2002 – “Lady of the Moon”.

Hi people! πŸ™‚

Overall, I can’t say I have a lot of love for this band. They’re way too new age-y for me, that’s the first thing, and also while some of their songs are really nice, quite an astounding amount of them just doesn’t agree with my brain, so to say, in a sensory way. They often sound properly sensorily creepy to me. And, actually, this song is no exception. Everything about it – the melody, the harmonies, the different single sounds in it and it overall – it just sounds kind of creepy even though I know I’m probably the only one and that generally it’s supposed to sound relaxing. But, unlike most of their other music, despite I still feel this way about how it sounds, after having known it for many years, somehow I also do like it and can appreciate its beauty. Sometimes that is the case that even when something sounds sensorily scary to me at the same time it’s still very beautiful and appealing on some level. In the past, the creeped out feeling was the main thing I felt when listening to this, but now it’s the appreciation for it that wins.

2002 are wife and husband Pamela and Randy Copus, and their daughter Sarah. They live in Texas and, as I said, they make new age music, that could also be classified as neoclassical. There is yet another song of them that I like (I only like two, and that other one is not creepy at all) and I think I’ll share that one tomorrow.

Enya – “Shepherd Moons”.

Hi people! πŸ™‚

Yesterday, after having wild dreams featuring The Loxian Gate by Enya and sharing the afore mentioned song on here, I’ve started to listen to all of her albums chronologically and still hasn’t finished, and it feels like my faza on her has renewed a bit. Recently I had a bit of a refreshment of my faza on Cornelis – as I was working on another translation of his another song, the results of which were very mixed – and now it’s Enya. It’s very good, as I still don’t have an official, new, major faza, and faza on Gwilym has faded into the background so I do need something to keep me going. It’s a very regular pattern with Enya though. My faza on her never was particularly intense, no huge peaks or other such, but it’s always been very enriching, satisfying and just making my life feel better. And every year since she stopped being my major faza, when it gets autumnal, or more wintry, the faza will always come back and I’ll be listening to her music all the time and reading about her and just feeling very strongly about her music. I guess this time of year is just very right for listening to Enya and I also know I’m not the only one Enya fan who experiences a similar phenomenon.

So today I’m sharing with you another beautiful, space-themed piece which has always been very close to my brain and heart. I like Enya’s wordless, soothing and kind of magical vocals on this, and the keys – don’t they sound like they’re laughing? To me they do. πŸ˜€ They sound as if they were laughing quietly about something that only they know and as if they just were very happy in a quiet, calm way. – Shepherd Moons is one of the most special albums by Enya to me, maybe not necessarily the most favourite, but I just have so many significant memories with this, it’s helped me with so many upheavals in life, and this particular track, as well as Caribbean Blue and a few others on this album I find great for any kind of relaxing visualisation as they are very nourishing for the imagination.

The album, as well as its title track, got its name from the shepherd moons of Saturn – Pandora and Prometeus – which was Roma Ryan’s idea.

Gwilym Bowen Rhys – “Lloer Dirion Lliw’r Dydd” (Gentle moon, colour of the day).

Oh my! I just couldn’t wait to share with you guys something from this album! I was talking about it some time last month, well I guess around the beginning of May, it was released on May 1st. But as you can see it took a while because it’s only available on the streaming services since yesterday so although I have the album since as soon as I got to know it was released, only now I can share something with you. In a way that’s actually good though because I could familiarise myself with the whole album, with my music crushes it always takes me loads of time to wholely satisfy my musical cravings when they release something new and I always want to know it thoroughly and from all the possible angles.

I am really so, so impressed with this album! I wrote about it on my blog already earlier so I won’t be repeating myself but it just made me fall into pieces the first time I listened to it, so fascinated, engrossed, bewitched and just full of emotions I was, and even though I listened to all the songs and the album as a whole for many times already it still has theΒ  power over me, and I’m listening to it right now as well. It’s always hard to pick something you think is the best or that you love the most from things of which you love all, but I wonder whether it’s not the best album of Gwilym so far in my ranking, or whether it would be if I had a ranking. πŸ˜€ I am just so happy that my current music crush is so artistically fertile and unlike all my previous music crushes I am actually able to thoroughly celebrate all the joys that come with an appearance of a new album. πŸ˜€

This new album is called “Arenig”, which is in reference to Arenig Fawr – a mountain in Snowdonia in North Wales, and also the title track of this album is a poem written and read by Gwilym’s great uncle – Euros Bowen – about this mountain, which is a really beautiful poem. It’s hard to believe for me in a way that this beautiful album is an effect of improvisation, but that’s apparently how it is. I know it’s often so that things come out much better when improvised in music, but it makes me think that they all – Gwilym and all the people who contributed to the album – must be remarkably skillful improvisers, which I think is fairly rare. Talking about the contributors, there is Patrick Rimes on violin, he plays in the Welsh folk band called Calan which I also like, brilliant harpist from Scotland but with Welsh roots and who also speaks Welsh Gwen MaIri (I love her harp skills πŸ˜‚ ), and they both also played on Gwilym’s first album “O Groth Y Ddaear”, and there is also Marit FΓ€lt, who plays viola, and, if I understood correctly, (I suppose I did given her Scandi-sounding name), she’s from Norway, so there’s even a little bit of a Nordic accent here! πŸ™‚

I had a real problem with what I am going to choose as the first piece from this album to share with you, I even thought maybe I’ll just link to the entire album and maybe write some extensive review or something but felt too shy to do such a grandiose thing as seriously publicly review one of my crushes’ album, I always write down my reviews of albums I love for myself and I relish in doing so but never published that anywhere. πŸ˜€ But after some deep thinking I came to the conclusion that the most beautiful piece on this album for me, regarding the melody, the performance and the lyrics is “Lloer Dirion Lliw’r Dydd”, which is a traditional song, though the second verse is known to be written by John Ceiriog Hughes. It’s incredibly evocative, magnetic and enchanting, and just don’t know how else to describe it adequately. πŸ˜€

The thing I really like about traditional music, one of many things, especially from Gwilym, and there are also a couple other Celtic people I can think of right now, is the words. I mean, when I was listening to this album before I read the lyrics and translations, I understood some bits and pieces, it wasn’t very much, but I could still thoroughly enjoy music because that’s how it is with folk music very often – even if it is in the most out there language you can still understand the language of music itself and connect with it almost as deeply as through the actual language. But when I read the lyrics, I realised that there are not only plenty of new, enticing, luscious, colourful, magical Welsh words for me to discover, (I didn’t even know that moon is lloer, I only knew the word lleuad for moon in Welsh but it seems like they have two! I now can’t stop wondering what’s the difference, will have to do some research after I write this post, I lthink loer sounds even better), but also a fair handful of English words in the translations that I didn’t know previously. I just love such discoveries! And all those linguistic findings also satisfied my synaesthesia very much, so it’s not only the music. The same was with the previous album “Detholiad O Hen Faledi I”, well actually there were even more new English words to me. That shows how sophisticated folk music can be at times, even if it might not always seem so. πŸ™‚

OK, end of my elaborate. Here’s the translation of the song, which I’ve taken from

Gwilym’s website,

and below is the song, although it’s on Spotify, so very sadly only those of you who have Spotify will be able to listen to it whole, I didn’t see it on Youtube or anywhere that would be a bit more inclusive.


Gentle moon the colour of day,

in pain and in sorrow, I’m in a sad daydream.

From splendid astonishment,

my heart is so weak I shan’t live much longer.

When I saw your face you wounded me like a sword,

I received an injury without realising it,

tonight I’m ready for my grave.

Oh good gentle goddess, hear this injured man,

save my life, lovely moon the colour of summer.

Some people’s interests lie in material things,

but on the purity of a fair moon

I gave my whole intentions, one and all.

If I could only have you, I would confidently proclaim

that I had more than enough wealth, pure girl.

Gentle moon the colour of day,

I see your light, you with a pleasing face.

From life to the grave, you are my queen,

fair warm farced one.

You are my fire, the inspiration to my song,

the heavens never did behold

through the light of the sun’s cycle,

such a wonderful sight.

I raise up my head, and look to the skies,

shine upon me, white moon the colour of snow.

Some hold the moon responsible

for pulling the threads and strings of the seas,

the ebb and flow of the tides in and out.

But you, my love, are responsible

for pulling the strings of my heart,

gentle moon the colour of day.

Fay Wildhagen – “Leave Me To The Moon”.

I chose this song very spontaneously and didn’t plan to share it with you before like yesterday but since this series is all about the music I like and that makes some sort of positive impression to me, I think I have to share it with you, too, and I am very curious what your impressions will be like, whether even a bit similar to mine.

You see, I’ve been exploring a lot of Norwegian music lately. but I’ve known about this girl – Fay Wildhagen (Fay pronounced as FIE, not FAY, if you’re interested) since about last winter. Honestly, I didn’t like her too much, if at all. No I didn’t hate her music, but there was something about it, something in her style, that always turned me off and made me frown a bit. I think I didn’t particularly like her voice, it’s very characteristic and actually hard to define. I recently stumbled upon a POLISH (!) blogger, who liked one of the songs from her new album, and he described her way of singing as a “scared vibrato”, which, although I do like her now, I find very accurate, because she does sound a little bit as if she was frightened, or very emotional.

I love expressive music, sometimes very expressive and emotional, but, there is that fine line between being expressive and overexpressive, when you sound like a broken-hearted emo, don’t you think? πŸ˜€ And I am not a big fan of overly expressive, overly sentimental music, with overemotional style overall. There seem to be so many singers like this lately – if you want an example, look at Moa Lignell, she’s Swedish, has a beautiful voice, but is oh so very very sad and emotional and like on the verge of tears all the time, which… just doesn’t speak to me. Too much is unhealthy, isn’t it? Or maybe it’s me who has some issues with expression, that’s likely too.

So, I perceived Fay as someone from the same category as Moa and others, OK maybe with a bit more intriguing lyrics.

Until this week. This week, one of my multiple life partners, with whom I have a full-blown love-hate relationship, named Spotify, announced to me that in September, when I was separated from the virtual world, Fay Wildhagen, after two years break released her new album “Borders”. Spotify doesn’t care if I like Ms. Wildhagen or not, according to it if I listen to music that it classifies as similar, I might become interested anytime. Very good logic, I must admit. πŸ˜€

For some weird reason, I did look at this album, I played it and… well, no, I wasn’t suddenly stunned or anything, I was very intrigued. And although it’s not your average, catchy album full of nice earworms which you could listen to sipping on your morning coffee, cleaning the house or riding in the car, and thinking about everything at once, at least I don’t think it’s like this, somehow it just stuck in my head like a typical earworm.

Maybe it’s that it is actually very different from the last album, though at the same time it’s similar, maybe it’s that I just grew up to it or something, anyway, I listened to it again, and this time – yes – I was stunned. Intrigued, fascinated, fully absorbed, shocked, whatever…

Fay’s previous album is much more acoustic, this one is very electronic, but very well produced, if I am to judge such things, by Fay herself. According to her website, after recording her first album, she got strong arthritis that made it impossible for her to play guitar, and so she focused on learning about music production, travelling and writing lyrics for a new album, until she was able to record it.

I do like bothh acoustic and minimalistic as well as very electronic music, but there is something in the rich sounds of this album that makes me easily find my way through it, that speaks to me and makes me feel at home among all those harmonies.

And I grew to like Fay’s voice, too. I just don’t know how I could think she’s just one of those young, hypersensitive emo girls. πŸ˜€

I discovered her album I guess on Tuesday, and I still relish it, slowly, so that I don’t get bored too quickly hahahaha, and each time I discover something new in it, focus on something different. I still don’t particularly feel that first album of hers, I mean I do like it now but just don’t feel it as much. But yeah, anyway, this is my discovery of the month, or maybe even the year hahaaha.

Then there was a dilemma which song I should choose to show you, but finally I decided on the one which I heard as first, called “Leave Me To The Moon”. I’m really curious about your impressions. πŸ˜€

Elsa & Emilie – “Under The Blood Moon”.

Hi hi people! πŸ™‚

I have a very interesting song for you. I just love these two girls’ – Elsa & Emilie’s – music! They’re from Norway, and they released their first album when they were 16, now they are in their early twenties I think. Their music, especially their later songs, are a bit dark, but also very ethereal, and I love this combination, their music just speaks to me, and today I’m particlarly in the mood for their music. SO today I’m gonna show you this song, as it’s very interesting, and sometime next week I’m gonna show you another one, which is my most favourite from them. The surprising thing is that although they’re not world-wide famous or anything, they’ve apparently become quite liked in Spain, I don’t really know why, other than because their music is great. When I started to listen to them about a year ago or so and wanted to find out more about them, I came across a whole lot of websites in Spanish, Spanish fanpages, Spanish lyrics’ translations, etc. It’s interesting how some music can become popular in a completely different country, we’ve had this phenomenon in Poland too, for example there are quite a few fierce fans of a Finnish rock/metal band called Korpiklaani (me included, even if I’m not that fierce!) and I’ve read somewhere that there are more people coming to their concerts than in Finland.