Hi people! 🙂
Today I have a delightful, classical piece for you. While I can appreciate the value of classical music and highly respect people who have an authentic and deep understanding of it, I myself do not feel like I have it. I don’t know whether it comes from a sort of aversion I’d gotten for this type of music at school and it still is there somewhere, or is it more a thing of my lack of emotional maturity, which I think is necessary to understand complex classical pieces and feel them.
However, as you may know, I love harp. Especially |Celtic harp, and especially in a folk setting, but I also adore classical music where the harp is very prominent, or even jazz or pop music with harp but in such genres it’s easier to screw it up so I don’t always end up liking it. And so you can imagine that my love is all the greater for solo harp music! There haven’t been many composers who would compose solo music for harp, usually piano pieces are arranged and adapted, nevertheless there have been a handful of them, who usually were harpists themselves. And there is a fabulously talented and versatile harpist (mostly Celtic) in Italy, called Floraleda Sacchi, who has put a lot of effort over the years of her work to popularise harpists and harp composers, especially the more obscure ones like Elias Parish Alvars or Alphonse Hasselmans. This beautiful and evocative piece here was also composed by one of those forgotten harpists, a Scottish lady of Italian descent called Sophia Dussek (nee Corri). Her music does strike a chord with me, and in any case, as is typically the case with me and harp music, is just a pleasure to listen to. This is a long, solo, multi-threated piece, and thus just right for my voracious brain. I don’t speak French but the title of this composition seems to mean the hunt in this language.