Here’s another lovely harp-driven tune for you guys, from a harpist whose music I shared with you before. This composition sounds contemporary to me, and turns out that that’s what it is. It was composed by Scottish folk singer songwriter Dougie MacLean, and the Craigie Dhu in the title was a place (property) where he lived. I think moving houses, especially such that are dear enough to you that you feel like capturing them in music, is a very stressful and unsettling thing but this farewell doesn’t sound all that sad at all, it sounds very hopeful, don’t you think? So if you need a bit of hope for the future in your life, maybe you can find it in here.
Hi guys! 🙂
So why not have a listen to another song by Cornelis Vreeswijk, plus a cover by Marie Fredriksson?
Again, we have a female character here, which comes up even more often in Vreeswijk’s songs and poems. The character of Ann-Kat(a)rin Rosenblad is based on his muse and friend who was Ann-Christin Wennerström. And, the portrayal of her that we get from all the songs with her in them is quite interesting and ambiguous. I like Ann-Katrin a lot and hearing this song always makes me sad. First, because it comes from Cornelis’ very last album, (Till Fatumeh – Rapport Från De Osaligas Ängder”) which was recorded about a month or so before his premature death (he died from liver cancer at 50). Secondly, because the song indicates that Ann-Katrin was a drug addict, amphetamine more exactly as in the case of Vreeswijk, though he was taking loads of other stuff as well. The lyrics have a kind of raw but at the same time rather elusive feel and I really regret that I’m not good enough in neither Swedish nor English to write an adequate English translation for you without risking a major linguistic catastrophe and a great prophanity, the more that there are none available online. The only thing that bugs me is the music style of it. Like, seriously, the lyrics on that last album are really captivating, you don’t have to agree with what he wrote and I most often don’t but his lyrics always have that captivating quality, but the musical arrangement of this album is mostly screwed. He maybe wasnät the greatest composer, but was such a great blues singer, and even managed to convince me to appreciate jazz a tiny little bit, and he was great at incorporating folk themes and motives in his music. And that last album is very much like classic 80’s pop, and this track is a great representation of it. I don’t like that at all and it clashes with the lyrics and generally with Cornelis’ actual musical style unbelievably! That turn to pop was motivated by that, after some years of relative fame, he had become forgotten and the way I understand it from what Iäve read he wanted to get the attention of people by doing something more… ahem, timely, or whatever, especially he wanted to attract younger people. It didn’t work, that is, he did get a lot of fame and largely from young people in Sweden after his death but not because those last two pop-ish albums did that, it was thanks to the Roskilde Festival where he played shortly before his death and, well, it looks like for artists it’s a common situation that they only get appreciated after they die. Perhaps that was better for him.
I like the expression of Marie Fredriksson’s interpretation of this song. I think in case of music, like, generally the arrangement, it’s her who wins here! But she’d never write as good lyrics as Vreeswijk did, haha. Marie Fredriksson’s cover again comes from the tribute album “Den Flyggande Holländaren”.
Hi guys. 🙂
I really like this song. I don’t know much of this band’s music, but this song has really something beautiful to it. I feel like Hem is quite a famous band, but if you don’t know, I’ll tell you they’re from Brooklyn, and they make music in a range of styles, from folklore, to Americana, from jazz to classical music. I think they’re good, and lots of people like them.