Hey people! 🙂
Previously, I have shared with you this composition of Turlough O’Carolan played by
Nadia Birkenstock, Celia Briar and Lynn Saoirse, and now I thought I’d share with you yet another version of this beautiful tune, played by another harpist whose music I’ve been sharing with you quite regularly, that is Delyth Evans, currently known as Delyth Jenkins, whom you may also recognise as part of the D&A duo which she forms together with her daughter Angharad who is a fiddler. You can find out more about this song and its origins clicking the links above.
And for today, I have a very sad, Welsh song about love, which is actually based on a true story. This version I am sharing with you is an instrumental harp rendition, from the very well-known on this blog Delyth Evans (currently Jenkins), but originally this song has lyrics. They tell the story of Ann Thomas and Will Hopcyn from Glamorganshire, who fell in love with each other, despite Ann belonged to a wealthy farming family, and Will was only a labourer. Ann’s mother really didn’t like it, so she decided that Ann would marry the sonn of a squire from the area. Will left the village of Llangynwyd where they lived. After months after Ann’s wedding, he had a dream that Ann’s husband died, but then when he came back to Ann it turned out that it was her who was dying, apparently due to a broken heart. She ended up dying in Will’s arms. Afterwards Will ended up marrying someone, but it was not a happy marriage. The song was collected by Maria Jane Williams.
Hey people! 🙂
Today, let’s listen to a harp piece from Delyth Evans (currently better known as Delyth Jenkins). I have no idea what the title of this piece means, if anything, haven’t been able to figure anything out. It looks like Spanish or Portuguese to my brain but doesn’t seem to mean anything particular in either of these languages. Still, it’s a beautiful piece, and that’s what’s important to me.
Hey people! 🙂
Recently I shared with you one of the Gnossiennes composed by Eric Satie and played on the harp by Floraleda Sacchi, and today I’d like to share another, and I guess more commonly known, composition by Eric Satie – the last of his Gymnopedies. – Gymnopedies are three pieces of music that Satie composed for piano, all very melancholic pieces (the first is meant to be played painfully, the second sadly, and the third – the one we’ll listen to today – gravely) and I’ve heard quite a few different harp performances of them and I really like how they sound played on the harp. The name of these pieces comes from some ancient Greek festivity called gymnopaedia, during which young men were dancing naked/unarmed. I have a little bit of a personal connection with Gymnopedies because when I was in nursery, there was a documentary that was being filmed about our nursery (for the blind) and how we lived in there. Then all of our parents got a copy of this film. I now know that my Mum hated that film, but she watched it a lot anyways especially when I was away at school and then she always ended up crying. Once I grew up a bit I never liked watching it either or people mentioning it, something about it is very depressing to me though I’m pretty sure it’s just in my brain and all sorts of memories coming up rather than the documentary itself being objectively depressing. Anyways, gymnopedies were in the soundtrack of this film. I actually don’t remember now if it was all of the Gymnopedies or just one, and if one then which one, because I haven’t watched that in ages nor has my Mum, but I am sure that there was at least one Gymnopedie. I guess Gymnopedies are a sort of go-to soundtrack for all things that are meant to be tear-jerking because I’ve heard them used a lot in this way. This is actually a bit of a pity, because they’re great pieces of music, and while they’re melancholic, it’s not in a tear-jerking, maudlin way. But despite my Mum hated that film, she really liked this music and wanted to know what it is, and finally when she found out she bought some music album where Gymnopedies were included, I don’t know who played them. And she still really likes them despite they sometimes make her think about the times when I was at school and how it made her sad that I couldn’t be at home with my family. And that’s why, when it comes to me, what I primarily associate Gymnopedies and what they make me think of when I hear them is my Mum, rather than the time when I was in nursery, which I’m so glad about, because otherwise they’d probably be totally spoilt for me, and as it is, I really love them. Especially, like I said, played on harp. This third, grave Gymnopedie in A minor is played by the already well-known harpist on this blog, Delyth Evans (currently Jenkins) from Wales.
Hi people! 🙂
Today I have for you a piece played by the Welsh Celtic harpist Delyth Evans, better known as Delyth Jenkins these days, from her 1991 album “Delta (Cerddoriaeth y Delyn Geltaidd/Music of the Celtic Harp”. I suppose that the Kilvrough in the title refers to Kilvrough Manor, a country house near Swansea. And the spirit should perhaps actually be translated as ghost? I’m not sure, I haven’t heard anything about this place being haunted or the like, but then I know next to nothing about it in general.
Hey people! 🙂
For today, I chose to share with you a set of two (I think traditional) tunes played on the Celtic harp by Delyth Evans, currently known as Delyth Jenkins. I find both of them really nice.
Hi guys! 🙂
For today, I chose to share with you a beautiful piece from the Welsh Celtic harpist Delyth Jenkins, formerly known as Delyth Evans, from her album “Ar Y Ffin” (On The Border).
Hey people! 🙂
Let’s listen to Delythh Jenkins today! I’ve shared some of her music before, solo, with her daughter Angharad, and a project she was a part of years ago called Aberjaber. Today I’m sharing a piece from one of her solo albums.
The Maldwyn (or Moontgomeryshire) in the title is a historical county in mid-Wales which now is a part of Powys. If you’re familiar with Nansi Richards, either from my blog where I’ve shared some of her music, or from wherever else, her bardic name was Telynores Maldwyn, or the Montgomery Harpist, because that’s where she lived. Delyth Jenkins also originates from there, and, curiously, I’ve read that both Nansi Richards and Delyth Jenkins were born in the same place – Oswestry in England, aka the Welshest town in England.
Mwynder Maldwyn is a sort of saying in Welsh, which could be translated as the gentleness of Maldwyn but I guess mwynder doesn’t really mean literally the same thing as gentleness in English. In any case, it’s used in reference to the natural beauty of the area, as well as the traits of the people.
I’ve never been to Montgomeryshire, nor even to Wales, but if I was to form some sort of an opinion about the place from this tune, it must be really extremely beautiful and I’d love to see it, even though nothing can beat Gwynedd for me. 😀
Hi people! 🙂
Another piece today featuring Delyth Jenkins, this time with her daughter – Angharad – playing fiddle. They’re also known together as DNA. I really really love this beautiful peace. Its title comes from Glyn Tawe, a hamlet near the river Tawe in Powys in Wales.
Hi guys! 🙂
I have another short and sweet harp piece for you today, only this time it’s from Delyth Jenkins (nee Evans) who plays Celtic harp, unlike Llio Rhydderch who plays Welsh triple harp. I’ve already shared with you at least one piece by her from what I remember, in collaboration with her daughter Angharad, they work as a duo called DNA.
Since this piece has a French title, and I don’t know this language beyond some little words and phrases or what I can figure out thanks to other languages that I know, I have no clue what the title means exactly.