Enya – “Hope Has A Place”.

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Today I’d like to share with you another song from Enya. Roma Ryan (Enya’s lyricist) wrote the lyrics to it in Silent Valley in the Mourne Mountains, , co. Down, for her daughter Ebony, about first love, but also love in general and how it’s not only and not always an amazing feeling like we would all like to believe, but it also often brings a lot of pain, or even loss. But the thing you still have left is hope.

Enya decided that, in order to write just the right melody for these lyrics, she’d also need to go to the same place (I really like that approach and I think it seriously makes sense because placesΒ  always have their own spirit). Not only did she write the melody there, but also her producer – Nicky Ryan – decided that they’d record the lead vocal there, outside, which I think gives this piece even more of a soul. I think it’s actually the melody that I love the most about this piece.

Enya – “No Holly For Miss Quinn”.

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Today I’m sharing with you another solo piano piece by Enya. This one is closely related to her earlier piece, “Miss Clare Remembers”, in that they are both inspired by short stories written by English author Miss Read. Enya enjoyed reading about the countryside life in these stories and found the people in them interesting. I learned about the origins of these two songs relatively recently and, while I still haven’t read these stories, I think I will at some point, because they sound like something that might be right up Bibiel’s alley. The music they inspired is definitely beautiful.

Enya – “Morning Glory”.

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Today I’d like to share with you another piano-driven piece by Enya. I really love its harmony. As is often the case with Enya’s music, this piece doesn’t have lyrics, but I also couldn’t find anything about its background or the inspiration behind it, so I think we can be free to imagine it being about whatever it makes us think of.

Enya – “Portrait (Out Of The Blue)”.

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Today, let’s listen to a really simple (for Enya’s standards) and quite minimalistic piece – you guessed it – by Enya!

Originally it was really short and sweet and called just Portrait, was something over a minute long, but then later on she recorded an extended version, and this one is called Portrait (Out Of The Blue). While a lot of Enya’s music is heavily based on synthesisers, this piece is very much piano-dominated, since it was the first instrument that Enya was playing.

Enya – “Echoes In Rain”.

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This is a song from Enya’s most recent album (Dark Sky Island). This was the first (and only so far) album of Enya’s that she released since my faza on her has started, so it was an extremely exciting time for me. She is never in a hurry with releasing new albums, and it always takes a lot of time because with the sort of music she makes, recording an album is a complex and long process and she puts a lot of effort into it. But that also means that every her album is of extremely good quality, which someone who releases something very regularly wouldn’t be able to achieve unless they’re some sort of a genius, in my opinion, and it also means that there is always so much anticipation when you finally get to hear that her new album is going to be out.

This was the first single from this album that came out and one that was of particular interest to more mainstream media so I think the first time I heard it was in some radio station, and I had that wave of excitement and anticipation rushing through my brain, which is why this song always makes me think of anticipating some good things. Also because, as Roma Ryan – Enya’s lyricist – says, this song is meant to be all about anticipation, more specifically about anticipating the end of a journey. The whole album is very much journey-themed and -inspired, like a lot of Enya’s music, and this particular song is all about how you feel when you know you’re heading back home. Myself being a homebody, this is, I think, the part of any journey that I love the most. πŸ˜€

Enya – “Miraculum” (Miracle).

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Thought I’d post something wintry from Enya, because I hasn’t shared a lot of her winter music this particular year, and today we’re having a bit of snow so it seems fit. This is a beautiful Latin song from her album “And Winter Came”. Interestingly, she also has an almost identical song only with different lyrics, called “One Toy Soldier” which is a Christmas song and, as you can imagine, has completely different lyrics.

Enya – “The Memory Of Trees”.

I was surprised to see that I haven’t shared this song on here before, because this is seriously one of my favourite instrumental/wordless pieces by Enya. It comes from her album with the same title, and it’s very special to me because there is something so very bittersweet about this whole album that I love. The title of both this song and the album comes, as nearly always, from Enya’s lyricist – Roma Ryan – who was inspired by the druidic tradition of placing great importance on trees in their religion and culture. The Celts considered trees – oaks in particular but all trees really – to be sacred and have each their own powers, even the word druid is supposed to come from the Celtic word for oaktree (druids, in case you don’t know, were very basically like Celtic priests). Enya says this title isn’t meant to be any kind of an ecological statement and it’s up to a listener to imagine whatever comes up in the mind upon seeing the title. As for me, the title The Memory of Trees makes me think of all sorts of memories that trees hold, that they could tell us about if they could, all sorts of things they have witnessed over the years. It sounds fascinating. Does this title make you think of anything in particular? How about this piece?

Enya – “March of the Celts”.

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Today I’d like to share with you this amazing piece from Enya. There is just something so majestic and stunning about it that I love, it gives me goosebumps every time I listen to it.

This piece is part of Enya’s album The Celts, which is the soundtrack of BBC TV series of the same title. Apparently the BBC people who stood behind the series had a lot of music to choose from as the soundtrack of the series, but they didn’t like anything of that, so finally they decided to ring Enya, or more exactly her manager Nicky Ryan, and ask if they’d be interested. The way I understand it from what I read, March of the Celts was the first piece that they – Enya and Nicky – sent to them, and ended up being commissioned to write the whole soundtrack. Just who wouldn’t like to have a soundtrack ike this to a series they were making?! πŸ˜€

This song is mostly created of mouth sounds, as a lot of Enya’s music, and apparently the only actual (Irish) lyrics that are in there say

Alive forever.

Dead forever.

Enya – “It’s In The Rain”.

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Today I’d like to share another song by Enya with you. I think if I were to make a ranking of my favourite songs by her, it could get into the top 10 or not far below. I really like the overall, reflective but at the same time light and soothing feel of this piece. Hope you’ll enjoy it too. πŸ™‚

Song of the day (8th December) – Enya – “Ebudae”.

This is a very interesting song by Enya. According to Enya’s lyricist – Roma Ryan – it was inspired by ancient sounds. As I understand it, the lyrics are a combination of mouth sounds, and some Irish and Scottish Gaelic. The song is also inspired by weaving, and the rhythm of it is the same as in weaving, that’s also what the lyrics concern. And as for the title, Ebudae is a pre Celtic name for Hebrides. So this is a very Celtic, very minimalistic piece, and I like this minimalistic feel about it. Here is the translation of the lyrics:

 

Look, women are working each day and into the night,

they sing of the brighter days that were,

the long road, back and forth forever.

 

Song of the day (7th December) – Enya – “Exile”.

Time for another Enya song. This is probably one of her most relatable songs for me, after Evacuee and Dreams Are More Precious. I just love listening to it, although it is very sad. I think it could also be relatable for many people, but in different ways, possibly many ways for one person as is the case with me.

The YouTube link for this song appears to be unavailable for something, so if you have your preferred streaming service, I’ll put a link to Songwhip below, and for those of you who use Spotify like me, there is a link to Spotify.

Enya – “Exile”

Song of the day (29th November) – Enya – “Willows On The Water”.

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As I wrote yesterday in the MIMRA post, I’ve had quite an intense time lately but things are getting calmer so let’s try catching up on the regular posts, and later on I’d also like to write a couple longer ones.

Here is another beautiful piece – instrumental this time round – from Enya’s newest album “Dark Sky Island”. And like many tracks on this album it’s also inspired by nature. I really like it’s harmonies and it’s nicely light and just pleasant.

Song of the day (26th November) – Enya – “Caribbean Blue”.

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I think this is my favourite out of Enya’s more popular songs. I have so many positive feelings and associations related to it. This song was meant to be very daydream-y, and it feels right away, which is why I’ve always used it for some bigger daydreaming, relaxing visualisations and stuff. It has really helped me through so many situations and it is so relaxing and nourishing for the imagination.

As always in Enya’s case, when this song was created, the music came first, and then, when Enya’s lyricist – Roma Ryan – heard it, it made her think of the Caribbean, hence the title. It’s not as popular as Orinoco Flow, Only Time or May It Be, but people who aren’t Enya geeks yet at the same time know some more of her music than just these three songs, will typically remember hearing Caribbean Blue somewhere and able to tell that it’s Enya, or will even be well acquainted with it if they either have a bit of liking for Enya or generally 80’s music that is not necessarily disco. In Europe, it can also be heard in radio stations which play some light pop or a bit older stuff, here in Poland for example an oldies station called Radio Plus plays it regularly. So maybe you have also heard Caribbean Blue before, even if you are not a crazy Enya fan? In any case, if you are an escapist, I reckon you’ll like it even if you haven’t heard it before.

Enya – “Diamonds On The Water”.

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Today I want to share with you another song by Enya. It comes from her last album – Dark Sky Island – which as a whole was largely inspired by her various journeys, but this song is one of these by her that are particularly focused on nature, and Enya drew the inspiration from one of her walks, when she saw the sun, and how it it looked like there were diamonds on the water. So like she says herself, it’s a very “visual” song. I think it’s a very reflective and mindful piece and may appeal to a lot of people because of this.

Enya – “Only Time”.

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I’d like to share another song by Enya with you today. An incredibly popular one. So popular, in fact, that it doesn’t even have as much of that special Enya feel to me as most of her music does. In a way I’m glad that her music isn’t totally obscure, that at least a lot of people know who she is, that you don’t have to be some real quirky individual to come across her music and enjoy its beauty and that it can speak to many people. But sometimes I feel like it really sucks that she’s so popular. Because as someone who’s had a faza on Enya and her music and has a special and very strong connection to it, it doesn’t sit right with me to know that people often listen to her music randomly without thinking much about it, call it new age when even Enya herself says it’s not, just because it reminds them of new age music, that some of her music is played in any of your average light pop radio stations often squeezed in between some rather mediocre tracks, and her most popular singles are often made into totally cringeworthy and sacrilegious – in my humble opinion – remixes which make my brain shrink and indeed, at least in my perception, ironically make her music have more of a feel akin to these sort of new age/pop/ethno fusion projects like Enigma, Era or Deep Forest. Yeah, I know I’m weird, but I can’t help the way I think about this. πŸ˜€ I just find it a bit yucky simply because I have a very personal relationship with her music and it feels like a prophany but I realise it’s just me. And, oh yeah, there’s that one song, only one single song by Enya that I dislike, to be more exact I actually hate it, not for any other reason than just because it doesn’t sit right with my brain and causes me sensory anxiety – so paradoxical given that her any other music has exactly the opposite effect, I don’t know why that is and I wish I liked this song, I really tried, but I just do not and trying to like it only makes it worse. – This song is Orinoco Flow, the single from her 80’s album Watermark, which got insanely popular and appears to be her most well known song. Such an irony.

With this song, Only Time, there is an awful, pop-y, cringey remix which as far as I remember was the first song by Enya that I’ve ever heard (no wonder that my first impressions of her music were very negative and I used to think I dislike her music in general, only later a friend convinced me and infected me with the faza on her ). You could hear this cringey remix in some stations here and I guess even more often than the original song.

So, after I’ve realised how much I actually love Enya, I never really had big feelings for Only Time just because it’s so normal, so popular, so overheard. I did like the original version but just not quite like her lesser known music. I still don’t have huge love for this song like I do for example for Dreams Are More Precious, but I try not to be unfair and disqualify it just because it’s popular. After all, it’s still very good and became popular for a reason.

I guess Enya is much less popular and known in America than in Europe, but this song is probably quite well known to American people as well, since it was used as a tribute to 9/11 victims, and in connection with that events the lyrics take on an entirely new meaning. So is the case in our current, weird times.

Ten Things of Thankful – #TToT. –

Today, after a long time of not doing this, I’m linking up with

Ten Things of Thankful

to list some things I’m grateful for, as a sort of follow-up to my earlier post about ways of showing gratitude.

Here’s the list of things I’m thankful for.

  1. Β Β  That we are all in good health, me and my family. I think that’s a huge thing to be grateful for any time. I’m not just talking Covid, but this, of course, too. It’s one of these things you typically only start to appreciate when something goes really wrong, so I’m trying to be grateful in advance.
  2. My room. It’s my recharge place and a place I feel very strongly emotionally attached to so I don’t know what I would do if I didn’t have my own room. Especially that mine is really beautiful, cosy and Mishful. I got to particularly appreciate it yesterday when Sofi was having a party that I mentioned earlier today, but Misha and I could just lock ourselves here and be oblivious to all that.
  3. Great music and interesting books! I always make sure I’m not short on either and both these things are of tremendous importance for me every single week, making my life richer. Right now, I am listening especially much to Enya’s music – Enya was my very first major faza (or music fascination) and even though she’s more in the background now, still, every year, when it gets colder outside, I feel like listening to a lot of her music. –
  4. Everything to do with MIMRA (My Inner MishMash Readership Award). That I am able to do MIMRAs, that I have my Mum to help me out with them, as she always helps a lot and although she’s not my reader she probably deserves a MIMRA herself πŸ˜€ that I have my loyal and supportive blog readers, that I have some cool ideas for MIMRA this year (although it all still needs to be polished)… There’s so much to be grateful for about MIMRA.
  5. Kefir! A lot of people who aren’t really as huge fans of kefir as I am but do drink it sometimes might argue that it’s a distinctly summery drink. Well I drink it all year round and this week I’ve been drinking tons of it.
  6. My Mum yet again! For all the other things beyond MIMRA she does for me. I feel really grateful that we have such strong relationship and can talk about lots of things, and also that we have relatively similar views on a lot of things – would be difficult otherwise living together, so it’s really a big plus. –
  7. That we’ve been having pretty good weather this week. Today’s especially nice and sunny out there.
  8. My iPhone and all the stuff I can do with it that I couldn’t before I got it, and that I’ve learnt to use it despite the touchscreen challenges well enough. This week, I’m especially grateful for being able to play BitLife when I had not much constructive stuff to do, especially at nights, as my sleep cycle was all over the place this week because of migraines, but at the same time I had too little energy to actually do something more useful. I’ve lived about 6 lives in Bitlife now and I always bond so closely with the character I’m playing.
  9. All my penfriends, especially the ones with whom I’ve been writing for a longer time, their interesting emails, care, support, and all the conversations we have.
  10. And Misha!!! How come I didn’t put him higher on the list? Misha slept with me in my bed last night, I mean really in bed, not on the bed or in his bed on my bed but properly under the duvet beside me, which happens very rarely, and I loved it. I am also grateful for that he spends a lot of time in my room now during the days, sleeping in a basket on the windowsill, so he can look out the window, smell the fresh air, feel the sun and wind, and the radiator beneath it. Sadly the radiator itself is way too narrow for Misha, otherwise I’m sure he would have preferred sleeping there. I’m always so grateful for having such a beautiful Mishball in my life, I’m insanely lucky in this regard.

So, these are the ten things I’m grateful for this week.

What’s on your list? πŸ™‚

 

Enya – “Shepherd Moons”.

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Yesterday, after having wild dreams featuring The Loxian Gate by Enya and sharing the afore mentioned song on here, I’ve started to listen to all of her albums chronologically and still hasn’t finished, and it feels like my faza on her has renewed a bit. Recently I had a bit of a refreshment of my faza on Cornelis – as I was working on another translation of his another song, the results of which were very mixed – and now it’s Enya. It’s very good, as I still don’t have an official, new, major faza, and faza on Gwilym has faded into the background so I do need something to keep me going. It’s a very regular pattern with Enya though. My faza on her never was particularly intense, no huge peaks or other such, but it’s always been very enriching, satisfying and just making my life feel better. And every year since she stopped being my major faza, when it gets autumnal, or more wintry, the faza will always come back and I’ll be listening to her music all the time and reading about her and just feeling very strongly about her music. I guess this time of year is just very right for listening to Enya and I also know I’m not the only one Enya fan who experiences a similar phenomenon.

So today I’m sharing with you another beautiful, space-themed piece which has always been very close to my brain and heart. I like Enya’s wordless, soothing and kind of magical vocals on this, and the keys – don’t they sound like they’re laughing? To me they do. πŸ˜€ They sound as if they were laughing quietly about something that only they know and as if they just were very happy in a quiet, calm way. – Shepherd Moons is one of the most special albums by Enya to me, maybe not necessarily the most favourite, but I just have so many significant memories with this, it’s helped me with so many upheavals in life, and this particular track, as well as Caribbean Blue and a few others on this album I find great for any kind of relaxing visualisation as they are very nourishing for the imagination.

The album, as well as its title track, got its name from the shepherd moons of Saturn – Pandora and Prometeus – which was Roma Ryan’s idea.

Enya – “Loxian Gate”.

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Today I want to share with you a song from my very first faza, which is Enya. While I find the Loxian language in which it is sung very fascinating and intriguing, I never had any very special connections with this song in particular. But last night I had some really wild dreams, and when I woke up, I heard this song in my brain, and I’m pretty sure it was in my dream too, so I decided that this will be our song of the day. But let me first tell you a bit about this Loxian language thing first, as I’m pretty sure most of you don’t know what it is. πŸ˜‰

Loxian is a conlang (constructed language) created by Roma Ryan – who is a poet, as well as Enya’s lyricist and close friend. – Actually Enya, while being the anglicised version of the name of the singer, should be seen as the name of the whole trio – that is Eithne ni Bhraonain (or Enya Brennan – the composer, singer, keyboardist and the main person behind this) Nicky Ryan (the producer and manager) and Roma Ryan (the lyricist) – that’s at least what Enya says herself. Enya is known for singing her music in very different languages, I believe depending on which happens to suit best to what she wants to express, and both her and Roma have a strong interest in Tolkien’s literature (Enya has after all sung two songs for the soundtrack of The Lord of the Rings: The Fellowship of the Ring). In 2005, when Enya was recording her album Amarantine, she had a problem with one of the songs, she called it Water Shows The Hidden Heart. She attempted to sing it in English, Irish and Latin but none of these languages conveyed the message that she wanted this song to express. So Roma created, just for the sake of this song and inspired by Tolkien’s elvish languages, an artistic language, or more like a soundscape at first, that she called Loxian, and it turned out just right for its purpose. Enya liked it so much that in the end she wanted to sing two more songs for this album in this new language, and so Roma decided to develop it further, as well as the culture in which it would be spoken. I’m not sure I understand it exactly the right way (it feels a little bit abstractive to me the more that the language itself seems to be very much a visual thing, with six visual scripts that it can be written in, so I don’t really get the chance to bite into it properly and figure out for myself what it’s all about and how it works), but according to the creator, Loxian is the future language of the Celts who would have migrated through space to some other planet. Loxian is, as you’ll be able to hear, an incredibly vowel-rich language, and is based on bits of English, Irish, Old English, Welsh, Hindu and Siberian Yupik (quite an intriguing, diverse and beautiful mix!).

The song Loxian Gate (from her last album) itself is about how the Loxians (so those descendants of the Celts from another planet) view the seasons of the year, the ones that we have now, and the ones that they have in their world.

Question of the day.

Hi people! πŸ™‚

If you could spend the day with a celebrity, who would you choose?

My answer:

I’m not particularly oriented nor interested in celebrities overall. I have my fazas but you could hardly call any of them a celebrity. Enya is well-known around the world but she’s way too private to suit that term and you don’t really hear much about her as herself, and Cornelis was a bit like a Swedish celebrity in that all sorts of more or less trashy magazines would tattle about his private life, and he became very well-known shortly before his death, but I’m not sure this term suits him that well either, plus he’s no longer alive. But if that would count, and if he’d be alive I think I’d choose him. If not, I quite like Helena Bonham Carter lately, and although I’m not crazy about her, perhaps it would be really nice to meet her.

You? πŸ™‚

Enya – “O Come, O Come, Emmanuel”.

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Perhaps you remember that I was sharing a lot of Enya’s music last year around Christmas with you. I was sure I must have shared this song, but looks like I haven’t, so I think it’s the right time to do it now, since this is primarily an Advent hymn! And I think in Enya’s version it sounds so extremely beautiful. Both full of some silent, secret euphoria, as well as nostalgia. I hope you like it too. πŸ™‚