Llio Rhydderch – “Ffarwell i Gymru” (Farewell to Wales).

Hiya people! 🙂

For today, I’d like to share with you a piece from the Welsh triple harpist whose name you’re probably very familiar with from my blog already. This hiraethful (or hiraethus in the actual Welsh language; if you don’t know what hiraeth is, you can read

this Wikipedia article

although it’s very far from exhaustive, but is always something to start with) piece is definitely one of my favourites by her, though of course nothing can beat


Llio Rhydderch ft. Tomos Williams & Mark O’Connor – “Ecclesia”.

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Here’s another piece from the album Carn Ingli, on which Welsh triple harpist Llio Rhydderch collaborates with Tomos Williams – trumpet – and Mark O’Connor – percussion. –

Song of the day (12th June) – Llio Rhydderch – “Sir Fôn Bach” (Little Anglesey).

Here is a tune from Llio Rhydderch – “Sir Fôn Bach”, from the album by the same title. It translates to Little Anglesey or perhaps rather Little Angleseyshire, Anglesey being an isle and a historic county in north Wales. This is a traditional tune coming from the tune book of Welsh fiddler Robert Thomas. I was wondering what “little” in the title meant, what sort of significance it might have, and it turns out to simply be a term of endearment. Llio Rhydderch herself is from Anglesey, as I think I’ve mentioned before, and she clearly has a lot of love for her little homeland as this is far from only one piece in her repertoire whose title refers in some way to the isle of Anglesey.


Llio Rhydderch – “Marwnad Yr Ehedydd” (Death Of The Skylark).

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This is another of my most favourite songs by Llio Rhydderch. It comes from her collaborative album with Tomos Williams and Mark O’Connor – “Carn Ingli” – but it’s a solo piece. I like its depth and melancholy.

Song of the day (18th May) – Llio Rhydderch – “Breuddwyd Y Frenhines” (The Queen’s Dream).

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Here’s a really beautiful piece from Llio Rhydderch’s album Melangell. I absolutely love it!

Llio Rhydderch, Tomos Williams, Mark O’Connor – “Tair Dawns” (Three Dances).

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I’ve shared with you some solo music from Llio Rhydderch before. Today, it’s time for a piece from a collaborative album – “Carn Ingli” – which she recorded together with Tomos Williams (trumpet) and Mark O’Connor (drums), the latter we won’t really hear here in this particular piece. In general, I have to say I far prefer Llio’s solo music, but it’s not like I don’t like this album, it’s definitely interesting, if not for any other reason than at least the combination of harp with trumpet and drums is quite unconventional and intriguing for me as a “harpophile”. Here is this piece:

Llio Rhydderch – “Edward’s Grip”.

For today, I chose to share with you another piece from this amazing harpist. This is also one of the first pieces from her that I’ve ever heard. It comes from her collaborative album with Tomos Williams (on trumpet) and Mark O’Connor (on drums), but this particular tune is just a solo harp one and it’s definitely my favourite from this album and one from my most favourite pieces of music from Llio overall.

Llio Rhydderch – “Titrwm Tatrwm” (Pitter Patter).

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Today, I’m sharing with you another piece by Llio Rhydderch. There’s a traditional song in Welsh by the same name about a boy who visits a girl he loves in the night and throws small stones at her window, hence the Pitter Patter title, but that one has a different melody, so I’m not sure if this one has anything to do with it, and I might share that one with you too at some point. In any case, I really like this piece, but then again, I like absolutely everything from Llio!

Llio Rhydderch – “Enaid Enlli” (The Soul Of Enlli).

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I’m just posting this before going to sleep, and thought that I would share with you another beautiful and long harp piece from Llio Rhydderch, especially for those who are also going to go to sleep soon, to get you off to Dreamland faster. 🙂 This one comes from Llio’s album simply called Enlli, which, like a lot of her music, has also been inspired by the area where she lives, that is north Wales, in this case Bardsey Island or Ynys Enlli in Welsh, which is close to the Llyn Peninsula. This island is called the island of 20000 saints, and so it was an important place of pilgrimages. Enlli is also used as a Welsh feminine name since the 20th century.

Llio Rhydderch – “Malltraeth”.

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I decided that today we’ll also listen to Llio Rhydderch, ’cause why not? She’s created so much beautiful music. To keep things diverse though, unlike Gwenllian that I shared with you yesterday, this is a short and sweet piece. Its name comes from a village in Anglesey (Anglesey is where Llio Rhydderch lives if I remember well) which is called Malltraeth. The name of this village means something like a desolate beach.

Llio Rhydderch – “Gwenllian”.

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I’ve shared a few tracks from this amazing Welsh triple harpist with you already, and I thought that, finally, I’d love to share with you one of my favourite pieces by her, the title track from her album Gwenllian, especially that I’ve already shared one piece from this album with you.

You know that I generally love harp, be it the “normal” Celtic harp or Welsh triple harp or almost any kind of harp, and you also know that I love Llio Rhydderch’s music ever since I’ve first heard it. But this album is really special to me for some reason. I learned about Llio quite late considering how long I’d already been into both harp music and Welsh music in general, through one of my faza people – Gwilym Bowen Rhys. – I love exploring new harp music and, as it happened, Gwenllian was the first album of Llio that I started listening to and this was my first contact with her music. I was having a shitty time emotionally and I found her music so extremely soothing. Not just relaxing – although you could most certainly say that her music is relaxing, but it’s not only relaxing and it’s surely not the primary intend behind it – heartening and replenishing are the words that come to my mind in relation to her music.

I don’t have very many albums to which I’d always listen as a whole, in the right order, but Gwenllian is one of them. Alongside my faza subjects and some other music, it’s my go-to listen when I feel emotionally overwhelmed or just need to go inside my own Brainworld for a while. Llio’s music is great for that because while she creates some kind of a realm of her own with it, you can go with the flow and follow it, or it can help you find the way to go inside yourself.

The title track of this album is by far my favourite (even just because it’s so long, like it’s never going to end and leave you alone, and as you already know I love as long solo harp pieces as possible because I always crave more harp music 😀 ).

In my last Weekend Coffee Share that I did on here, I mentioned that I was reading The Brothers of Gwynedd quartet by Edith Pargeter, which my penfriend recommended to me – about the Welsh prince Llywelyn the Last. – The Gwenllian here, she was his daughter. I loved listening to this album in the background when reading that series. Apparently, Llio Rhydderch has quite a close connectioon to princess Gwenllian, as from what I’ve read Llio lives close to where Gwenllian lives. It’s also interesting that Llio is originally a diminutive of Gwenllian. 😀

Llio Rhydderch – “Clychau Clynnog” (Clynnog Bells”.

Hey people! 🙂

Today, I’d like to share with you another piece from this amazing Welsh triple harpist – Llio Rhydderch. – I just love how evocative and picturesque her music is! The piece I want to share with you today comes from her album Enlli and is called Clychau Clynnog or Clynnog Bells in English, where I assume Clynnog must refer to the village on the Llyn Peninsula called Clynnog Fawr.

Llio Rhydderch – “Diniweidrwydd (I William Rhys)” (Innocence (For William Rhys)).

Hey people! 🙂

Recently I’ve shared with you a piece performed by Welsh triple harpist Llio Rhydderch, whose music I really love, and I thought I’d share something by her today as well, so here it is. This piece is called Diniweidrwydd which means innocence in Welsh, and it’s dedicated to someone called William Rhys, however I wasn’t able to find who it is exactly, and can’t figure it out on my own, because, well, there surely are lots of people named William Rhys in Wales. 😀 Here is this beautiful, evocative piece.

Llio Rhydderch – “Alaw I Nansi (Teyrnged Disgybl)” (Tune for Nansi (A Pupil’s Tribute)).

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Today, I’d like to share with you a tune from another harpist whom I really love, and only learned about last year. She is from Ynys Mon (also known as Anglesey) in Wales, and plays triple harp. I learned about Llio Rhydderch and her music from my most recent faza subject – Gwilym Bowen Rhys – and instantly loved her music. It has such a very special atmosphere to it, it’s hard to describe, but it is there. This is just a lovely upbeat tune, as its title suggests, dedicated to Nansi. I hope you enjoy it as much as I do. 🙂