Cornelis Vreeswijk – “Balladen Om Fredrik Åkare”.

Hey people! 🙂

Thought that I’d share another song by Cornelis Vreeswijk with you today, one from his debut album from 1964. It is called, as you can figure out from the title, “Balladen Om Fredrik Åkare” and it should not be confused with one I shared before and that is very popular in Sweden – “Balladen Om Herr Fredrik Åkare Och Den Söta Fröken Cecilia Lind”, that one was later.

From what I’ve read, this Fredrik Åkare guy (whose name could also be translated to English as Fredrik Rider), is based on a real life person, that is Cornelis’ brother-in-law, husband of his younger sister Ida. Somewhere else though I’ve read that he was something like Vreeswijk’s alter ego, so I am a bit confused, but I guess it could simply be so that Fredrik Åkare played slightly different roles in different songs, depending what he was needed for, and he could as well have been some sort of a blend of these two people, anyway he is one of those characters (like Ann-Kat(a)rin Rosenblad, that I wrote about a little before 

who appear quite regularly in his various lyrics and poems.

This song has always had such a depressive and resigned feel to me. I don’t feel like writing a translation and I don’t want to botch it, so I thought I’ll just tell you what it is about, which is strongly from my point of view, the way I understand and feel this piece.

The lyrical subject – I think we cann assume that here it’s the author – meets Fredrik Åkare somewhere out in Stockholm – as Cornelis once said at one of his later concerts, this was in January, on a cold, early morning. – They meet, presumably after not seeing each other after quite a long time, and just have a friendly catchup, although it is mostly Fredrik talking and pouring his brains out, because it turns out that a lot has changed in his life since they’d last seen each other. He’s been wandering aimlessly, not really sure of anything in his life as it seems. When the lyrical subject asks him about his wife, he says that, indeed, he had a wife, but he has divorced her. He also says that she has taken everything they/he had, so he’s pretty much left with nothing, but he doesn’t give a fuck, as he says. So he’s just kind of living without any purpose or anything, walking around Stockholm like that, seemingly unsure about anything in his life, whether future or past, kind of oblivious to whatever is going to happen and letting things go however they will in a bit of an apathetic manner I’d say, or as he says himself – “like in a trance”. – But what is most important to him is that now – after a lot of emotional upheaval and sorrow – he is free.

I must say I don’t really get this understanding of freedom – being left with nothing, even without a family you used to have, and it especially doesn’t speak to me because he doesn’t really seem all that happy with this arrangement, and life still sucks for him, but I suppose it was just the next best thing, in his opinion. This frantic looking for freedom is quite characteristic of a lot of Cornelis’ lyrics or poems and it always makes me sad when I think of it because it doesn’t seem like he ever found it during his life. But then, does anyone? It’s probably just that some people lack it even more and so feel it a lot more keenly, dealing with all sorts of addictions and other things like that. Cornelis himself was married to three women over the course of his life and divorced all of them, but this bit about Fredrik Åkare’s divorce can’t be inspired by his personal experiences because if I remember correctly he married his first wife, Ingalill Rehnberg, the same year that his debut album came out, and he was with Ingalill for four years. Not that it wasn’t a difficult relationship from the start, from what I know.

So yeah, a depressing piece really, or so it is to me.

Vederkast – “Balladen Om Herr Fredrik Åkare Och Den Söta Fröken Cecilia Lind” (The Ballad About Mr. Fredrik Åkare And The Sweet Miss Cecilia Lind).

Hey people! 🙂

While I find that it’s always best to listen to my

fazas’

music in the original, when it comes to Cornelis Vreeswijk, I think he can be proud of very often having had people cover his music very well! I do like some covers of his songs almost as much as his original versions. And this is one of such cases.

I stumbled upon this version of the ballad about Fredrik Åkare and Cecilia Lind when my faza on Cornelis was quite well-developed already, and I instantly loved it. I like how in this rocky, gloomy version, it takes on an almost entirely different feel, yet is no less true and authentic than the original version. And also I just plain like how it sounds.

Here you can find

my post with the original song and the translated lyrics,

and here is

my post with Cornelis’ Dutch version. 

The YouTube version is just a teaser or something, so below is the link to Spotify, and if you don’t use Spotify, there’s also a link to Songwhip where you can choose the streaming service that you use.

Vederkast – “Balladen Om Herr Fredrik Åkare Och Den Söta Fröken Cecilia Lind”.

 

Sarah Riedel – Se Här Dansar Fredrik Åkare (Look Fredrik Åkare Is Dancing Here).

Hi. 🙂

Do you know, lovely people, what a nice holiday we have today? Ha! You surely don’t know. Unless you’re Swedish, or a freak like me, or maybe if you’re Dutch, or maybe, maybe if you’re from any Scandinavian country other than Sweden, perhaps you may know too. So I’m here to enlighten you!

Today, 8th August, is my previous crush’s – Cornelis Vreeswijk – birthday. But because as you probably already know, when I move on from one music crush to the next, I don’t leave the previous one, it only sort of fades, being dominated by a new crush, therefore technically you can say I’m still somewhat crushing on him. And, if by any chance you, my reader, are Swedish, I know it may be slightly or not so slightly weird to you, the more that he’s passed away quite a while before I was born, but… what can I do about it? Assuming that I’d really want to do something with it, but honestly I don’t.

So yeah, Cornelis would be 81 if he’d still be between us. I  hope he’s having a great birthday wherever he is now…

You’d think that if it’s his birthday, and I happen to be so fascinated by his music and poetry that I even want to try to translate it to Polish, then I should choose a song of the day by him, but I decided to do it a bit differently this time.

You see, despite Vreeswijk was Dutch, he’s been actually more known in Sweden than Netherlands, because he and his family emigrated there when he was 12. And he seems to be very liked there. Or anyway, very famous. I guess he’s to controversial to be very liked, people there seem to either love him or hate him.

And if you’re a famous musician, especially if you’ve left this mundane world, you can expect many other, famous and not famous, and maybe even infamous, musicians to be inspired by your music in any way. And so is also with Cornelis.

There are a lot of Swedish artists covering his songs, or who are inspired with his style, making tribute songs, or trying to caricature his style or something.

A few years ago, when I started to explore Spotify, I also started to explore all kinds of covers of his songs, beautiful and cringy ones, and I’ve found a few that are still my huge favourites.

Including an album, called “Cornelis vs. Riedel”. It’s pretty jazzy, I’m not very big on jazz, but because of Vreeswijk I’ve got a very tiny little bit more liking and understanding of it, as it’s one of the genres he liked to incorporate in his music.

“Cornelis Vs. Riedel” is a compillation of Cornelis’s poems, with melodies composed by a Swedish jaz musician of Czechoslovakian descent – Georg Riedel, and sung by Sarah Riedel – Georg Riedel’s daughter – and Nikolai Dunger. With a few exceptions, these poems have never been sung by Cornelis, and the two ones that have been got completely new melodies from Riedel. With all his genius and versatility, I don’t think Vreeswijk had a particular talent for composing, so I found this very interesting.

And oh what I particularly love about this album is the expressivity, and all the emotions. I just love the vocalists for how they feel these lyrics, how they really involve in what they are singing about.

The song I want to show you is called “Se Här Dansar Fredrik Åkare”, very roughly translated Look Here Fredrik Åkare Is Dancing. Now who is this guy, Fredrik Åkare?

I must tell you, I wondered about it for quite a while since I got to know Cornelis’ music. He is often mentioned in his songs. I guess we need to just look at him as a fictional or half-fictional character, one of a few that we can meet in Cornelis’s songs and poems. However people say that his real life equivalent was Nisse Gustafsson – one of his sisters’ friend or boyfriend, or something like this. – Though I’ve also heard that Cornelis himself might be Fredrik Åkare, and I pretty much lean to it because it just looks like it could be him. Even in this song, for me it seems to be just about Cornelis.

Do you remember the song I once shared with you, also by Cornelis – “Balladen Om Herr Fredrik Åkare Och Den Söta Fröken Cecilia Lind” (The Ballad About MR Fredrik Åkare And The Sweet Miss Cecilia Lind)?

I look at this song I’m sharing with you today, as a sort of continuation to that one. Because in that song, as you might remember I wrote, there is a sort of party, people are dancing in the barn in the village, he – is meeting the nearly 17-year-old girl, much younger than himself, called Cecilia Lind, they fall in love with each other, are dancing together, people are indignant because it’s a shame that two people with such a difference in their age are dancing and lookk as they’re very cllose to each other, they say Cecilia’s too young for him. He accompanies her t her house and kisses her on their way home, and the story doesn’t have any speciffic or definite ending.

And then we have this song. We know that  the full moon is shining (why is there so much full moon in Vreeswijk’s lyrics? :O Swedes love sun, he seems to be much more inclined to the moon), just like at that rural party or whatever it was and however such things are called in English, and Fredrik is dancing on empty streets (so it’s the night time, right?) and we also get to know he’s dancing aimlessly and not going anywhere in particular. He is also tipsy and is hurting emotionally, or so I understand from the lyrics, though I’m not sure if that’s exact.

From  the second verse we also know he’s singing – about the stars, and about Cecilia Lind, and about all that he wants to forget and drown in a bottle of wine – pretty classic theme as for Vreeswijk.

Then the third verse is from the author’s perspective, saying that he has made a little song because then it’s easier to dance [when you have the music]. And that this song is about that you’ll never get what you want the most. And what you’ll get instead, you will be always disappointed with.

Reminds me strongly about Cornelis’ life, his struggles, and about what I know about his relationships with other people.

When I first heard this song, I actually cried – and as I told you a few times before it’s not that easy nowadays to move me this strongly, but I was very moved, also Sarah’s vocals themselves are very moving.

But what else spoke to me, was that in some more metaphorical way I felt like it’s also about me. I’ve told you before that paradoxically I feel like in some aspects my personality is pretty similar to Cornelis’, and that’s maybe why I like him and understand his music, and why it often speaks to me (excluding all the left-wing extremist ones, but even those are often quite true in a way 😀 ). I can’t find any other explanation, because objectively he’s not what I would call “my style”. OMG that’s all so weird! 😀

OK, so maybe, finally, after all that chit chat, time for the song? I guess so, I wrote way too much, but I wanted to give you some context, it’s stupid to listen to the song without its context if it’s deeper, and since there’s no language barrier here for me, if I can give you that context, then why not. Let me know what you think about it and how do you perceive it.

Unfortunately I’m forced to get the song from Spotify, I could’ve sworn I saw it like a year ago on Youtube, but now I can’t find it, so I don’t have much choice here.