Hiya people! 🙂
Okay, so time for some Jacob music again, finally. 🙂 If you’re new or still don’t know for some other reason, I have such a great thing in my life called faza, and my current dominant faza subject is Jacob Elwy Williams.
If you’ve heard about Jacob already on here, you’ll know that he’s been the vocalist in a rock band called Y Trŵbz. But I didn’t say that, at the very beginnings, before it was called Y Trŵbz, before Mared Williams joined them as another vocalist and long before they have become more widely known in Wales thanks to Y Selar (Welsh music magazine) they were called Trwbadwr. They weren’t really officially recording back then, just gigging or jamming for fun I believe, as it often seems to be with young Welsh-language bands when they start out. However, recently I was thinking that I should still see if there perhaps is some of their music from that time somewhere online, just out of my insatiable, Aquarian curiosity, because I really wanted to know how, or if, their style has changed over the years, and… you know, when you like someone’s music, it’s great to be able to hear some of their earlier, unofficial, perhaps even more amateur music. It just gives you a broader idea about them and their music. I’ll never forget my excitement when I found out about the first recording ever of Cornelis Vreeswijk – one of my previous faza people – from 1959, so I guess about 5 years before his actual career as a musician started, if I’m counting right. And so I looked, and the song I’m about to share with you is the only thing I found from Trwbadwr, but there’s also an unfinished version of it on YouTube as well and it’s also great.
As you can maybe guess from the title alone, this is their cover of Feel So Close by Calvin Harris. I quite like this song in its original version even though it’s mainstream-y and thus rather very normal for Bibiel standards 😀 but I like theirs far more (not surprising I guess). 🙂
Hey people! 🙂
When I get a new faza,
I listen to their music almost all the time, and it is no exception with Jacob Elwy. I also like sharing my fazas’ music with other people, but as you may have noticed I haven’t been so generous with sharing Jacob’s music on here. I indeed try to be a bit more sparing, because it’s not like he’s released a lot of music so far, it’s only singles, and I don’t want to run out of it too quickly. On the other hand I also don’t want to be too monothematical and if this series was to thoroughly reflect my listening activity, this blog would be heavily Jacob-dominated right now. 😀 I think I’ll be featuring something with him once a month or so.
Today, it’s another song that he sang with Y Trwbz – a Welsh-language rock band founded by him and his brother, also including their cousin Tomo Lloyd, friend Gruff Roberts and Mared Williams who is also an accomplished solo artist. – This particular song has never so far been actually officially released by them,but they often seem to play it live. It differs a bit from their usual style, since they are a rock band and this song has a very strong reggae feel, but it’s not incongruent in any way since both Morgan (who wrote the song) and Jacob, seem to be very much into reggae music. I’ve heard Jacob saying that if he could get to choose anyone that he’d like to work with, it would be Bob Marley, so, that says a lot, I guess. I think it’s cool because, while I’m no longer as crazy about it as I used to, before I discovered my love for folk, I was very much into reggae myself so even if it’s not a genre that I’d be listening to very consistently these days, I really have to be in the mood, I definitely like a lot and have a lot of very positive feelings and associations with it.
The recording I’m sharing with you is from 2019, when they were playing at Gwobrau’r Selar event. Gwobrau’r Selar, or Y Selar Awards, are music awards are annual awards for Welsh-language music, awarded by a Welsh music magazine called Y Selar. Y Trwbz themselves were awarded in the Best EP or Single category for their EP “Croesa’r Afon” (Cross The River) just a year before this performance.
Very sadly, I’m afraid my understanding of the lyrics is a tad bit too patchy to be able to translate them for you in any sensible way. It’s like, I guess I get them quite well but I don’t know a fair few words and I don’t really know how to go about translating this somehow. But it’s still really good musically and I hope you can enjoy it in this aspect, and when I’ll feel more confident about my translator skills in this case I’ll update the post.