskilde Festival where he played shortly before his death and, well, it looks like for artists it’s a common situation that they only get appreciated after they die. Perhaps that was better for him.

I like the expression of Marie Fredriksson’s interpretation of this song. I think in case of music, like, generally the arrangement, it’s her who wins here! But she’d never write as good lyrics as Vreeswijk did, haha. Marie Fredriksson’s cover again comes from the tribute album “Den Flyggande Holländaren”.

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Cornelis Vreeswijk – “Felicia Adjö” (Goodbye, Felicia) & Marie Fredriksson – “Felicia Adjö”.

Hi guys! 🙂

I’m feeling a bit in a crush limbo right now. I have a gut feeling that my crush on Gwilym is fading slightly and it’s worrying me that there’s no one on the horizon that could become my dominant crush. Is this the end of crushes for me? Was my aunt seriously right that this is something all people grow out of, or am I getting more depressed or something? I can’t imagine not having a crush, it’s like driving a car that has no fuel, I’m getting a bit panicky. It’s either that I need to save my crush on Gwilym or I need someone new very very soon.

In the meantime, I’ve been looking back on all my delightful crushes lately. Reading all my elaborate diary entries about them and laughing my brain out – not that it was so funny but for some reason reading all that made me laugh, despite they’re still all my crushes, just faded more or less. – And I thought I’d share something from one of my crushes on my blog as well. So why not Cornelis? Also, because I find it really interesting to listen to people’s covers and interpretations of his songs, whether good or bad, just out of curiosity, it will be both the original version of a song by Cornelis Vreeswijk, and a cover by Marie Fredriksson. Yes, Marie Fredriksson from Roxette. She’s had a rich solo career as well, I guess mostly in Swedish. I am not a big fan of her at all, but she did this song in an interesting way, in her own style, and I used to like Roxette as a very, very little child. This was one of the first symptoms of my developing Swedish obsession, I just didn’t know many things Swedish apart from Roxette and Astrid Lindgren and I liked one song by them very very much, but generally Roxette and Marie Fredriksson are not my style, not anymore.

The song I want to share with you is called “Felicia Adjö”, and I guess is one of more popular songs of Vreeswijk. Felicia is a recurring character in his songs and poems, there is one whole album “Felicias Svenska Suite” in which Felicia is present in pretty much every song I guess. I wonder if she was based on someone in real life, like some of his other characters were but we’ll probably never know. The title translates as “Goodbye, Felicia”, but it has nothing to do with the “bye, Felicia” expression haha. The song is some 30 years older than the movie. Though I know that Vreeswijk’s Felicia was an inspiration for some Swedish writers, I guess there is a crime novel called “Felicia Försvann” (Felicia Disappeared) which is the beginning of this song.

And the song is about the fact that Felicia disappeared “As the bird from its nest. As the ice when the spring comes. As love when it’s hurt. As luck with no return”. She is dead like all of us will be some day, and with her, his last hope died, whoever the lyrical subject is.

The song had been re-recorded multiple times plus he played it live very often, but the first recording comes from the album called “Tio Vackra Visor Och Personliga Persson”, and I will share this one with you as is is the original. If I remember correctly, the album was recorded around the time when Cornelis played in the film “Svarta Palmkronor” (Black Palm Trees) in Brazil, and spent quite some time in South America, so this album is very much influenced by Brazilian music which you can hear in this song as well.

Marie Fredriksson recorded this song – as well as three others written by Vreeswijk – for the tribute album “Den Flygande Holländaren” (The Flying Dutchman).

So, there you have it, here is Felicia.

Linnea Henriksson ft. Stor – “Mamma Är Lik Sin Mamma” (Mum Is Like Her Mum).

Hi guys. 🙂

Here’s my favourite song from a currently very popular Swedish pop singer Linnea Henriksson. I can easily not care about her popularity in Sweden simply because she’s not popular anywhere else, and I think she’s a really good singer. And this is a really good hommage for all mothers!

Ida Redig / Alexander Rybak – “Visa Vid Vindens Ängar” (A Song At The Wind’s Meadows).

Here’s another kind of poetic cover sung by Ida Redig. The song was originally written and sung by Mats Paulson in the 60’s, and is quite a classic example of a visa, visa is a Swedish sort of ballad, it’s a bit like a separate Scandinavian music genre. This is a summer visa, and it has a very lullaby-ish feel to it, which I like. But apart from the version by Ida Redig, which is again quite different from the original, I’m also going to show you another one that I like even more than hers, and it is Alexander Rybak’s version. Alexander Rybak is the guy who won the Eurovision Song Contest in 2009, he has Belarussian parents but lives in Norway, he sings and plays fiddle, and he sang the song “Fairytale” at the Eurovision. I really like him, and even more so does Zofijka. Alexander’s version is more similar to the original, as well as longer than Ida Redig’s. It comes from his album, which is also called “Visa Vid Vindens Ängar”, and the album is entirely in Swedish, which is fun since his mother tongue is Norwegian. I’ve heard people saying that they don’t like that he has such a strong Norwegian accent on here, but I think it’s very nice! I also have the lyrics for you.

 

There goes a wind across the wind’s meadows

A curtain of tulle flaps

And I shall write a summer song

With sun and smell of flowers in the melody

I wanted to sing about Katarina

To wooden flutes and cymbal

But the tones of the wind become summer songs

I only listen in the birch leaves hall

There goes a wind across the wind’s meadows

A curtain of tulle flaps

And I shall write a summer song

With sun and smell of flowers in the melody

There goes a girl in the aspen grove

I have a yellowed photography

With the years she became a dream, a saga

A lonely wanderer’s sympathy

I wanted to write a little song

Where instants become eternity

But words become mute and tones deaf

And the song’s thought secret

There goes a girl in the aspen grove

I have a yellowed photography

With the years she became a dream, a saga

A lonely wanderer’s sympathy

There goes a wind across the wind’s meadows

A curtain of tulle flaps

And I shall write a summer song

With sun and smell of flowers in the melody

Song of the day (16th May) – Ida Redig – “I Min Lilla Värld Av Blommor” (In My Little World Of Flowers).

Hi guys! 🙂

I have such a lovely cute song for you. It was originally written for one of my favourite films “Rännstensungar” (Guttersnipes), only not for the version that I love so much, but the earlier one, from 1944. It was sung by one of the main characters, Ninni. You might know from my earlier posts why I love this film so much and why I love it in the later version from 1974, in particular, but chances are that you might not know, so I’ll tell you again. 😀 I love it so much because in the 1974 version, one of the main characters – the painter Johan Fahlen –  is played by one of my music crushes Cornelis Vreeswijk, who apart from being a very fertile and well-known musician, a lesser known but no less expressive poet, had also fantastic acting skills and was an actor in a couple films. I absolutely loved him in this role, it was amazing! Besides, the plot of the film is very interesting and moving too. When I discovered this film and that it is on Youtube, I watched it on my own for the first time, but then got frustrated because I had huge gaps because of course I couldn’t see, plus my Swedish wasn’t that very good. So then the next time I watched it I did it with Zofijka, who also loved it, and she still begs me quite regularly and wants to watch “the film about Ninni”. So when I watched it with Zofijka, we both were telling each other what we can figure out so we could understand much more, me with her vision and she with my Swedish. That’s why collaborating can be really useful at times. And since that day, we got really crazy on “Rännstensungar” and watched them pretty much every day for a while. It’s definitely not typical for me to get so crazy about a film. Now I hadn’t watched it in ages so I did it today, without Zofijka and hope she won’t kill me for that when I tell her.

As I said, the film is about a girl called Ninni. Ninni can’t walk, and at the beginning of the film we learn that her mum has died. A friend of the family called Johan Fahlen, who is a poor and not well known painter takes care of her. Ninni’s biggest passion are flowers, and as she says herself, flowers are the most beautiful thing she knows. Both Ninni and Fahlen, whom she regards as her daddy, are hoping that someday she will be able to walk, and he is particularly determined, though it doesn’t seem like it could be possible. Ninni’s biggest dream is that she’d like to live in the countryside and live there, and see all the flowers in the world. Again, this doesn’t seem possible, because she lives in the city and they don’t have enough funds to make it true. But the ending is very very happy. 🙂

I think the film is gorgeous, so you can watch it

here

if you wish, although I don’t know if it’s going to be as enjoyable for you as it was for me because there are no subtitles as far as I am aware so you’d have to speak Swedish. You can have Zofijka’s perspective then. 😀 And there is of course this song sung by the girl who plays Ninni in this version, it was Karin Falk.

And so some time ago, I was pleasantly surprised seeing the song “I Min Lilla Värld Av Blommor” on Spotify, in quite an interesting version, by Ida Redig. I really like her arrangement of it, although it’s in a way quite different from how it sounded in both films from 1944 and 1974. I think her version is really beautiful. And I like the lyrics of this song, it’s basically about Ninni’s passion for flowers and her imaginary world that is full of flowers, where there is a place for everyone and children are playing, and she is dancing among the flowers. And there is no sorrow or pain, no one screams at you and people are always happy. Quite an escapist and idealist she is, ain’t she? 🙂 So here’s the Ida Redig’s version, unfortunately only on Spotify.

Kent – “Den Sista Sången” (The Last Song).

I thought I’d share some more Swedish music with you. Not that there hasn’t been much of it so far, but there could always be some more, that’s my point of view. 😀 And for a while, I’m gonna particularly focus on Swedish pop.

The band I’m going to show you today is extremely popular in Sweden and in whole Scandinavia. That’s a huge downside, and that’s why I wasn’t familiar with their music at all for years after I heard about their existence. Even the way I learnt about them was quite peculiar, it was via my Swedish textbook, well, if you see a band’s name in a standard textbook it must be hugely popular and you have to live under a rock, or not speak Swedish, to not know them. Now I’m not much more knowledgeable, because I only know some of their songs, just a few, but I must say it sounds better than I’d expect from such a famous band. I’m not crazy about them, but they are definitely OK> They changed their style frequently throughout their existence but it’s like pop, alternative rock, or indie rock, or synth pop… something like that. The band doesn’t exist anymore, and I want to show you the song from their last album, which is nomen omen called “Den Sista Sången” – The Last Song. – The album was released in 2016 and soon afterwards they announced their departure. After many many years. They were on the Swedish scene since the 90’s. And this is actually their song that I like the most out of those I know, again, not crazy about it, but quite like it. I also have the lyrics for you, because of course such a famous Swedish band does have their lyrics translated to English, unlike many others.

 

Your sun-warmed hands

Cool pacific winds played in your hair

I remember it as if it was yesterday

We drove through Malibu

When it finally became spring

It would be a chilly night

It would be a slow fall

And you smiled through freckles

With tears in the eyes

 

Everything was in the eyes

Everything is in the eyes

 

We left bloodstains in the tracks

But in the memory blowing winds

Your wayfarers in your hair

You cried sun-warmed tears

Courtney sang about Malibu

And everything could have been ours

It will be a chilly night

It will be a lonely night

But I would not change anything

Even if I had known that this was

 

The last time, the last

time we met

The last song, the last

song you get

The last time, the last

time we met

This is the last song, the last

song you get

 

We took the car to Roosevelt to get the kids

Before the winter holidays

They stood in a line

They sang in a choir

It felt like they sang for us

One very last song

We are on the run again both you and I

We come from somewhere else

than where we are right now

Oh they sang for us

One last time

One last song

They sang for us

 

The stars are up

one fell down

and flew away

Flew away

 

This is the last time,

the last time we meet

The last song

the last song I give you

The last time

The last time

We meet

The last song, the last song

I give you

Laleh – “Bara Få Va Mig Själv” (Just Get to Be Myself).

Hi people! 🙂

Today I want to show you another fabulous song by Laleh. It’s another one that’s in Swedish and very meaningful to me. And I also have the translated lyrics for you, here they are:

 

When I look into the light, I see the puzzle that we put

and then all the pieces fall into places

And when I hear them say the words that they’ve said many times

So many times you almost believe in everything

No, I don’t look down anymore

I look up to the sky

So, is there anybody here, do you even exist

Because, today they will hear the truth

I won’t take shit anymore

I’ll just be myself

Just, just, just get to be myself

I’ll just be myself

Just, just, just want to get to be myself

All the times you’ve been waiting for the day to end

but all the words still follow you home

Think that you can get used to it and get through the pain

but I will never look down again

No, I’m not looking down anymore

I look up to the sky

So, is there anybody here, do you even exist

Because, today they will hear the truth

I won’t take shit anymore

I’ll just be myself

Just, just, just get to be myself

I’ll just be myself

Just, just, just want to get to be myself

No, I’m not looking down anymore

I see you there in the mirror

So, so cowardly why did you even smile

No, you smiled as if it was a shame

Don’t you ever accept that shit again

I’ll just be myself

Just, just, just get to be myself

I’ll just be myself

Just, just, just want to get to be myself

I’ll just be myself

Just, just, just get to be myself

I’ll just be myself

Just, just, just want to get to be myself