BSHP is a completely new artist for me, but one that I’m definitely going to follow along and hope that she’ll be doing more interesting music. Her stagename should be read as Bishop, because that’s what her actual name is – Gabriella Bishop. – I think she’s very talented, and it’s a pity that there isn’t much music from her out there yet. I like her strong, emotive vocals and I believe they can resonate with a lot of people, so I’m sharing this with you. 🙂
It’s not morning here anymore, not even for my always jet-lagged brain 😀 – today it happened to be very early – but I hardly post anything in the morning and I would like to share this song with you, so why care about timing, especially that there are so many different timezones and you don’t have to view this today but could be any other day, in the morning or not.
I’m sure most people know the Cat Stevens classic, and yes, unsurprisingly, this song is a cover of it. I don’t really like the original, for no particular reason really, it just doesn’t really speak to me. And yes, it’s probably too common for me to like it, lol. This cover by Órla Fallon is so beautiful though, I fell in love with it instantly when I heard it.
Órla Fallon is one of the former member of an Irish all-female group called Celtic Woman, she was a singer and a harpist there. I really love her harp, and her voice, makes for a very angelic combination. I do not like however that from what I’m observing right now, Órla is stretching more towards the country end of the folk music spectrum, and away from the folksy, Celtic, pure folk, that she was doing with Celtic Woman and solo.
I think she makes this song sound exactly as it should sound – sweet, refreshing and happy in a deep, calm way. – Synaesthetically, this song in her version has a very vivid and distinct raspberry flavour to me, and I love raspberries so it’s just so cool. I think it’s especially Órla’s harp that makes it so perfect. I wonder if other people see it similarly. So here it is, and I hope you enjoy.
Do you ever ask yourself this question, “Why am I like this?” Some people dn’t, but some people do, and if you are one of the latter, this song is likely going to be very relatable for you.
I really like Orla Gartland. She’s Irish. That alone could be a good enough reason for me to like her. 😀 Even though she doesn’t do Celtic music and is quite popular. But I also like her because she’s very talented and very natural (very rare thing with “normal” artists these days), and a bit crazy, plus has a lot of distance to herself. Her lyrics are also very genuine and distanced, and I think also easily relatable for people.
This song is definitely very relatable for me. ‘Cause, being an overthinker, socially anxious and having AVPD, I quite frequently ask myself this question. Not like I expect to ever get the answer or like it matters that much, it’s just rhetorical and mostly a way to express my frustration. Now since I’ve first heard this song, whenever I wonder about “why am I like this?” the song immediately pops up in my brain. 😀 I can also very strongly relate to the broader topics of the song – overthinking one’s mistakes and anxiety in general. – The overthinking and overintrospecting bit is one of the most frustrating pieces of my AVPD. But I also believe it’s quite a universal experience that people struggle with too much introspection, self-criticism and some shyness on top of that, so I guess it could be very relatable to a lot of people. This is definitely my favourite song by Orla.
I don’t mind songs about love, I do love many of them, but since I myself have never experienced romantic love, and the vast majority of song lyrics are about this, it’s quite rare for me to find a truly relatable song, and therefore I appreciate pieces like this even more.
I couldn’t decide which version I want to share with you – the original or the fully produced – so I’m sharing both, ‘cuz why not.
Time for some song of the day finally, eh? Haven’t posted those in a while. So, today I have a Swedish song for you. It’s by a young, Stockholm-based artist whom I really like. She participated in the Swedish edition of the talent show Idol, and now makes her own music under the pseudonym Orkid, which simply means orchid in Swedish, her real name is Matilda Melin. This is the first song by her I’ve ever heard and I think it’s really good.
I have a song from a really cool, young singer for you today. Alexandra Lehti, aka Lxandra, was raised in an inhabited Finnish fortress called Suomenlinna, and has a Finnish father (Pekka Lehti – bassist who played with a fair few bands including a great female folk Värttinä, and he also seems to be a music producer -) and a German mother. I’ve heard this song for the first time a couple weeks ago and this was my first contact with Lxandra’s music. I really like her vocals, which are often compared with Adele and indeed there is some similarity. This song is about being true to who you are and where you come from, which is something that resonates with me as I feel strongly about cultivating your roots, on all sorts of different levels, and the message in Lxandra’s song seems to be more about our individual roots and background.
This song has been one of my favourites for quite a while now. I’ve heard about Jack Hawitt for the first time some months ago, don’t remember when exactly, and this song was the first of his that I’ve heard. This must have been around the time that my faza on Gwil was slowly fading from the dominant position so I was beginning to look for someone new to get a faza on. Jack Hawitt was one of the first candidates that I’ve considered, mostly just because his name was Jack and I wanted to have a faza on Jack, but it didn’t work out, he’s cool but too normal for that.
What I like most about this song is the lyrics, which I think are very relatable but also full of hope, hope that there is help and support out there, for many people with mental illness, or those who experience some temporary lows or crises in life as well. Also it’s just a very nice song, and both Jack and Nyaki are very good singers.
Jack Hawitt is from Britain, and he’s been active as a singer for a while already, and Nyaki is from Norway, but I haven’t heard any other songs by her.
It’s Mother’s Day here in Poland, so I thought I’d share a song that both my Mum and I like. It’s actually my Mum’s favourite song as of late. I completely didn’t associate this kind of music with her, but she likes this song, and when I heard it for the first time, I started to like it too. Generally our tastes aren’t incredibly similar.
Blue Cafe is a Polish band which I used to really hate, and am still not a huge fan of at all. They used to have a really awful vocalist, now they have a different one who at least can sing, but this song of theirs is one of the very few that I like and it always makes me think of Mum.
I’ve found a new British artist that I really like lately. Her stage name is Hamzaa, which apparently comes from her stepfather’s surname, and her real name is Malika, and she has a gorgeous voice. This song of hers is my absolute favourite, also because I think the lyrics are quite cool.
I’ve heard about Rebecca Ferguson a couple of times over the years, and I’ve also heard some of her music, but previously somehow it didn’t make a strong impression on me. But recently I’ve heard more of her music and I realised that I actually like her. She has a really cool voice and I love her Liverpudlian accent. I think this song also has great and relatable lyrics. Who’s your uncrazy? For me, it’s undeniably Misha. 😀
A song I have for you today is by Irish singer called Aimée. I often decide to show you acoustic versions of songs because I think they often just sound better and are more expressive, especially when it comes to just normal pop, but this time I think the original album version sounds better and conveys more emotion, I just like it more. Though what i like it mostly for is the lyrics. Aime is quite a new artist to me, but I think I’m going to like more of her music.
As I’ve already told you, I’ve been discovering some Dutch music – mainly in English so far – lately, and my search is continuing, so I may show you some more Dutch music in the near future. Today I have for you a piece from an Amsterdam-based artist called Nina June. This was the first song by her I’ve heard, so far I’ve heard a few more but still I think I’ll need to familiarise myself better with her music to get a proper feel of it. This one is the one that I like the most so far though, so thought I’d share it with you as well.
Here’s a song I’ve recently grown to really like. In case someone of my more long-term readers would be confused, this is not that Declan I’ve had a faza/music crush on, that one is Declan Galbraith. I do like Declan J Donovan too, even though I don’t think I could ever have a faza on him, and this is my absolutely favourite song of his. I’ve only just learnt about it when preparing a bit for this post that this song was actually played on Love Island, which I suppose might be an interesting bit of info.
I’ve said on my blog a couple times that despite one of my most favourite languages that I am aiming to learn at some point is Dutch, I know very little Dutch music, whether English- or Dutch-language, and that I can’t find a lot of Dutch stuff that I would particularly like. Recently though I’ve been discovering some Dutch pop, and hope that from there I can also move on to other genres.
So, here is a Dutch singer called Celine Cairo, and I think this song of her is particularly beautiful.
Today I have a very catchy pop song for you. Olivia Garcia is a singer from Manchester who took part in X Factor some years ago, and then also in British preselections for Eurovision 2017, but didn’t get chosen in the end. I think the song is quite cool and her voice is very powerful, so thought I’d share.
I have another beautiful folk ballad for you today, and an English one as well. In any case, at least this version is English, the ballad itself apparently comes from Scotland. It is also known as “I Once Loved A Lass” and is told from a man’s perspective.
I know a few versions of this song, but I guess Olivia Chaney’s is my favourite, although I love Sandy Denny’s version too.
And, again, it strikes me how easy it seemed to be for people in the past centuries to die. You only needed an unrequited love, and then you could just lay down and die. I guess, looking at it objectively, it’s good that mankind has grown out of this strange ailment. 😉 At the same time, as someone who has struggled with passive suicidal thoughts for most of my life, I have to admit that I often thought that this ability must have been really handy. I remember listening to “Annachie Gordon” for the first time as a tween or so, and I was so utterly amazed that one can just die in a matter of seconds solely because of love.
Today I have a folk song for you, a beautiful English ballad. Well, this performance is English, but the song is actually known in many European countries, like a lot of folk ballads. I’ve heard different versions, both in terms of plot, melody and language. From English, to Scots, to Hungarian… But I think I am right to assume that it originated in the British Isles. Sometimes it’s known as “Cruel Sister”, but Emily Portman’s version is called “Two Sisters”. It’s a murder ballad – somehow I’ve posted a lot of those, well, I guess they must be really good. –
So, as I said, Emily Portman is English, and the song comes from her album titled “Glamoury”, which was made in cooperation with a harpist Rachel Newton (I haven’t heard her own music but from this album I think she must be a great harpist and I really like her harp play) and another singer – Lucy Farrell – I like that, since it’s said in the song that after the younger sister’s death, a harp was made of her breast bone by a minstrel, this song, in Emily’s version, actually contains harp. A lot of harp. The whole album contains quite a lot of harp, though I can be never satiated. Here goes, I hope you like it.
I have a very nice Scandipop tune for you. It comes from a seventeen-year-old Swedish singer Adele Ofelia Cechal, known mononymously as Ofelia, and has been featured in the Swedish TV series “Jordskott”. I haven’t watched the series and have very little idea of it, it appears to be a crime series, but I do like the song a lot, so I’m sharing it with you.
Casi Wyn, also known simply as Casi, or as Casi & The Blind Harpist which is her solo project, is a fabulous Welsh folk-pop singer from north Wales, Bangor more exactly, who sings both in English and Welsh (and has such a delighthful north Welsh accent in English!). I first heard her, quite unsurprisingly, on BBC Radio Cymru, although as for this particular song it’s something I’ve discovered only some weeks ago thanks to the online radiostation called Cymru FM. I’ve always liked Casi’s music, the way that she blends folk and pop influences, her very clear and bright voice, and as I said her Welsh accent as well. This piece is a bit more electronic than most of Casi’s music that I have listened to, but I like it just as much anyway.
It has two versions – a Welsh and English one – though they’re not literally the same of course as that would be difficult to achieve in music and I suppose the Welsh version is the original one. – I much prefer the Welsh version of this song, probably because it feels somewhat richer and it just sounds better in Welsh in this particular case. As I said their lyrics differ a bit, and I am not able to make a literal English translation of “Dyffryn” for you as I don’t understand everything perfectly and there are no lyrics of it online that I could help myself with, but the general feel of those lyrics is very much the same as with the English as far as I can tell. Here are both versions, hope you enjoy. 🙂