Hi people! 🙂
Today, I will share with you another poem-song written by Cornelis Vreeswijk. With this one, I am sure it was written by him and as it seems originally was intended as a poem and not as a song as it didn’t seem to have a melody. The interesting thing about this poem which later became a song though, that I want to show you, is what came out of that it didn’t have a melody in the first place. Namely now people who cover Vreeswijk have all the freedom in the world to create their own, and here we have almost two different songs, very different in style yet with the same (only slightly varying) lyrics.
The poem – maybe a little surprisingly for someone who would know about Cornelis and roughly about what kinds of things he wrote – is not political, not a protest, not about people/society, not about love, not about Ann-Katrin Rosenblad (his muse) and not even about drinking. It’s, as you can guess from the title, about rain. Little rain. He addresses it in a way that makes you think this rain is a child. It’s a gentle encouragement for it to fall. “Of course the Earth is heavy and cold, but rain anyway”. And when it finally has fallen, the birds are hesitantly starting to sing more and more.
I think it’s very nice, and the two totally different musical versions take two totally differing looks at it.
Jack’s version comes from the same album from which is his last song that I shared with you – “Till Den Det Vederbör” – also written by Cornelis. Jack composed the music to it (or so I assume it was Jack) and it feels very deep but also minimalistic.
And then there’s another version of it composed by Georg Riedel, who is a Swedish jazz musician, and sung by his very talented and sensitive daughter Sarah on their album Cornelis vs Riedel. I’ve already shared a song from this album much earlier that was also sung by Sarah – “Se Här Dansar Fredrik Åkare”. – This is a very carefully made, heartfelt and refined album and both Sarah Riedel and Nikolai Dunger (who is another singer on this album) do a great job, in my opinion, of conveying the feel of each of these songs, as if they really took a lot of time to truly feel them and could relate to them personally. It is a very jazzy album as both Georg and Sarah Riedel are jazz people, which is normally something that would discourage me more or less as I usually don’t have a strong connection with jazz music, but here it doesn’t bother me at all and is great since Cornelis himself also drew from and was inspired by jazz among other genres, and it was his more jazzy songs that convinced me that jazz doesn’t always have to be awful and incomprehensive.
And so I seriously don’t know which version I like more. I wonder which one would be Cornelis’ favourite. And how about you guys? Do you like one of these more than the other?