Maire Brennan – “The Mighty One”.

Here is another song by Maire Brennan, also about God. I think the sound of it is very powerful, and it has more of an ethnofolk feel. The chorus is in Irish, and here is what it means in English.

  All my blessings from my heart to you
Isn’t the view delightful?
My blessing from my heart to you
And glory be to God

Song of the day (25th September) – Maire Brennan – “Perfect Time”.

Hi people. 🙂

I’ve recently realised that I’d never shared with you any of Maire Brennan’s music. Not that I love her so very much, but she’s quite an icon of Celtic music, and she does have some songs I like. Other than that, she’s Enya’s sister! I’m not very keen on the type of voice Maire has, but, as I said, some of her music is really good and she is also a harpist, though there’s no harp in the song I want to share with you now. I’d like to dedicate a few song of the day posts to my favourite songs of hers. If you have listened to some more famous Celtic music bands, you may remember Maire from Clannad (famous for “Robin, The Hooded Man” in the 80’s, for example). And Clannad has also loads of great music, but I won’t be sharing theirs now. Maire Brennan is also known as Maire ni Bhraonain, Moya Brennan or, in her earlier days, as Mary Brennan.

Maire was raised in a Catholic Irish family, but she’s now a member of evangelical church, and a lot of her songs are more or less religious. This one is as well. I think it sounds really good, though of course as you know I prefer Enya’s music far more. This video doesn’t have the best sound quality, don’t know how about visual, but there are so many versions of this song, I believe from different albums, that I had a hard time finding the one I like best and I found it in such a bit rubbish quality.

Celtic Woman – “Orinoco Flow”.

Hi people! 🙂

Celtic Woman are one of my most favourite Irish/Celtic groups, yet I’ve only shared one song with you so far. I’ve recently seen that they released something new, including a newer version of “Orinoco Flow” that they also sang before, but I decided I like the older version more and will show it to you. It comes back from the times when they had their good old line-up, with Lisa Kelly, Meav and such, I liked them best at that time in the history of the band, though I still do like them a lot.

The song was originally song and composed by ENya and appeared on one of her earliest albums back in the eighties – “Watermark”. – If you know me and my blog at least a bit, you probably already know Enya has been one of my major music crushes over the years. Curiously however, “Orinoco Flow” is the only song of hers that I really, really don’t like, as much as I love all her other songs and compositions. It was played a lot and is still one of the most recognisable songs by Enya, I believe, and I knew it way before I started loving Enya and discovering her music. In fact, at the beginning I thought I disliked all of her music, it had to grow on me and it did very suddenly. But “Orinoco Flow”, despite my brave attempts to like it, remains the only song of Enya’s that I do not like, and almost hate. Why is that? I don’t even exactly know. 😀 Perhaps I have some bad associations with it that I don’t realise, which is very possible, in any case, for some reason it makes my sensory anxiety come up. Weird, given how relaxing Enya’s music is and how normally it’s very soothing to me. Anyway, I do like it by Celtic Woman, so maybe it depends on an arrangement or whatever. So, here it is. I hope you enjoy. 🙂

Song of the day (14th August) – Loreena MCKennitt – “The Lady Of Shalott”.

This song from Loreena MCKennit, as you can probably guess, tells the story of Elaine of Astolat, from the Arthurian legend. Well, moreover, it’s the musical adaptation of the whole poem “The Lady Of Shalott” by Alfred Tennyson. That’s how I’ve first heard this poem – sung by Loreena MCKennitt. – And thanks to this song, I’ve become interested in Arthurian legends, as part of my fascination with everything Celtic. Until then, I didn’t really know much about Arthurian legends. But now I find them very interesting. And this one is my favourite. So here is this long song. I really love the way she adapted this poem and made a lovely piece of music out of it.

Song of the day (13th August) – Loreena MCKennitt – “Down By The Sally Gardens”.

Here is another song by Loreena MCKennitt that I love and want to share with you. Originally, it was a peoem written by William Butler Yeats – Irish 20th century poet and Nobel Prize winner (it was “Down By The Salley Gardens” in the original I believe). – Apparently, Yeats based some of it on a folk ballad “The Rambling Boys Of Pleasure”. It’s been recorded as a song by many artists though, and especially those making Celtic music. I think Loreena’s version is one of the best I know. b

Song of the day (12th August) – Loreena MCKennitt – “Annachie Gordon”.

Hi hi hi lovely people! 🙂

It feels like I haven’t written anything in quite a while again, so let’s first catch up on some music, as I haven’t posted any music for a particularly long time.

I’d like to show you a few songs of one of my very first favourite Celtic music singers – Loreena MCKennitt. – Alongside Enya, Aine Minogue and a few others, she was keeping me sane during a time that was particularly difficult emotionally in my life, and she was one of the first artists associated with Celtic but also generally folk music that I’ve started to listen to a lot, and one of the first harpists whose music I’ve heard. I really like her dramatic soprano, my friend Jacek from Helsinki loved her and he used to say her voice is chil inducing, it indeed is very very expressive. I love the wide range of inspirations Loreena uses in her music, she’s not only into Celtic music but also oriental music, she has adapted various poems or pieces of literary work into pieces of music or has written her own music inspired by literature, legends, myths, historical/legendary figures etc. It’s like her each album has a bit of a theme that is going on throughout the album. I like how self-sufficient she is. Apart from being a singer, songwriter, composer and harpist, she has also her own record label – Quinlan Road – and also plays a few other instruments other than harp, she’s her own manager and seems to like running the show just on her own. And I like her harp play so very much. She’s one of the better Celtic harpists out there in my opinion.

Loreena MCKennitt is from Canada, she has Irish and Scottish roots (and her father’s name was JACK! that explains everything, doesn’t it? 😉 ) and she currently lives in Ontario.

The song I want to show you in this post is a ballad called “Annachie Gordon”. If I remember well, this is one of the balads in the collection of Child’s Ballads, and it is English. I like many contemporary versions of this piece but Loreena’s is the best, because of her vocals and because of the magnificent harp! It was also the first version of this song I’ve heard, and I immediately fell in love with it. The plot of the ballad is quite, um, cliche, and now as I’m older than when I discovered “Annachie Gordon” it’s hard for me to listen to it without my sarcastic brain commenting and criticising the storyline (I basically think looking at it from these days perspective, the heroine, Jeannie, makes an impression of someone quite manipulative, I understand her pain when she was faced with having to live being married to a man she didn’t love instead of her beloved Annachie, but the scene where she falls on her knees before her father and dies looks, well, yeah, manipulative, you start to wonder if she’s going to suddenly rise up as soon as everyone leaves her alone and run away with Annachie as far from lord Sulton and her family as possible. 😀 I know, I know, I’m crazy and overanalysing). I also think life would be so easy if we really could just switch off and die when life throws sh*t at us as in the case of Jeannie and Annachie. But well, it is a ballad. And still, it is a beautiful one. I remember being absolutely fascinated by it, and for some reason because of it I really loved the name Annachie, which, you must admit, is a very unusual name, I’ve never heard in any other context or on anyone other than Annachie Gordon. I’ve even named a character in one of my short stories Annachie after him. Though now my tastes have changed and I think it lacks masculinity and looks like a fancy elaboration of Anna in the style of Annalee or Annamae, but of the more kreativ kind. 😀 Well, I guess it was apparently recreated from some old feminine name actually. Anyway, here’s the song. Hope you’ll enjoy it too. 🙂

Gwilym Bowen Rhys – “Jac-Yr-Oil”.

Hi guys! 🙂

I am still very much in love with Gwilym’s last album, Arenig, so thought I’d share something else from it with you, this time an instrumental, three-part piece. And, since I am a Jac(k)ophile, in line with the song of the day that I shared with you yesterday – by Jac Richards – this one has also to do with Jac, with its title being “Jac-Yr-Oil”. I have no idea where the title comes from or what Jac is doing in it, I tried doing some research but it hasn’t made me any wiser. In any case, the track is beautiful. Just as the previous one I showed you a month ago – “Lloer Dirion Lliw’r Dydd” – was haunting, emotional, intense and rather melancholic, “Jac-Yr-Oil” is positive, energetic, refreshing, uplifting and full of enthusiasm, which just shows in a nutshell a wide range of emotions one can feel listening to this album. I love this about it so so much!

As I said, it is a three-part music piece, consisting of three folk tunes, one is composed by Gwilym, the second comes from Anglesey’s 18th century fiddler, John Thomas, and the last is a re-arranged composition of Stephen Rees’ “2 Cardi 3”. Here it is. 🙂