Hey people! 🙂
The band I want to introduce you today has probably one of the most unfortunate names I’ve ever come across when it comes to bands. Because pigyn clust means ear ache in Welsh! How creative! But I’m pretty sure that listening to their music won’t cause you an ear ache, it’s beautiful. They’re mostly people from Gwynedd, and they make amazing folk music. This song here, that I want to share with you, I’m pretty sure it’s a traditional oone. I really like it in their interpretation.
What is your favourite breakfast cereal?
We eat a lot of cereal in our house, especially Sofi, but me too. I don’t know how various kinds of cereal may be called in other countries though, as that stuff is often very different in different places. So, I like many types of muesli, and the standard cornflakes, and also oatmeal (is oatmeal actually a cereal? :D). From sweet cereal, both my and Sofi’s favourite ones are most definitely Cini Minis, which is a type of cinnamon-flavoured, square-shaped cereal. Olek loves them too, probably even more than Sofi and I do together. We eat them with warm milk. Then there’s Chocapic, which is in the form of shells. I typically prefer eating them with yoghurt but they’re good with milk too. This is the kind of sweet cereal that we have most often at home, along with the “Pillows”, this is how we call them, but I’m not sure what their actual name is. They’re just cereal in the shape of pillows, with a filling, either some kind of a jelly-like stuff which isn’t terrible when you eat them on their own but is gross when you put them in something like milk or yoghurt, so we usually don’t get these, or with some toffi or vanilla filling or the like, which are the ones that we prefer, because that kind of filling isn’t bad when you put them into something. We both prefer them with yoghurt though because with milk they still do get soggy faster than other cereal. And honey nut Cheerios and Nesquik are both really good too. So I think these are the kinds of cereal that I eat most often and like the most.
How about you? Do you eat cereal at all? 🙂
Hi guys! 🙂
Today I’m sharing with you another solo piano piece by Enya. This one is closely related to her earlier piece, “Miss Clare Remembers”, in that they are both inspired by short stories written by English author Miss Read. Enya enjoyed reading about the countryside life in these stories and found the people in them interesting. I learned about the origins of these two songs relatively recently and, while I still haven’t read these stories, I think I will at some point, because they sound like something that might be right up Bibiel’s alley. The music they inspired is definitely beautiful.
If you had to live at some point in the past, which time period would you choose and why? You’d be your current age and you’d have to go back to at least the late 90’s (or further back). You can choose any place.
That’s really quite tricky. I think any time is interesting because of something, but I’d probably look for something beyond the 20th century about which we know quite well and, to me, it doesn’t have quite as much of the mystery factor. I feel like I’d like to go back to the middle ages most, however, it would be really difficult practically, ’cause back then I think it would be tricky being blind. Perhaps – even just because I’d be someone from the future – I’d be able to overcome the social difficulties involved in this (I could be some sort of a psychic or something), but there still would be all the logistics to deal with. I don’t think I would easily get used to, for example, depending on other people for getting virtually any kind of information that I can now get thanks to being able to read and having technology to help, of which blind people in the middle ages had neither. Ancient times could be interesting as well. As for place… I really don’t have much of a clue either. If I could go back in time, perhaps I could also be able to teleport, and go between all my favourite countries/areas and see what’s going on there? Practically though, I think it would be wisest to stay somewhere round here because I really don’t know how well I’d be able to understand people that far back in time anywhere else, I think I’d have some communication problems even here but I guess not as bad. 😀
How about you? 🙂
Hey people! 🙂
I’ve been hearing lately that Gwilym Bowen Rhys is about to release a new album, which is exhilarating news to me! It will be part two of his “Detholiad o Hen Faledi” (Selection of Old Ballads), the first part of which he released in I believe 2018. I don’t know when exactly it’ll come out, I don’t know if there’s any official date and I just haven’t seen it yet, but it seems like it could be any time now.
Before it comes out though, I thought it would be a very good idea to share with you something from his most recent album – “Arenig” from 2019 – about which I wrote a fair bit when it came out, which contains both traditional material and his original music, however somehow I didn’t really share all that much from it on here, I guess only two tracks. So today will be another one.
This is Gwilym’s original composition, which commemorates the Welsh Romani Gypsies community and their influence on Welsh folk music, and, from what I read when the album come out, it is particularly in honour of Abram Wood, also known as the father of the Welsh Gypsies, who was a fiddler and was said to introduce the fiddle to Wales. He had a large family and apparently a LOT of his descendants were great harpists. Here is this little piece.
Hey people! 🙂
I’ve shared a lot of harp music with you over the last year, but so far still haven’t shared anything from this very interesting harp duo, so now is the time.
Camille and Kennerly Kitt – also known as The Harp Twins – are, you guessed it, twins, identical twins, who both play harp and have been immensely dedicated to it since ann early age. They are American but have a lot of Scandinavian ancestry. They have a YouTube channel where they post their music, which is mainly instrumental covers of soundtracks or popular songs or the like. And they’re really good at it. They seem to have a very wide audience judging from how a lot of people apparently know them and from how many subscribers they have, so it’s really fun that they popularise the harp a bit.
This is their rendition of “Ballad Of The Goddess” from the Legend of Zelda, which I totally love!
Hi guys! 🙂
I shared two songs from this 70’s Welsh band in the past, and I thought I’d share another one today. Their career was relatively short and it’s entirely possible that I wouldn’t stumble upon their music if not the fact that the lead singer of the band – Rhys Harris – is also father of one of my faza subjects – Gwilym Bowen Rhys – and so I learned at some point about Gwilym’s dad being part of this band in the past and obviously had to check them out. Y Trwynau Coch (or The Red Noses in English), who were known for their lyrics being generally very much tongue-in-cheek (much like Gwilym’s former band Y Bandana), are the perfect example of how sometimes people take advantage of their language being small and not widely spoken, and write some rather mind-boggling lyrics, because no one’s going to understand them anyway so why not. 😀 To not look too far for examples, Welsh-Cornish singer Gwenno Saunders wrote a song all about cheese in Cornish. Well, I don’t know if that’s seriously a frequent motive behind what minority languages speakers write their music about, but the amount of weird lyrics in smaller languages music makes you think. I’ve come across a lot of such bands and artists in a lot of languages, even though usually they just go for weird or sometimes nonsensical lyrics, which I can’t blame them for because I think I would also feel very tempted to make fun of people in such a way if I were a minority language musician. 😀 But Trwynau Coch, in one of their songs – “Merched Dan Bumtheg” (Girls Under Fifteen) take the weirdness to the next level, and go all the way to where weird turns into creepy. That song was really… ewww, I don’t think anyone in any language would get away with this these days! This was shocking even for the 70’s standards and apparently they were even banned from radio stations who were niche enough to play them until then. Mostly though, from what I’ve heard people had a lot of distance to it, probably because it was a minority language so they mostly didn’t see it as a very big deal. I generally have a lot of distance to things and appreciate cheeky, mischievous lyrics, which is why I do like Y Trwynau Coch overall, but the case of that particular song is really awful and not fun at all imho.
That was just a bit of trivia and obviously I’m not going to show that song to you. The one I chose is, as you can figure out from the title, all about parasitising one’s parents and having the attitude of taking things for granted. 😀
The band didn’t reach higher popularity because they dissolved in the 80’s, probably because of seeking some more stable incomes because doing music in a small language isn’t very lucrative, and you have to live somehow (unless you have parents who let you live on their money and you’re okay with it 😀 ), and so they ended up doing something different in their lives long-term, except for Huw Chiswell, who I’ve heard was also a member of this band and he’s still a singer and songwriter and quite renowned in Wales.
Hey guys! 🙂
Today I’d like to share with you another piano-driven piece by Enya. I really love its harmony. As is often the case with Enya’s music, this piece doesn’t have lyrics, but I also couldn’t find anything about its background or the inspiration behind it, so I think we can be free to imagine it being about whatever it makes us think of.